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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47C85 it is the complementary color #2B837A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47C85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47C85 shade: #D97C80, #EA8E93, #FBA0A6, #FFB2B9 and #FFC4CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47C85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47C85 shade: #D47C85, #C36A72, #B2585F, #A1464C and #903439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47C85 shade: #D47C85 and #D47C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47C85 shade: #D47C85, #D47C9C, #D47CB4, #D47CCC and #C47CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47C85 shade matches the following richer shades: #D47C85, #E26E79, #F0606E and #FE5163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47C85 shade: #D47C85, #C68A90, #B8989B, #AAA6A6 and #9CB4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47C85 shade: #D47CB5, #D47C9D, #D47C86, #D4897C and #D4A07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47C85 shade: #BF3E4B, #CA5C68, #D47C85, #DE9BA2 and #E8BABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47C85 shade: #D47C85, #CDD47C and #7CA9D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47C85 shade: #D47C85, #86D47C and #7C86D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47C85 shade: #D47C85, #CDD47C, #7CD4CA and #837CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47C85 shade: #D47C85, #B2D47C, #7CD4CA and #9D7CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

Complementary color

CMYK 67 / 0 / 7 / 49

HEX #2B837A

RGB 43 131 122

HSL 173.86, 0.51%, 0.34%

LAB 49.68, -27.98, -2.77

 

CMYK 0 / 43 / 41 / 15

HEX #D97C80

RGB 217 124 128

HSL 357.42, 0.55%, 0.67%

LAB 62.28, 36.42, 13.71

 

CMYK 0 / 39 / 37 / 8

HEX #EA8E93

RGB 234 142 147

HSL 356.74, 0.69%, 0.74%

LAB 68.71, 35.43, 12.33

 

CMYK 0 / 36 / 34 / 2

HEX #FBA0A6

RGB 251 160 166

HSL 356.04, 0.92%, 0.81%

LAB 75.08, 34.51, 11.1

 

CMYK 0 / 30 / 27 / 0

HEX #FFB2B9

RGB 255 178 185

HSL 354.55, 1%, 0.85%

LAB 79.96, 28.97, 7.77

 

CMYK 0 / 23 / 20 / 0

HEX #FFC4CC

RGB 255 196 204

HSL 351.86, 1%, 0.88%

LAB 84.53, 22.2, 4.16

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 46 / 42 / 24

HEX #C36A72

RGB 195 106 114

HSL 354.61, 0.43%, 0.59%

LAB 55.2, 36.15, 11.46

 

CMYK 0 / 51 / 47 / 30

HEX #B2585F

RGB 178 88 95

HSL 355.33, 0.37%, 0.52%

LAB 48.6, 37.21, 13.15

 

CMYK 0 / 57 / 53 / 37

HEX #A1464C

RGB 161 70 76

HSL 356.04, 0.39%, 0.45%

LAB 41.97, 38.29, 15.19

 

CMYK 0 / 64 / 60 / 44

HEX #903439

RGB 144 52 57

HSL 356.74, 0.47%, 0.38%

LAB 35.36, 39.28, 17.72

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 42 / 42 / 17

HEX #D47C7C

RGB 212 124 124

HSL 0, 0.51%, 0.66%

LAB 61.54, 34.11, 14.87

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 42 / 26 / 17

HEX #D47C9C

RGB 212 124 156

HSL 338.18, 0.51%, 0.66%

LAB 62.35, 38.1, -2.27

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB4

RGB 212 124 180

HSL 321.82, 0.51%, 0.66%

LAB 63.1, 41.68, -14.83

 

CMYK 0 / 42 / 4 / 17

HEX #D47CCC

RGB 212 124 204

HSL 305.45, 0.51%, 0.66%

LAB 63.98, 45.72, -27.05

 

CMYK 8 / 42 / 0 / 17

HEX #C47CD4

RGB 196 124 212

HSL 289.09, 0.51%, 0.66%

LAB 62.43, 42.36, -34.08

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 51 / 46 / 11

HEX #E26E79

RGB 226 110 121

HSL 354.31, 0.67%, 0.66%

LAB 60.52, 46.1, 15.46

 

CMYK 0 / 60 / 54 / 6

HEX #F0606E

RGB 240 96 110

HSL 354.17, 0.83%, 0.66%

LAB 59.9, 56.46, 21.31

 

