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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35D4B6 it is the complementary color #CA2B49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35D4B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35D4B6 shade: #3AD4B1, #4BE6C4, #5CF8D7, #6DFFEA and #7EFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35D4B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35D4B6 shade: #35D4B6, #24C2A3, #13B090, #029E7D and #008C6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35D4B6 shade: #35D4B6, #35D48B, #35D460, #35D435 and #5FD435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35D4B6 shade: #35D4B6, #35C7D4, #359CD4, #3571D4 and #3546D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35D4B6 shade matches the following richer shades: #35D4B6, #21E7C2 and #0DFBCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35D4B6 shade: #35D4B6, #48C0A9, #5CAC9D, #709891 and #848484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35D4B6 shade: #35D45F, #35D489, #35D4B4, #35C9D4 and #359FD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35D4B6 shade: #1F9680, #27B89D, #35D4B6, #57DBC2 and #79E2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35D4B6 shade: #35D4B6, #3535D4 and #D47435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35D4B6 shade: #35D4B6, #B435D4 and #D4B435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35D4B6 shade: #35D4B6, #3535D4, #D43554 and #D4D435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35D4B6 shade: #35D4B6, #6435D4, #D43554 and #A4D435

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

Complementary color

CMYK 0 / 79 / 64 / 21

HEX #CA2B49

RGB 202 43 73

HSL 348.68, 0.65%, 0.48%

LAB 45.31, 62.06, 22.79

 

CMYK 73 / 0 / 17 / 17

HEX #3AD4B1

RGB 58 212 177

HSL 166.36, 0.64%, 0.53%

LAB 76.78, -47.68, 5.95

 

CMYK 67 / 0 / 15 / 10

HEX #4BE6C4

RGB 75 230 196

HSL 166.84, 0.76%, 0.6%

LAB 82.95, -48.23, 4.81

 

CMYK 63 / 0 / 13 / 3

HEX #5CF8D7

RGB 92 248 215

HSL 167.31, 0.92%, 0.67%

LAB 89.07, -48.61, 3.76

 

CMYK 57 / 0 / 8 / 0

HEX #6DFFEA

RGB 109 255 234

HSL 171.37, 1%, 0.71%

LAB 92, -44.09, -1.78

 

CMYK 51 / 0 / 1 / 0

HEX #7EFFFD

RGB 126 255 253

HSL 179.07, 1%, 0.75%

LAB 93.04, -36.13, -10.03

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 81 / 0 / 16 / 24

HEX #24C2A3

RGB 36 194 163

HSL 168.23, 0.69%, 0.45%

LAB 70.6, -46.08, 4.56

 

CMYK 89 / 0 / 18 / 31

HEX #13B090

RGB 19 176 144

HSL 167.77, 0.81%, 0.38%

LAB 64.32, -44.78, 5.94

 

CMYK 99 / 0 / 21 / 38

HEX #029E7D

RGB 2 158 125

HSL 167.31, 0.98%, 0.31%

LAB 57.99, -43.1, 7.48

 

CMYK 100 / 0 / 24 / 45

HEX #008C6A

RGB 0 140 106

HSL 165.43, 1%, 0.27%

LAB 51.61, -40.72, 9.24

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 75 / 0 / 34 / 17

HEX #35D48B

RGB 53 212 139

HSL 152.45, 0.65%, 0.52%

LAB 75.89, -56.89, 24.83

 

CMYK 75 / 0 / 55 / 17

HEX #35D460

RGB 53 212 96

HSL 136.23, 0.65%, 0.52%

LAB 75.26, -64.17, 45.51

 

CMYK 75 / 0 / 75 / 17

HEX #35D435

RGB 53 212 53

HSL 120, 0.65%, 0.52%

LAB 74.89, -68.63, 62.72

 

CMYK 55 / 0 / 75 / 17

HEX #5FD435

RGB 95 212 53

HSL 104.15, 0.65%, 0.52%

LAB 75.93, -60.02, 64.1

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 75 / 6 / 0 / 17

HEX #35C7D4

RGB 53 199 212

HSL 184.91, 0.65%, 0.52%

LAB 73.78, -32.82, -17.38

 

CMYK 75 / 26 / 0 / 17

HEX #359CD4

RGB 53 156 212

HSL 201.13, 0.65%, 0.52%

LAB 61.03, -10.66, -36.96

 

CMYK 75 / 47 / 0 / 17

HEX #3571D4

RGB 53 113 212

HSL 217.36, 0.65%, 0.52%

LAB 48.66, 14.95, -56.58

 

