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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5CD2D it is the complementary color #2A32D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5CD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5CD2D shade: #DACD28, #EBDF3B, #FCF14E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5CD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5CD2D shade: #D5CD2D, #C4BB1A, #B3A907, #A29700 and #918500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5CD2D shade: #D5CD2E, #D5A02E, #D5732E, #D5462E and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5CD2D shade: #D5CD2E, #B0D52E, #83D52E, #56D52E and #2ED533

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5CD2D shade matches the following richer shades: #D5CD2E, #E9E01A and #FEF205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5CD2D shade: #D5CD2E, #C1BB42, #ADA956, #99966A and #84847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5CD2D shade: #D5742E, #D5A02E, #D5CD2E, #B1D52E and #84D52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5CD2D shade: #948E1D, #B6AF24, #D5CD2E, #DCD550 and #E3DE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5CD2D shade: #D5CD2D, #2ED547 and #8A2ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5CD2D shade: #D5CD2D, #2ED5CD and #CD2ED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5CD2D shade: #D5CD2D, #2ED547, #2E36D5 and #D52EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5CD2D shade: #D5CD2D, #2ED579, #2E36D5 and #D52E8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

Complementary color

CMYK 80 / 76 / 0 / 18

HEX #2A32D2

RGB 42 50 210

HSL 237.14, 0.67%, 0.49%

LAB 32.76, 52.17, -81.42

 

CMYK 0 / 6 / 82 / 15

HEX #DACD28

RGB 218 205 40

HSL 55.62, 0.71%, 0.51%

LAB 81.14, -12.06, 75.34

 

CMYK 0 / 5 / 75 / 8

HEX #EBDF3B

RGB 235 223 59

HSL 55.91, 0.81%, 0.58%

LAB 87.37, -13.22, 75.95

 

CMYK 0 / 4 / 69 / 1

HEX #FCF14E

RGB 252 241 78

HSL 56.21, 0.97%, 0.65%

LAB 93.52, -14.22, 75.89

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

CMYK 0 / 5 / 87 / 23

HEX #C4BB1A

RGB 196 187 26

HSL 56.82, 0.77%, 0.44%

LAB 74.41, -12.78, 72.22

 

CMYK 0 / 6 / 96 / 30

HEX #B3A907

RGB 179 169 7

HSL 56.51, 0.92%, 0.36%

LAB 68, -11.31, 69.57

 

CMYK 0 / 7 / 100 / 36

HEX #A29700

RGB 162 151 0

HSL 55.93, 1%, 0.32%

LAB 61.49, -9.59, 65.05

 

CMYK 0 / 8 / 100 / 43

HEX #918500

RGB 145 133 0

HSL 55.03, 1%, 0.28%

LAB 54.86, -7.72, 59.55

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 0 / 46 / 78 / 16

HEX #D5732E

RGB 213 115 46

HSL 24.79, 0.67%, 0.51%

LAB 58.61, 33.58, 52.84

 

CMYK 0 / 67 / 78 / 16

HEX #D5462E

RGB 213 70 46

HSL 8.62, 0.67%, 0.51%

LAB 50.36, 54.86, 44.71

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 17 / 0 / 78 / 16

HEX #B0D52E

RGB 176 213 46

HSL 73.29, 0.67%, 0.51%

LAB 80.19, -33.19, 71.67

 

CMYK 38 / 0 / 78 / 16

HEX #83D52E

RGB 131 213 46

HSL 89.46, 0.67%, 0.51%

LAB 77.64, -49.94, 68.4

 

CMYK 60 / 0 / 78 / 16

HEX #56D52E

RGB 86 213 46

HSL 105.63, 0.67%, 0.51%

LAB 75.92, -63.04, 66.17

 

CMYK 78 / 0 / 76 / 16

HEX #2ED533

RGB 46 213 51

HSL 121.8, 0.67%, 0.51%

LAB 75.08, -70.03, 63.52

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 0 / 4 / 89 / 9

HEX #E9E01A

RGB 233 224 26

HSL 57.39, 0.82%, 0.51%

LAB 87.34, -15.47, 83.81

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 0 / 3 / 66 / 24

HEX #C1BB42

RGB 193 187 66

HSL 57.17, 0.51%, 0.51%

LAB 74.36, -12.49, 59.56

 

