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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60EC0 it is the complementary color #29F13F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60EC0 shade: #DB0EBB, #EC20CE, #FD32E1, #FF44F4 and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60EC0 shade: #D60EC0, #C500AD, #B4009A, #A30087 and #920074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60EC0 shade: #D70DC1, #D70D8B, #D70D54, #D70D1E and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60EC0 shade: #D70DC1, #B70DD7, #810DD7, #4A0DD7 and #140DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60EC0 shade matches the following richer shades: #D70DC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60EC0 shade: #D70DC1, #C520B3, #B232A4, #A04596 and #8D5887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60EC0 shade: #800DD7, #B60DD7, #D70DC3, #D70D8D and #D70D57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60EC0 shade: #8A087B, #B00B9E, #D70DC1, #F01ED9 and #F344DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60EC0 shade: #D60EC0, #D74A0D and #0DD79B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60EC0 shade: #D60EC0, #C3D70D and #0DC3D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60EC0 shade: #D60EC0, #D74A0D, #0DD721 and #0D9BD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60EC0 shade: #D60EC0, #D7860D, #0DD721 and #0D5ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

Complementary color

CMYK 83 / 0 / 74 / 5

HEX #29F13F

RGB 41 241 63

HSL 126.6, 0.88%, 0.55%

LAB 83.83, -77.94, 68.25

 

CMYK 0 / 94 / 15 / 14

HEX #DB0EBB

RGB 219 14 187

HSL 309.37, 0.88%, 0.46%

LAB 50.64, 82.18, -38

 

CMYK 0 / 86 / 13 / 7

HEX #EC20CE

RGB 236 32 206

HSL 308.82, 0.84%, 0.53%

LAB 55.4, 85.5, -41.28

 

CMYK 0 / 80 / 11 / 1

HEX #FD32E1

RGB 253 50 225

HSL 308.28, 0.98%, 0.59%

LAB 60.43, 87.83, -43.95

 

CMYK 0 / 73 / 4 / 0

HEX #FF44F4

RGB 255 68 244

HSL 303.53, 1%, 0.63%

LAB 63.28, 86.32, -50.03

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

CMYK 0 / 100 / 12 / 23

HEX #C500AD

RGB 197 0 173

HSL 307.31, 1%, 0.39%

LAB 45.48, 77.57, -38.19

 

CMYK 0 / 100 / 14 / 29

HEX #B4009A

RGB 180 0 154

HSL 308.67, 1%, 0.35%

LAB 41.27, 72.01, -33.66

 

CMYK 0 / 100 / 17 / 36

HEX #A30087

RGB 163 0 135

HSL 310.31, 1%, 0.32%

LAB 37, 66.35, -29

 

CMYK 0 / 100 / 21 / 43

HEX #920074

RGB 146 0 116

HSL 312.33, 1%, 0.29%

LAB 32.64, 60.59, -24.16

 

CMYK 0 / 94 / 10 / 16

HEX #D70DC1

RGB 215 13 193

HSL 306.53, 0.89%, 0.45%

LAB 50.2, 82.34, -42.24

 

CMYK 0 / 94 / 35 / 16

HEX #D70D8B

RGB 215 13 139

HSL 322.57, 0.89%, 0.45%

LAB 47.75, 76.02, -14.01

 

CMYK 0 / 94 / 61 / 16

HEX #D70D54

RGB 215 13 84

HSL 338.91, 0.89%, 0.45%

LAB 46.14, 71.69, 17.56

 

CMYK 0 / 94 / 86 / 16

HEX #D70D1E

RGB 215 13 30

HSL 354.95, 0.89%, 0.45%

LAB 45.4, 69.63, 48.31

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 10 / 16

HEX #D70DC1

RGB 215 13 193

HSL 306.53, 0.89%, 0.45%

LAB 50.2, 82.34, -42.24

 

CMYK 15 / 94 / 0 / 16

HEX #B70DD7

RGB 183 13 215

HSL 290.5, 0.89%, 0.45%

LAB 45.99, 80.41, -62

 

CMYK 40 / 94 / 0 / 16

HEX #810DD7

RGB 129 13 215

HSL 274.46, 0.89%, 0.45%

LAB 37.59, 73.48, -76.06

 

CMYK 66 / 94 / 0 / 16

HEX #4A0DD7

RGB 74 13 215

HSL 258.12, 0.89%, 0.45%

LAB 31, 69.03, -87.18

 

CMYK 91 / 94 / 0 / 16

HEX #140DD7

RGB 20 13 215

HSL 242.08, 0.89%, 0.45%

LAB 27.69, 67.29, -92.77

 

CMYK 0 / 94 / 10 / 16

HEX #D70DC1

RGB 215 13 193

HSL 306.53, 0.89%, 0.45%

LAB 50.2, 82.34, -42.24

 

CMYK 0 / 94 / 10 / 16

HEX #D70DC1

RGB 215 13 193

HSL 306.53, 0.89%, 0.45%

LAB 50.2, 82.34, -42.24

 

