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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4B934 it is the complementary color #2B46CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4B934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4B934 shade: #D9B92F, #EACB42, #FBDD55, #FFEF68 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4B934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4B934 shade: #D4B934, #C3A721, #B2950E, #A18300 and #907100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4B934 shade: #D4B935, #D48E35, #D46335, #D43835 and #D43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4B934 shade: #D4B935, #C4D435, #99D435, #6ED435 and #43D435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4B934 shade matches the following richer shades: #D4B935, #E7C621 and #FBD30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4B934 shade: #D4B935, #C0AC48, #AC9F5C, #989170 and #848484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4B934 shade: #D46235, #D48C35, #D4B635, #C6D435 and #9CD435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4B934 shade: #96821F, #B8A027, #D4B935, #DBC557 and #E2D079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4B934 shade: #D4B934, #35D437 and #7735D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4B934 shade: #D4B934, #35D4B6 and #B635D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4B934 shade: #D4B934, #35D437, #3552D4 and #D435D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4B934 shade: #D4B934, #35D467, #3552D4 and #D435A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

Complementary color

CMYK 79 / 66 / 0 / 20

HEX #2B46CB

RGB 43 70 203

HSL 229.88, 0.65%, 0.48%

LAB 36.38, 38.08, -71.39

 

CMYK 0 / 15 / 78 / 15

HEX #D9B92F

RGB 217 185 47

HSL 48.71, 0.69%, 0.52%

LAB 75.86, -2.02, 68.67

 

CMYK 0 / 13 / 72 / 8

HEX #EACB42

RGB 234 203 66

HSL 48.93, 0.8%, 0.59%

LAB 82.16, -3.27, 68.58

 

CMYK 0 / 12 / 66 / 2

HEX #FBDD55

RGB 251 221 85

HSL 49.16, 0.95%, 0.66%

LAB 88.39, -4.35, 67.99

 

CMYK 0 / 6 / 59 / 0

HEX #FFEF68

RGB 255 239 104

HSL 53.64, 1%, 0.7%

LAB 93.45, -10.53, 65.62

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

CMYK 0 / 14 / 83 / 24

HEX #C3A721

RGB 195 167 33

HSL 49.63, 0.71%, 0.45%

LAB 69, -2.64, 66.04

 

CMYK 0 / 16 / 92 / 30

HEX #B2950E

RGB 178 149 14

HSL 49.39, 0.85%, 0.38%

LAB 62.5, -1.04, 64.4

 

CMYK 0 / 19 / 100 / 37

HEX #A18300

RGB 161 131 0

HSL 48.82, 1%, 0.32%

LAB 55.9, 0.84, 61.02

 

CMYK 0 / 22 / 100 / 44

HEX #907100

RGB 144 113 0

HSL 47.08, 1%, 0.28%

LAB 49.18, 3, 55.48

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 0 / 33 / 75 / 17

HEX #D48E35

RGB 212 142 53

HSL 33.58, 0.65%, 0.52%

LAB 64.64, 19.01, 55.7

 

CMYK 0 / 53 / 75 / 17

HEX #D46335

RGB 212 99 53

HSL 17.36, 0.65%, 0.52%

LAB 55.25, 41.63, 46.15

 

CMYK 0 / 74 / 75 / 17

HEX #D43835

RGB 212 56 53

HSL 1.13, 0.65%, 0.52%

LAB 48.36, 59.98, 38.76

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 8 / 0 / 75 / 17

HEX #C4D435

RGB 196 212 53

HSL 66.04, 0.65%, 0.52%

LAB 81.34, -24.3, 71.15

 

CMYK 28 / 0 / 75 / 17

HEX #99D435

RGB 153 212 53

HSL 82.26, 0.65%, 0.52%

LAB 78.53, -41.31, 67.5

 

CMYK 48 / 0 / 75 / 17

HEX #6ED435

RGB 110 212 53

HSL 98.49, 0.65%, 0.52%

LAB 76.47, -55.84, 64.81

 

CMYK 68 / 0 / 75 / 17

HEX #43D435

RGB 67 212 53

HSL 114.72, 0.65%, 0.52%

LAB 75.16, -66.3, 63.08

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 0 / 14 / 86 / 9

HEX #E7C621

RGB 231 198 33

HSL 50, 0.8%, 0.52%

LAB 80.45, -3.11, 76.92

 