CMYK 75 / 67 / 0 / 17

HEX #3546D4

RGB 53 70 212

HSL 233.58, 0.65%, 0.52%

LAB 37.65, 42.19, -74.5

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 95 / 0 / 18 / 2

HEX #0DFBCE

RGB 13 251 206

HSL 168.66, 0.97%, 0.52%

LAB 88.7, -59.3, 7.77

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 63 / 0 / 12 / 25

HEX #48C0A9

RGB 72 192 169

HSL 168.5, 0.49%, 0.52%

LAB 70.83, -38.89, 1.71

 

CMYK 47 / 0 / 9 / 33

HEX #5CAC9D

RGB 92 172 157

HSL 168.75, 0.33%, 0.52%

LAB 65.13, -28.28, 0.1

 

CMYK 26 / 0 / 5 / 40

HEX #709891

RGB 112 152 145

HSL 169.5, 0.16%, 0.52%

LAB 59.84, -15.22, -0.77

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 75 / 0 / 55 / 17

HEX #35D45F

RGB 53 212 95

HSL 135.85, 0.65%, 0.52%

LAB 75.25, -64.3, 45.96

 

CMYK 75 / 0 / 35 / 17

HEX #35D489

RGB 53 212 137

HSL 151.7, 0.65%, 0.52%

LAB 75.85, -57.29, 25.82

 

CMYK 75 / 0 / 15 / 17

HEX #35D4B4

RGB 53 212 180

HSL 167.92, 0.65%, 0.52%

LAB 76.76, -47.53, 4.31

 

CMYK 75 / 5 / 0 / 17

HEX #35C9D4

RGB 53 201 212

HSL 184.15, 0.65%, 0.52%

LAB 74.37, -33.77, -16.48

 

CMYK 75 / 25 / 0 / 17

HEX #359FD4

RGB 53 159 212

HSL 200, 0.65%, 0.52%

LAB 61.92, -12.32, -35.58

 

CMYK 79 / 0 / 15 / 41

HEX #1F9680

RGB 31 150 128

HSL 168.91, 0.66%, 0.35%

LAB 55.75, -36.87, 2.59

 

CMYK 79 / 0 / 15 / 28

HEX #27B89D

RGB 39 184 157

HSL 168.83, 0.65%, 0.44%

LAB 67.39, -43.12, 3.21

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 46 / 0 / 9 / 11

HEX #79E2CE

RGB 121 226 206

HSL 168.57, 0.64%, 0.68%

LAB 83.4, -35.24, 0.34

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 0 / 45 / 75 / 17

HEX #D47435

RGB 212 116 53

HSL 23.77, 0.65%, 0.52%

LAB 58.74, 32.93, 49.76

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 15 / 75 / 0 / 17

HEX #B435D4

RGB 180 53 212

HSL 287.92, 0.65%, 0.52%

LAB 48.26, 70.76, -56.63

 

CMYK 0 / 15 / 75 / 17

HEX #D4B435

RGB 212 180 53

HSL 47.92, 0.65%, 0.52%

LAB 74.12, -1.34, 64.87

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 0 / 75 / 60 / 17

HEX #D43554

RGB 212 53 84

HSL 348.3, 0.65%, 0.52%

LAB 48.49, 62.55, 20.59

 

CMYK 0 / 0 / 75 / 17

HEX #D4D435

RGB 212 212 53

HSL 60, 0.65%, 0.52%

LAB 82.56, -17.64, 72.72

 

CMYK 75 / 0 / 14 / 17

HEX #35D4B6

RGB 53 212 182

HSL 168.68, 0.65%, 0.52%

LAB 76.81, -47.03, 3.31

 

CMYK 53 / 75 / 0 / 17

HEX #6435D4

RGB 100 53 212

HSL 257.74, 0.65%, 0.52%

LAB 37.86, 57.16, -74.02

 

CMYK 0 / 75 / 60 / 17

HEX #D43554

RGB 212 53 84

HSL 348.3, 0.65%, 0.52%

LAB 48.49, 62.55, 20.59

 

CMYK 23 / 0 / 75 / 17

HEX #A4D435

RGB 164 212 53

HSL 78.11, 0.65%, 0.52%

LAB 79.18, -37.13, 68.35

 

Description

Color code: HEX #35D4B6 | qconv.com Color code: HEX #35D4B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 212 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 212 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 14 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 14% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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