CMYK 0 / 84 / 9 / 23

HEX #C520B3

RGB 197 32 179

HSL 306.55, 0.72%, 0.45%

LAB 47.18, 74.34, -39.04

 

CMYK 0 / 72 / 8 / 30

HEX #B232A4

RGB 178 50 164

HSL 306.56, 0.56%, 0.45%

LAB 44.84, 63.18, -34.07

 

CMYK 0 / 57 / 6 / 37

HEX #A04596

RGB 160 69 150

HSL 306.59, 0.4%, 0.45%

LAB 44.14, 48.4, -27

 

CMYK 0 / 38 / 4 / 45

HEX #8D5887

RGB 141 88 135

HSL 306.79, 0.23%, 0.45%

LAB 44.79, 29.55, -17.18

 

CMYK 40 / 94 / 0 / 16

HEX #800DD7

RGB 128 13 215

HSL 274.16, 0.89%, 0.45%

LAB 37.45, 73.37, -76.29

 

CMYK 15 / 94 / 0 / 16

HEX #B60DD7

RGB 182 13 215

HSL 290.2, 0.89%, 0.45%

LAB 45.82, 80.26, -62.27

 

CMYK 0 / 94 / 9 / 16

HEX #D70DC3

RGB 215 13 195

HSL 305.94, 0.89%, 0.45%

LAB 50.3, 82.61, -43.24

 

CMYK 0 / 94 / 34 / 16

HEX #D70D8D

RGB 215 13 141

HSL 321.98, 0.89%, 0.45%

LAB 47.83, 76.22, -15.1

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 0 / 94 / 11 / 46

HEX #8A087B

RGB 138 8 123

HSL 306.92, 0.89%, 0.29%

LAB 31.82, 58.82, -29.98

 

CMYK 0 / 94 / 10 / 31

HEX #B00B9E

RGB 176 11 158

HSL 306.55, 0.88%, 0.37%

LAB 41.12, 70.69, -36.37

 

CMYK 0 / 94 / 10 / 16

HEX #D70DC1

RGB 215 13 193

HSL 306.53, 0.89%, 0.45%

LAB 50.2, 82.34, -42.24

 

CMYK 0 / 88 / 10 / 6

HEX #F01ED9

RGB 240 30 217

HSL 306.57, 0.88%, 0.53%

LAB 56.55, 88, -45.69

 

CMYK 0 / 72 / 8 / 5

HEX #F344DF

RGB 243 68 223

HSL 306.86, 0.88%, 0.61%

LAB 60.35, 80.74, -43.05

 

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

CMYK 0 / 66 / 94 / 16

HEX #D74A0D

RGB 215 74 13

HSL 18.12, 0.89%, 0.45%

LAB 51.12, 53.17, 58.8

 

CMYK 94 / 0 / 28 / 16

HEX #0DD79B

RGB 13 215 155

HSL 162.18, 0.89%, 0.45%

LAB 76.71, -57.74, 17.49

 

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

CMYK 9 / 0 / 94 / 16

HEX #C3D70D

RGB 195 215 13

HSL 65.94, 0.89%, 0.45%

LAB 81.96, -27.21, 80.09

 

CMYK 94 / 9 / 0 / 16

HEX #0DC3D7

RGB 13 195 215

HSL 185.94, 0.89%, 0.45%

LAB 72.24, -32.72, -21.37

 

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

CMYK 0 / 66 / 94 / 16

HEX #D74A0D

RGB 215 74 13

HSL 18.12, 0.89%, 0.45%

LAB 51.12, 53.17, 58.8

 

CMYK 94 / 0 / 85 / 16

HEX #0DD721

RGB 13 215 33

HSL 125.94, 0.89%, 0.45%

LAB 75.32, -74.39, 68.58

 

CMYK 94 / 28 / 0 / 16

HEX #0D9BD7

RGB 13 155 215

HSL 197.82, 0.89%, 0.45%

LAB 60.28, -12.09, -39.86

 

CMYK 0 / 93 / 10 / 16

HEX #D60EC0

RGB 214 14 192

HSL 306.6, 0.88%, 0.45%

LAB 50, 81.93, -41.99

 

CMYK 0 / 38 / 94 / 16

HEX #D7860D

RGB 215 134 13

HSL 35.94, 0.89%, 0.45%

LAB 62.95, 23.54, 66.79

 

CMYK 94 / 0 / 85 / 16

HEX #0DD721

RGB 13 215 33

HSL 125.94, 0.89%, 0.45%

LAB 75.32, -74.39, 68.58

 

CMYK 94 / 56 / 0 / 16

HEX #0D5ED7

RGB 13 94 215

HSL 215.94, 0.89%, 0.45%

LAB 42.76, 25.28, -67.89

 

Description

Color code: HEX #D60EC0 | qconv.com Color code: HEX #D60EC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 14 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 14 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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