CMYK 0 / 68 / 61 / 0

HEX #FE5163

RGB 254 81 99

HSL 353.76, 0.99%, 0.66%

LAB 59.76, 66.21, 27.89

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 30 / 27 / 22

HEX #C68A90

RGB 198 138 144

HSL 354, 0.34%, 0.66%

LAB 63.5, 23.74, 6.03

 

CMYK 0 / 17 / 16 / 28

HEX #B8989B

RGB 184 152 155

HSL 354.38, 0.18%, 0.66%

LAB 65.76, 12.38, 2.89

 

CMYK 0 / 2 / 2 / 33

HEX #AAA6A6

RGB 170 166 166

HSL 0, 0.02%, 0.66%

LAB 68.44, 1.44, 0.5

HEX #AAA6A6

CMYK 13 / 0 / 2 / 29

HEX #9CB4B1

RGB 156 180 177

HSL 172.5, 0.14%, 0.66%

LAB 71.48, -8.82, -1.26

HEX #9CB4B1

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 42 / 26 / 17

HEX #D47C9D

RGB 212 124 157

HSL 337.5, 0.51%, 0.66%

LAB 62.38, 38.24, -2.8

 

CMYK 0 / 42 / 37 / 17

HEX #D47C86

RGB 212 124 134

HSL 353.18, 0.51%, 0.66%

LAB 61.77, 35.26, 9.48

 

CMYK 0 / 35 / 42 / 17

HEX #D4897C

RGB 212 137 124

HSL 8.86, 0.51%, 0.66%

LAB 64.44, 27.15, 18.87

 

CMYK 0 / 25 / 42 / 17

HEX #D4A07C

RGB 212 160 124

HSL 24.55, 0.51%, 0.66%

LAB 69.89, 14.69, 26.24

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 0 / 54 / 49 / 21

HEX #CA5C68

RGB 202 92 104

HSL 353.45, 0.51%, 0.58%

LAB 53.18, 44.81, 14.68

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 30 / 27 / 13

HEX #DE9BA2

RGB 222 155 162

HSL 353.73, 0.5%, 0.74%

LAB 70.58, 25.99, 6.45

 

CMYK 0 / 20 / 18 / 9

HEX #E8BABF

RGB 232 186 191

HSL 353.48, 0.5%, 0.82%

LAB 79.63, 17.28, 3.76

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 3 / 0 / 42 / 17

HEX #CDD47C

RGB 205 212 124

HSL 64.77, 0.51%, 0.66%

LAB 82.66, -15.37, 42.64

 

CMYK 42 / 20 / 0 / 17

HEX #7CA9D4

RGB 124 169 212

HSL 209.32, 0.51%, 0.66%

LAB 67.59, -4.02, -26.58

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 37 / 0 / 42 / 17

HEX #86D47C

RGB 134 212 124

HSL 113.18, 0.51%, 0.66%

LAB 78.23, -41.06, 36.1

 

CMYK 42 / 37 / 0 / 17

HEX #7C86D4

RGB 124 134 212

HSL 233.18, 0.51%, 0.66%

LAB 58.12, 16.04, -41.3

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 3 / 0 / 42 / 17

HEX #CDD47C

RGB 205 212 124

HSL 64.77, 0.51%, 0.66%

LAB 82.66, -15.37, 42.64

 

CMYK 42 / 0 / 5 / 17

HEX #7CD4CA

RGB 124 212 202

HSL 173.18, 0.51%, 0.66%

LAB 79.41, -28.84, -3.37

 

CMYK 38 / 42 / 0 / 17

HEX #837CD4

RGB 131 124 212

HSL 244.77, 0.51%, 0.66%

LAB 56.08, 23.77, -44.48

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 16 / 0 / 42 / 17

HEX #B2D47C

RGB 178 212 124

HSL 83.18, 0.51%, 0.66%

LAB 80.74, -25.74, 39.82

 

CMYK 42 / 0 / 5 / 17

HEX #7CD4CA

RGB 124 212 202

HSL 173.18, 0.51%, 0.66%

LAB 79.41, -28.84, -3.37

 

CMYK 26 / 42 / 0 / 17

HEX #9D7CD4

RGB 157 124 212

HSL 262.5, 0.51%, 0.66%

LAB 58.36, 30.91, -40.75

 

Description

Color code: HEX #D47C85 | qconv.com Color code: HEX #D47C85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 124 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 124 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 37 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 37% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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