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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D61952 it is the complementary color #29E6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D61952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D61952 shade: #DB194D, #EC2B60, #FD3D73, #FF4F86 and #FF6199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D61952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D61952 shade: #D61952, #C5073F, #B4002C, #A30019 and #920006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D61952 shade: #D61952, #D6191F and #D61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D61952 shade: #D61952, #D61985, #D619B8, #C119D6 and #8E19D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D61952 shade matches the following richer shades: #D61952 and #E9054A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D61952 shade: #D61952, #C32C59, #AF3F61, #9C5369 and #886671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D61952 shade: #D619BA, #D61987, #D61955, #D61922 and #D64219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D61952 shade: #8C1035, #B11444, #D61952, #E63268 and #EB5683

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D61952 shade: #D61952, #D6C019 and #19A0D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D61952 shade: #D61952, #55D619 and #1955D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D61952 shade: #D61952, #D6C019, #19D69A and #192FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D61952 shade: #D61952, #B3D619, #19D69A and #3B19D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

Complementary color

CMYK 82 / 0 / 25 / 10

HEX #29E6AD

RGB 41 230 173

HSL 161.9, 0.79%, 0.53%

LAB 81.88, -57.64, 15.3

 

CMYK 0 / 89 / 65 / 14

HEX #DB194D

RGB 219 25 77

HSL 343.92, 0.8%, 0.48%

LAB 47.35, 70.73, 23.63

 

CMYK 0 / 82 / 59 / 7

HEX #EC2B60

RGB 236 43 96

HSL 343.52, 0.84%, 0.55%

LAB 52.29, 72.58, 19.2

 

CMYK 0 / 76 / 55 / 1

HEX #FD3D73

RGB 253 61 115

HSL 343.13, 0.98%, 0.62%

LAB 57.52, 73.59, 15.49

 

CMYK 0 / 69 / 47 / 0

HEX #FF4F86

RGB 255 79 134

HSL 341.25, 1%, 0.65%

LAB 60.4, 69.78, 8.42

 

CMYK 0 / 62 / 40 / 0

HEX #FF6199

RGB 255 97 153

HSL 338.73, 1%, 0.69%

LAB 63.43, 64.62, 1.76

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 96 / 68 / 23

HEX #C5073F

RGB 197 7 63

HSL 342.32, 0.93%, 0.4%

LAB 41.82, 66.82, 24.31

 

CMYK 0 / 100 / 76 / 29

HEX #B4002C

RGB 180 0 44

HSL 345.33, 1%, 0.35%

LAB 37.64, 62.58, 30.28

 

CMYK 0 / 100 / 85 / 36

HEX #A30019

RGB 163 0 25

HSL 350.8, 1%, 0.32%

LAB 33.68, 57.72, 36.36

 

CMYK 0 / 100 / 96 / 43

HEX #920006

RGB 146 0 6

HSL 357.53, 1%, 0.29%

LAB 29.72, 52.96, 40.84

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 88 / 86 / 16

HEX #D6191F

RGB 214 25 31

HSL 358.1, 0.79%, 0.47%

LAB 45.76, 67.78, 48.04

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 88 / 38 / 16

HEX #D61985

RGB 214 25 133

HSL 325.71, 0.79%, 0.47%

LAB 47.86, 73.7, -10.22

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 10 / 88 / 0 / 16

HEX #C119D6

RGB 193 25 214

HSL 293.33, 0.79%, 0.47%

LAB 48.12, 80.22, -57.91

 

CMYK 34 / 88 / 0 / 16

HEX #8E19D6

RGB 142 25 214

HSL 277.14, 0.79%, 0.47%

LAB 40.08, 72.71, -71.32

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 98 / 68 / 9

HEX #E9054A

RGB 233 5 74

HSL 341.84, 0.96%, 0.47%

LAB 49.41, 76.1, 28.66

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 77 / 54 / 24

HEX #C32C59

RGB 195 44 89

HSL 342.12, 0.63%, 0.47%

LAB 44.41, 60.86, 11.44

 

CMYK 0 / 64 / 45 / 31

HEX #AF3F61

RGB 175 63 97

HSL 341.79, 0.47%, 0.47%

LAB 43.55, 48.49, 4.75

 