CMYK 0 / 2 / 50 / 32

HEX #ADA956

RGB 173 169 86

HSL 57.24, 0.35%, 0.51%

LAB 67.97, -10.16, 42.92

 

CMYK 0 / 2 / 31 / 40

HEX #99966A

RGB 153 150 106

HSL 56.17, 0.19%, 0.51%

LAB 61.33, -6.08, 23.66

 

CMYK 0 / 0 / 4 / 48

HEX #84847F

RGB 132 132 127

HSL 60, 0.02%, 0.51%

LAB 55.01, -0.97, 2.69

 

CMYK 0 / 46 / 78 / 16

HEX #D5742E

RGB 213 116 46

HSL 25.15, 0.67%, 0.51%

LAB 58.82, 33.06, 53.05

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 17 / 0 / 78 / 16

HEX #B1D52E

RGB 177 213 46

HSL 72.93, 0.67%, 0.51%

LAB 80.25, -32.79, 71.76

 

CMYK 38 / 0 / 78 / 16

HEX #84D52E

RGB 132 213 46

HSL 89.1, 0.67%, 0.51%

LAB 77.69, -49.6, 68.47

 

CMYK 0 / 4 / 80 / 42

HEX #948E1D

RGB 148 142 29

HSL 56.97, 0.67%, 0.35%

LAB 57.78, -10.52, 55.76

 

CMYK 0 / 4 / 80 / 29

HEX #B6AF24

RGB 182 175 36

HSL 57.12, 0.67%, 0.43%

LAB 69.99, -12.46, 65.59

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 0 / 3 / 64 / 14

HEX #DCD550

RGB 220 213 80

HSL 57, 0.67%, 0.59%

LAB 83.64, -13.46, 64.24

 

CMYK 0 / 2 / 49 / 11

HEX #E3DE73

RGB 227 222 115

HSL 57.32, 0.67%, 0.67%

LAB 86.9, -12.51, 52.57

 

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

CMYK 78 / 0 / 67 / 16

HEX #2ED547

RGB 46 213 71

HSL 128.98, 0.67%, 0.51%

LAB 75.22, -68.36, 56.39

 

CMYK 35 / 78 / 0 / 16

HEX #8A2ED5

RGB 138 46 213

HSL 273.05, 0.67%, 0.51%

LAB 41.47, 65.96, -68.5

 

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

CMYK 78 / 0 / 4 / 16

HEX #2ED5CD

RGB 46 213 205

HSL 177.13, 0.67%, 0.51%

LAB 77.62, -41.99, -7.85

 

CMYK 4 / 78 / 0 / 16

HEX #CD2ED5

RGB 205 46 213

HSL 297.13, 0.67%, 0.51%

LAB 51.54, 77.76, -51.74

 

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

CMYK 78 / 0 / 67 / 16

HEX #2ED547

RGB 46 213 71

HSL 128.98, 0.67%, 0.51%

LAB 75.22, -68.36, 56.39

 

CMYK 78 / 75 / 0 / 16

HEX #2E36D5

RGB 46 54 213

HSL 237.13, 0.67%, 0.51%

LAB 34.03, 51.24, -81.04

 

CMYK 0 / 78 / 12 / 16

HEX #D52EBC

RGB 213 46 188

HSL 308.98, 0.67%, 0.51%

LAB 51.53, 75.62, -37.26

 

CMYK 0 / 4 / 79 / 16

HEX #D5CD2D

RGB 213 205 45

HSL 57.14, 0.67%, 0.51%

LAB 80.74, -14.03, 73.48

 

CMYK 78 / 0 / 43 / 16

HEX #2ED579

RGB 46 213 121

HSL 146.95, 0.67%, 0.51%

LAB 75.79, -61.5, 33.93

 

CMYK 78 / 75 / 0 / 16

HEX #2E36D5

RGB 46 54 213

HSL 237.13, 0.67%, 0.51%

LAB 34.03, 51.24, -81.04

 

CMYK 0 / 78 / 35 / 16

HEX #D52E8A

RGB 213 46 138

HSL 326.95, 0.67%, 0.51%

LAB 49.42, 69.47, -10.92

 

Description

Color code: HEX #D5CD2D | qconv.com Color code: HEX #D5CD2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 205 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 205 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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