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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47CB5 it is the complementary color #2B834A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47CB5 shade: #D97CB0, #EA8EC3, #FBA0D6, #FFB2E9 and #FFC4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47CB5 shade: #D47CB5, #C36AA2, #B2588F, #A1467C and #903469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47CB5 shade: #D47CB5, #D47C9D, #D47C85 and #D47C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47CB5 shade: #D47CB5, #D47CCD, #C37CD4, #AC7CD4 and #947CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47CB5 shade matches the following richer shades: #D47CB5, #E26EB9, #F060BD and #FE51C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47CB5 shade: #D47CB5, #C68AB1, #B898AD, #AAA6A8 and #9CB4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47CB5 shade: #C47CD4, #D47CCD, #D47CB5, #D47C9D and #D47C86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47CB5 shade: #BF3E92, #CA5CA3, #D47CB5, #DE9BC6 and #E8BAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47CB5 shade: #D47CB5, #D4AC7C and #7CD4D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47CB5 shade: #D47CB5, #B5D47C and #7CB5D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47CB5 shade: #D47CB5, #D4AC7C, #7CD49B and #7CA3D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47CB5 shade: #D47CB5, #D4C77C, #7CD49B and #7C89D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

Complementary color

CMYK 67 / 0 / 44 / 49

HEX #2B834A

RGB 43 131 74

HSL 141.14, 0.51%, 0.34%

LAB 48.56, -39.53, 23.36

 

CMYK 0 / 43 / 19 / 15

HEX #D97CB0

RGB 217 124 176

HSL 326.45, 0.55%, 0.67%

LAB 63.59, 42.72, -11.76

 

CMYK 0 / 39 / 17 / 8

HEX #EA8EC3

RGB 234 142 195

HSL 325.43, 0.69%, 0.74%

LAB 70.02, 41.94, -12.58

 

CMYK 0 / 36 / 15 / 2

HEX #FBA0D6

RGB 251 160 214

HSL 324.4, 0.92%, 0.81%

LAB 76.38, 41.18, -13.31

 

CMYK 0 / 30 / 9 / 0

HEX #FFB2E9

RGB 255 178 233

HSL 317.14, 1%, 0.85%

LAB 81.28, 36.19, -16.2

 

CMYK 0 / 23 / 1 / 0

HEX #FFC4FC

RGB 255 196 252

HSL 303.05, 1%, 0.88%

LAB 85.89, 30.03, -19.4

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 46 / 17 / 24

HEX #C36AA2

RGB 195 106 162

HSL 322.25, 0.43%, 0.59%

LAB 56.6, 42.62, -14.53

 

CMYK 0 / 51 / 20 / 30

HEX #B2588F

RGB 178 88 143

HSL 323.33, 0.37%, 0.52%

LAB 50.01, 43.37, -13.57

 

CMYK 0 / 57 / 23 / 37

HEX #A1467C

RGB 161 70 124

HSL 324.4, 0.39%, 0.45%

LAB 43.38, 44.04, -12.39

 

CMYK 0 / 64 / 27 / 44

HEX #903469

RGB 144 52 105

HSL 325.43, 0.47%, 0.38%

LAB 36.75, 44.49, -10.88

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 42 / 26 / 17

HEX #D47C9D

RGB 212 124 157

HSL 337.5, 0.51%, 0.66%

LAB 62.38, 38.24, -2.8

 

CMYK 0 / 42 / 37 / 17

HEX #D47C85

RGB 212 124 133

HSL 353.86, 0.51%, 0.66%

LAB 61.75, 35.14, 10.02

 

CMYK 0 / 42 / 42 / 17

HEX #D47C7C

RGB 212 124 124

HSL 0, 0.51%, 0.66%

LAB 61.54, 34.11, 14.87

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 42 / 3 / 17

HEX #D47CCD

RGB 212 124 205

HSL 304.77, 0.51%, 0.66%

LAB 64.02, 45.9, -27.55

 

CMYK 8 / 42 / 0 / 17

HEX #C37CD4

RGB 195 124 212

HSL 288.41, 0.51%, 0.66%

LAB 62.31, 42.06, -34.27

 

CMYK 19 / 42 / 0 / 17

HEX #AC7CD4

RGB 172 124 212

HSL 272.73, 0.51%, 0.66%

LAB 59.83, 35.24, -38.32

 

CMYK 30 / 42 / 0 / 17

HEX #947CD4

RGB 148 124 212

HSL 256.36, 0.51%, 0.66%

LAB 57.53, 28.38, -42.11

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 51 / 18 / 11

HEX #E26EB9

RGB 226 110 185

HSL 321.21, 0.67%, 0.66%

LAB 62.36, 53.95, -18.62

 

CMYK 0 / 60 / 21 / 6

HEX #F060BD

RGB 240 96 189

HSL 321.25, 0.83%, 0.66%

LAB 62.14, 64.94, -21.05

 

