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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C21A it is the complementary color #2A3DE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C21A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C21A shade: #DAC215, #EBD428, #FCE63B, #FFF84E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C21A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C21A shade: #D5C21A, #C4B007, #B39E00, #A28C00 and #917A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C21A shade: #D5C21A, #D58F1A, #D55D1A, #D52B1A and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C21A shade: #D5C21A, #B5D51A, #83D51A, #51D51A and #1ED51A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C21A shade matches the following richer shades: #D5C21A and #E8D106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C21A shade: #D5C21A, #C1B22D, #AEA341, #9B9354 and #878467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C21A shade: #D55B1A, #D58D1A, #D5BF1A, #B9D51A and #87D51A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C21A shade: #8B7F11, #B0A015, #D5C21A, #E5D333 and #EADB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C21A shade: #D5C21A, #1AD529 and #741AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C21A shade: #D5C21A, #1AD5BF and #BF1AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C21A shade: #D5C21A, #1AD529, #1A30D5 and #D51AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C21A shade: #D5C21A, #1AD562, #1A30D5 and #D51A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

Complementary color

CMYK 82 / 73 / 0 / 10

HEX #2A3DE5

RGB 42 61 229

HSL 233.9, 0.78%, 0.53%

LAB 36.91, 52.38, -85.47

 

CMYK 0 / 11 / 90 / 15

HEX #DAC215

RGB 218 194 21

HSL 52.69, 0.82%, 0.47%

LAB 78.19, -6.9, 76.94

 

CMYK 0 / 10 / 83 / 8

HEX #EBD428

RGB 235 212 40

HSL 52.92, 0.83%, 0.54%

LAB 84.43, -8.35, 78.71

 

CMYK 0 / 9 / 77 / 1

HEX #FCE63B

RGB 252 230 59

HSL 53.16, 0.97%, 0.61%

LAB 90.6, -9.61, 79.43

 

CMYK 0 / 3 / 69 / 0

HEX #FFF84E

RGB 255 248 78

HSL 57.63, 1%, 0.65%

LAB 95.56, -16.4, 77.97

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 0 / 10 / 96 / 23

HEX #C4B007

RGB 196 176 7

HSL 53.65, 0.93%, 0.4%

LAB 71.42, -7.41, 72.79

 

CMYK 0 / 12 / 100 / 30

HEX #B39E00

RGB 179 158 0

HSL 52.96, 1%, 0.35%

LAB 64.99, -5.61, 68.28

 

CMYK 0 / 14 / 100 / 36

HEX #A28C00

RGB 162 140 0

HSL 51.85, 1%, 0.32%

LAB 58.45, -3.66, 62.87

 

CMYK 0 / 16 / 100 / 43

HEX #917A00

RGB 145 122 0

HSL 50.48, 1%, 0.28%

LAB 51.77, -1.63, 57.35

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 0 / 33 / 88 / 16

HEX #D58F1A

RGB 213 143 26

HSL 37.54, 0.78%, 0.47%

LAB 64.86, 18.04, 65.3

 

CMYK 0 / 56 / 88 / 16

HEX #D55D1A

RGB 213 93 26

HSL 21.5, 0.78%, 0.47%

LAB 54.08, 44.1, 56.81

 

CMYK 0 / 80 / 88 / 16

HEX #D52B1A

RGB 213 43 26

HSL 5.45, 0.78%, 0.47%

LAB 46.91, 63.48, 51.21

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 15 / 0 / 88 / 16

HEX #B5D51A

RGB 181 213 26

HSL 70.27, 0.78%, 0.47%

LAB 80.45, -31.8, 76.65

 

CMYK 38 / 0 / 88 / 16

HEX #83D51A

RGB 131 213 26

HSL 86.31, 0.78%, 0.47%

LAB 77.57, -50.7, 73.09

 

CMYK 62 / 0 / 88 / 16

HEX #51D51A

RGB 81 213 26

HSL 102.35, 0.78%, 0.47%

LAB 75.71, -65.09, 70.76

 

CMYK 86 / 0 / 88 / 16

HEX #1ED51A

RGB 30 213 26

HSL 118.72, 0.78%, 0.47%

LAB 74.79, -73.04, 69.61

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 0 / 10 / 97 / 9

HEX #E8D106

RGB 232 209 6

HSL 53.89, 0.95%, 0.47%

LAB 83.32, -8.66, 83.07

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 0 / 8 / 77 / 24

HEX #C1B22D

RGB 193 178 45

HSL 53.92, 0.62%, 0.47%

LAB 71.8, -8.88, 64.82

 