CMYK 0 / 47 / 33 / 39

HEX #9C5369

RGB 156 83 105

HSL 341.92, 0.31%, 0.47%

LAB 44.62, 32.85, 1

 

CMYK 0 / 25 / 17 / 47

HEX #886671

RGB 136 102 113

HSL 340.59, 0.14%, 0.47%

LAB 46.88, 15.48, -0.85

 

CMYK 0 / 88 / 13 / 16

HEX #D619BA

RGB 214 25 186

HSL 308.89, 0.79%, 0.47%

LAB 50.14, 79.8, -38.27

 

CMYK 0 / 88 / 37 / 16

HEX #D61987

RGB 214 25 135

HSL 325.08, 0.79%, 0.47%

LAB 47.93, 73.9, -11.32

 

CMYK 0 / 88 / 60 / 16

HEX #D61955

RGB 214 25 85

HSL 340.95, 0.79%, 0.47%

LAB 46.51, 69.93, 17.39

 

CMYK 0 / 88 / 84 / 16

HEX #D61922

RGB 214 25 34

HSL 357.14, 0.79%, 0.47%

LAB 45.78, 67.85, 46.56

 

CMYK 0 / 69 / 88 / 16

HEX #D64219

RGB 214 66 25

HSL 13.02, 0.79%, 0.47%

LAB 49.81, 56.21, 53.94

 

CMYK 0 / 89 / 62 / 45

HEX #8C1035

RGB 140 16 53

HSL 342.1, 0.79%, 0.31%

LAB 29.92, 50.39, 12.95

 

CMYK 0 / 89 / 62 / 31

HEX #B11444

RGB 177 20 68

HSL 341.66, 0.8%, 0.39%

LAB 38.31, 60.41, 15.78

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 78 / 55 / 10

HEX #E63268

RGB 230 50 104

HSL 342, 0.78%, 0.55%

LAB 51.95, 69.77, 13.72

 

CMYK 0 / 63 / 44 / 8

HEX #EB5683

RGB 235 86 131

HSL 341.88, 0.79%, 0.63%

LAB 58, 60.94, 6.29

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 10 / 88 / 16

HEX #D6C019

RGB 214 192 25

HSL 53.02, 0.79%, 0.47%

LAB 77.32, -7.54, 75.4

 

CMYK 88 / 25 / 0 / 16

HEX #19A0D6

RGB 25 160 214

HSL 197.14, 0.79%, 0.47%

LAB 61.83, -14.65, -36.87

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 60 / 0 / 88 / 16

HEX #55D619

RGB 85 214 25

HSL 100.95, 0.79%, 0.47%

LAB 76.13, -64.53, 71.35

 

CMYK 88 / 60 / 0 / 16

HEX #1955D6

RGB 25 85 214

HSL 220.95, 0.79%, 0.47%

LAB 40.51, 31.29, -70.99

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 10 / 88 / 16

HEX #D6C019

RGB 214 192 25

HSL 53.02, 0.79%, 0.47%

LAB 77.32, -7.54, 75.4

 

CMYK 88 / 0 / 28 / 16

HEX #19D69A

RGB 25 214 154

HSL 160.95, 0.79%, 0.47%

LAB 76.46, -57.03, 17.68

 

CMYK 88 / 78 / 0 / 16

HEX #192FD6

RGB 25 47 214

HSL 233.02, 0.79%, 0.47%

LAB 32.02, 54.24, -84.98

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 16 / 0 / 88 / 16

HEX #B3D619

RGB 179 214 25

HSL 71.11, 0.79%, 0.47%

LAB 80.6, -33.09, 76.89

 

CMYK 88 / 0 / 28 / 16

HEX #19D69A

RGB 25 214 154

HSL 160.95, 0.79%, 0.47%

LAB 76.46, -57.03, 17.68

 

CMYK 72 / 88 / 0 / 16

HEX #3B19D6

RGB 59 25 214

HSL 250.79, 0.79%, 0.47%

LAB 30.59, 65.03, -87.3

 

Description

Color code: HEX #D61952 | qconv.com Color code: HEX #D61952 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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