CMYK 0 / 68 / 24 / 0

HEX #FE51C1

RGB 254 81 193

HSL 321.16, 0.99%, 0.66%

LAB 62.34, 74.99, -22.82

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 30 / 11 / 22

HEX #C68AB1

RGB 198 138 177

HSL 321, 0.34%, 0.66%

LAB 64.45, 28.91, -11.27

 

CMYK 0 / 17 / 6 / 28

HEX #B898AD

RGB 184 152 173

HSL 320.63, 0.18%, 0.66%

LAB 66.26, 15.49, -6.46

 

CMYK 0 / 2 / 1 / 33

HEX #AAA6A8

RGB 170 166 168

HSL 330, 0.02%, 0.66%

LAB 68.49, 1.81, -0.53

 

CMYK 13 / 0 / 9 / 29

HEX #9CB4A4

RGB 156 180 164

HSL 140, 0.14%, 0.66%

LAB 71.14, -11.4, 5.39

 

CMYK 8 / 42 / 0 / 17

HEX #C47CD4

RGB 196 124 212

HSL 289.09, 0.51%, 0.66%

LAB 62.43, 42.36, -34.08

 

CMYK 0 / 42 / 3 / 17

HEX #D47CCD

RGB 212 124 205

HSL 304.77, 0.51%, 0.66%

LAB 64.02, 45.9, -27.55

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 42 / 26 / 17

HEX #D47C9D

RGB 212 124 157

HSL 337.5, 0.51%, 0.66%

LAB 62.38, 38.24, -2.8

 

CMYK 0 / 42 / 37 / 17

HEX #D47C86

RGB 212 124 134

HSL 353.18, 0.51%, 0.66%

LAB 61.77, 35.26, 9.48

 

CMYK 0 / 68 / 24 / 25

HEX #BF3E92

RGB 191 62 146

HSL 320.93, 0.51%, 0.5%

LAB 47.75, 59.48, -18.62

 

CMYK 0 / 54 / 19 / 21

HEX #CA5CA3

RGB 202 92 163

HSL 321.27, 0.51%, 0.58%

LAB 54.92, 51.98, -17.57

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 30 / 11 / 13

HEX #DE9BC6

RGB 222 155 198

HSL 321.49, 0.5%, 0.74%

LAB 71.59, 31.5, -12.03

 

CMYK 0 / 20 / 7 / 9

HEX #E8BAD8

RGB 232 186 216

HSL 320.87, 0.5%, 0.82%

LAB 80.31, 21.36, -8.74

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 19 / 42 / 17

HEX #D4AC7C

RGB 212 172 124

HSL 32.73, 0.51%, 0.66%

LAB 72.86, 8.22, 30.18

 

CMYK 42 / 0 / 2 / 17

HEX #7CD4D0

RGB 124 212 208

HSL 177.27, 0.51%, 0.66%

LAB 79.57, -27.4, -6.33

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 15 / 0 / 42 / 17

HEX #B5D47C

RGB 181 212 124

HSL 81.14, 0.51%, 0.66%

LAB 80.94, -24.61, 40.11

 

CMYK 42 / 15 / 0 / 17

HEX #7CB5D4

RGB 124 181 212

HSL 201.14, 0.51%, 0.66%

LAB 70.93, -10.54, -21.47

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 19 / 42 / 17

HEX #D4AC7C

RGB 212 172 124

HSL 32.73, 0.51%, 0.66%

LAB 72.86, 8.22, 30.18

 

CMYK 42 / 0 / 27 / 17

HEX #7CD49B

RGB 124 212 155

HSL 141.14, 0.51%, 0.66%

LAB 78.31, -38.9, 20.09

 

CMYK 42 / 23 / 0 / 17

HEX #7CA3D4

RGB 124 163 212

HSL 213.41, 0.51%, 0.66%

LAB 65.93, -0.69, -29.14

 

CMYK 0 / 42 / 15 / 17

HEX #D47CB5

RGB 212 124 181

HSL 321.14, 0.51%, 0.66%

LAB 63.13, 41.84, -15.35

 

CMYK 0 / 6 / 42 / 17

HEX #D4C77C

RGB 212 199 124

HSL 51.14, 0.51%, 0.66%

LAB 79.78, -6, 39.13

 

CMYK 42 / 0 / 27 / 17

HEX #7CD49B

RGB 124 212 155

HSL 141.14, 0.51%, 0.66%

LAB 78.31, -38.9, 20.09

 

CMYK 42 / 35 / 0 / 17

HEX #7C89D4

RGB 124 137 212

HSL 231.14, 0.51%, 0.66%

LAB 58.91, 14.27, -40.06

 

Description

Color code: HEX #D47CB5 | qconv.com Color code: HEX #D47CB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 124 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 124 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 15 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 15% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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