CMYK 0 / 6 / 63 / 32

HEX #AEA341

RGB 174 163 65

HSL 53.94, 0.46%, 0.47%

LAB 66.19, -8.24, 50.86

 

CMYK 0 / 5 / 46 / 39

HEX #9B9354

RGB 155 147 84

HSL 53.24, 0.3%, 0.47%

LAB 60.32, -6.25, 34.28

 

CMYK 0 / 2 / 24 / 47

HEX #878467

RGB 135 132 103

HSL 54.38, 0.13%, 0.47%

LAB 54.69, -3.92, 16.1

 

CMYK 0 / 57 / 88 / 16

HEX #D55B1A

RGB 213 91 26

HSL 20.86, 0.78%, 0.47%

LAB 53.71, 45.06, 56.52

 

CMYK 0 / 34 / 88 / 16

HEX #D58D1A

RGB 213 141 26

HSL 36.9, 0.78%, 0.47%

LAB 64.38, 19.12, 64.92

 

CMYK 0 / 10 / 88 / 16

HEX #D5BF1A

RGB 213 191 26

HSL 52.94, 0.78%, 0.47%

LAB 76.97, -7.44, 74.9

 

CMYK 13 / 0 / 88 / 16

HEX #B9D51A

RGB 185 213 26

HSL 68.98, 0.78%, 0.47%

LAB 80.73, -30.17, 76.99

 

CMYK 37 / 0 / 88 / 16

HEX #87D51A

RGB 135 213 26

HSL 85.03, 0.78%, 0.47%

LAB 77.77, -49.32, 73.33

 

CMYK 0 / 9 / 88 / 45

HEX #8B7F11

RGB 139 127 17

HSL 54.1, 0.78%, 0.31%

LAB 52.63, -6.9, 54.37

 

CMYK 0 / 9 / 88 / 31

HEX #B0A015

RGB 176 160 21

HSL 53.81, 0.79%, 0.39%

LAB 65.3, -7.7, 65.17

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 0 / 8 / 78 / 10

HEX #E5D333

RGB 229 211 51

HSL 53.93, 0.77%, 0.55%

LAB 83.7, -10.05, 74.89

 

CMYK 0 / 6 / 63 / 8

HEX #EADB57

RGB 234 219 87

HSL 53.88, 0.78%, 0.63%

LAB 86.43, -10.24, 64.66

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 88 / 0 / 81 / 16

HEX #1AD529

RGB 26 213 41

HSL 124.81, 0.78%, 0.47%

LAB 74.8, -72.67, 66.15

 

CMYK 46 / 88 / 0 / 16

HEX #741AD5

RGB 116 26 213

HSL 268.88, 0.78%, 0.47%

LAB 36.47, 69.14, -76.81

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 88 / 0 / 10 / 16

HEX #1AD5BF

RGB 26 213 191

HSL 172.94, 0.78%, 0.47%

LAB 77.02, -47.34, -1.25

 

CMYK 10 / 88 / 0 / 16

HEX #BF1AD5

RGB 191 26 213

HSL 292.94, 0.78%, 0.47%

LAB 47.78, 79.57, -57.9

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 88 / 0 / 81 / 16

HEX #1AD529

RGB 26 213 41

HSL 124.81, 0.78%, 0.47%

LAB 74.8, -72.67, 66.15

 

CMYK 88 / 77 / 0 / 16

HEX #1A30D5

RGB 26 48 213

HSL 232.94, 0.78%, 0.47%

LAB 32.12, 53.43, -84.24

 

CMYK 0 / 88 / 8 / 16

HEX #D51AC5

RGB 213 26 197

HSL 305.13, 0.78%, 0.47%

LAB 50.59, 80.96, -43.97

 

CMYK 0 / 9 / 88 / 16

HEX #D5C21A

RGB 213 194 26

HSL 53.9, 0.78%, 0.47%

LAB 77.76, -8.98, 75.52

 

CMYK 88 / 0 / 54 / 16

HEX #1AD562

RGB 26 213 98

HSL 143.1, 0.78%, 0.47%

LAB 75.26, -67.02, 44.49

 

CMYK 88 / 77 / 0 / 16

HEX #1A30D5

RGB 26 48 213

HSL 232.94, 0.78%, 0.47%

LAB 32.12, 53.43, -84.24

 

CMYK 0 / 88 / 34 / 16

HEX #D51A8D

RGB 213 26 141

HSL 323.1, 0.78%, 0.47%

LAB 48.02, 74.12, -14.85

 

Description

Color code: HEX #D5C21A | qconv.com Color code: HEX #D5C21A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 194 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 194 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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