CMYK 0 / 16 / 95 / 2

HEX #FBD30D

RGB 251 211 13

HSL 49.92, 0.97%, 0.52%

LAB 85.57, -1.5, 84.85

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 0 / 10 / 63 / 25

HEX #C0AC48

RGB 192 172 72

HSL 50, 0.49%, 0.52%

LAB 70.3, -4.75, 52.66

 

CMYK 0 / 8 / 47 / 33

HEX #AC9F5C

RGB 172 159 92

HSL 50.25, 0.33%, 0.52%

LAB 65.23, -4.7, 36.53

 

CMYK 0 / 5 / 26 / 40

HEX #989170

RGB 152 145 112

HSL 49.5, 0.16%, 0.52%

LAB 59.98, -2.91, 18.49

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 0 / 54 / 75 / 17

HEX #D46235

RGB 212 98 53

HSL 16.98, 0.65%, 0.52%

LAB 55.06, 42.12, 45.95

 

CMYK 0 / 34 / 75 / 17

HEX #D48C35

RGB 212 140 53

HSL 32.83, 0.65%, 0.52%

LAB 64.17, 20.09, 55.23

 

CMYK 0 / 14 / 75 / 17

HEX #D4B635

RGB 212 182 53

HSL 48.68, 0.65%, 0.52%

LAB 74.64, -2.38, 65.36

 

CMYK 7 / 0 / 75 / 17

HEX #C6D435

RGB 198 212 53

HSL 65.28, 0.65%, 0.52%

LAB 81.48, -23.47, 71.34

 

CMYK 26 / 0 / 75 / 17

HEX #9CD435

RGB 156 212 53

HSL 81.13, 0.65%, 0.52%

LAB 78.7, -40.19, 67.73

 

CMYK 0 / 13 / 79 / 41

HEX #96821F

RGB 150 130 31

HSL 49.92, 0.66%, 0.35%

LAB 54.6, -2.98, 52.32

 

CMYK 0 / 13 / 79 / 28

HEX #B8A027

RGB 184 160 39

HSL 50.07, 0.65%, 0.44%

LAB 66.12, -3.59, 61.3

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 0 / 10 / 60 / 14

HEX #DBC557

RGB 219 197 87

HSL 50, 0.65%, 0.6%

LAB 79.43, -5.31, 56.67

 

CMYK 0 / 8 / 46 / 11

HEX #E2D079

RGB 226 208 121

HSL 49.71, 0.64%, 0.68%

LAB 83.26, -5.3, 45.25

 

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

CMYK 75 / 0 / 74 / 17

HEX #35D437

RGB 53 212 55

HSL 120.75, 0.65%, 0.52%

LAB 74.9, -68.48, 62.06

 

CMYK 44 / 75 / 0 / 17

HEX #7735D4

RGB 119 53 212

HSL 264.91, 0.65%, 0.52%

LAB 39.95, 59.97, -70.51

 

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 14 / 75 / 0 / 17

HEX #B635D4

RGB 182 53 212

HSL 288.68, 0.65%, 0.52%

LAB 48.57, 71.15, -56.13

 

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

CMYK 75 / 0 / 74 / 17

HEX #35D437

RGB 53 212 55

HSL 120.75, 0.65%, 0.52%

LAB 74.9, -68.48, 62.06

 

CMYK 75 / 61 / 0 / 17

HEX #3552D4

RGB 53 82 212

HSL 229.06, 0.65%, 0.52%

LAB 40.48, 34.72, -69.85

 

CMYK 0 / 75 / 1 / 17

HEX #D435D1

RGB 212 53 209

HSL 301.13, 0.65%, 0.52%

LAB 53.11, 76.6, -46.88

 

CMYK 0 / 13 / 75 / 17

HEX #D4B934

RGB 212 185 52

HSL 49.88, 0.65%, 0.52%

LAB 75.42, -3.99, 66.43

 

CMYK 75 / 0 / 51 / 17

HEX #35D467

RGB 53 212 103

HSL 138.87, 0.65%, 0.52%

LAB 75.34, -63.17, 42.28

 

CMYK 75 / 61 / 0 / 17

HEX #3552D4

RGB 53 82 212

HSL 229.06, 0.65%, 0.52%

LAB 40.48, 34.72, -69.85

 

CMYK 0 / 75 / 24 / 17

HEX #D435A1

RGB 212 53 161

HSL 319.25, 0.65%, 0.52%

LAB 50.82, 69.86, -22.53

 

Description

Color code: HEX #D4B934 | qconv.com Color code: HEX #D4B934 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 185 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 185 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 75 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 75% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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