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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D619B8 it is the complementary color #29E647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D619B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D619B8 shade: #DB19B3, #EC2BC6, #FD3DD9, #FF4FEC and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D619B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D619B8 shade: #D619B8, #C507A5, #B40092, #A3007F and #92006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D619B8 shade: #D619B8, #D61985, #D61952, #D6191F and #D61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D619B8 shade: #D619B8, #C119D6, #8E19D6, #5B19D6 and #2819D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D619B8 shade matches the following richer shades: #D619B8 and #E905C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D619B8 shade: #D619B8, #C32CAB, #AF3F9E, #9C5390 and #886683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D619B8 shade: #8D19D6, #C019D6, #D619BA, #D61987 and #D61955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D619B8 shade: #8C1078, #B11498, #D619B8, #E632CA and #EB56D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D619B8 shade: #D619B8, #D65B19 and #19D6A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D619B8 shade: #D619B8, #BAD619 and #19BAD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D619B8 shade: #D619B8, #D65B19, #19D635 and #1994D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D619B8 shade: #D619B8, #D69419, #19D635 and #195BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

Complementary color

CMYK 82 / 0 / 69 / 10

HEX #29E647

RGB 41 230 71

HSL 129.52, 0.79%, 0.53%

LAB 80.47, -74.08, 61.98

 

CMYK 0 / 89 / 18 / 14

HEX #DB19B3

RGB 219 25 179

HSL 312.37, 0.8%, 0.48%

LAB 50.7, 79.87, -33.23

 

CMYK 0 / 82 / 16 / 7

HEX #EC2BC6

RGB 236 43 198

HSL 311.81, 0.84%, 0.55%

LAB 55.72, 82.41, -36.18

 

CMYK 0 / 76 / 14 / 1

HEX #FD3DD9

RGB 253 61 217

HSL 311.25, 0.98%, 0.62%

LAB 60.98, 84.07, -38.56

 

CMYK 0 / 69 / 7 / 0

HEX #FF4FEC

RGB 255 79 236

HSL 306.48, 1%, 0.65%

LAB 64.09, 81.75, -44.32

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 96 / 16 / 23

HEX #C507A5

RGB 197 7 165

HSL 310.11, 0.93%, 0.4%

LAB 45.27, 75.91, -33.75

 

CMYK 0 / 100 / 19 / 29

HEX #B40092

RGB 180 0 146

HSL 311.33, 1%, 0.35%

LAB 40.86, 70.98, -29.45

 

CMYK 0 / 100 / 22 / 36

HEX #A3007F

RGB 163 0 127

HSL 313.25, 1%, 0.32%

LAB 36.59, 65.33, -24.66

 

CMYK 0 / 100 / 26 / 43

HEX #92006C

RGB 146 0 108

HSL 315.62, 1%, 0.29%

LAB 32.24, 59.59, -19.67

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 88 / 38 / 16

HEX #D61985

RGB 214 25 133

HSL 325.71, 0.79%, 0.47%

LAB 47.86, 73.7, -10.22

 

CMYK 0 / 88 / 62 / 16

HEX #D61952

RGB 214 25 82

HSL 341.9, 0.79%, 0.47%

LAB 46.45, 69.76, 19.17

 

CMYK 0 / 88 / 86 / 16

HEX #D6191F

RGB 214 25 31

HSL 358.1, 0.79%, 0.47%

LAB 45.76, 67.78, 48.04

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 10 / 88 / 0 / 16

HEX #C119D6

RGB 193 25 214

HSL 293.33, 0.79%, 0.47%

LAB 48.12, 80.22, -57.91

 

CMYK 34 / 88 / 0 / 16

HEX #8E19D6

RGB 142 25 214

HSL 277.14, 0.79%, 0.47%

LAB 40.08, 72.71, -71.32

 

CMYK 57 / 88 / 0 / 16

HEX #5B19D6

RGB 91 25 214

HSL 260.95, 0.79%, 0.47%

LAB 33.51, 67.2, -82.38

 

CMYK 81 / 88 / 0 / 16

HEX #2819D6

RGB 40 25 214

HSL 244.76, 0.79%, 0.47%

LAB 29.42, 64.21, -89.29

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 98 / 15 / 9

HEX #E905C5

RGB 233 5 197

HSL 309.47, 0.96%, 0.47%

LAB 53.45, 86.65, -39.21

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 77 / 12 / 24

HEX #C32CAB

RGB 195 44 171

HSL 309.54, 0.63%, 0.47%

LAB 47.42, 69.9, -33.96

 

CMYK 0 / 64 / 10 / 31

HEX #AF3F9E

RGB 175 63 158

HSL 309.11, 0.47%, 0.47%

LAB 45.82, 56.55, -28.99

 

CMYK 0 / 47 / 8 / 39

HEX #9C5390

RGB 156 83 144

HSL 309.86, 0.31%, 0.47%

LAB 46, 39, -20.56

 

CMYK 0 / 25 / 4 / 47

HEX #886683

RGB 136 102 131

HSL 308.82, 0.14%, 0.47%

LAB 47.46, 18.81, -10.77

 

CMYK 34 / 88 / 0 / 16

HEX #8D19D6

RGB 141 25 214

HSL 276.83, 0.79%, 0.47%

LAB 39.94, 72.58, -71.57

 

CMYK 10 / 88 / 0 / 16

HEX #C019D6

RGB 192 25 214

HSL 293.02, 0.79%, 0.47%

LAB 47.95, 80.06, -58.18

 

CMYK 0 / 88 / 13 / 16

HEX #D619BA

RGB 214 25 186

HSL 308.89, 0.79%, 0.47%

LAB 50.14, 79.8, -38.27

 

CMYK 0 / 88 / 37 / 16

HEX #D61987

RGB 214 25 135

HSL 325.08, 0.79%, 0.47%

LAB 47.93, 73.9, -11.32

 

CMYK 0 / 88 / 60 / 16

HEX #D61955

RGB 214 25 85

HSL 340.95, 0.79%, 0.47%

LAB 46.51, 69.93, 17.39

 

CMYK 0 / 89 / 14 / 45

HEX #8C1078

RGB 140 16 120

HSL 309.68, 0.79%, 0.31%

LAB 32.48, 57.51, -27.02

 

CMYK 0 / 89 / 14 / 31

HEX #B11498

RGB 177 20 152

HSL 309.55, 0.8%, 0.39%

LAB 41.4, 68.84, -32.29

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 78 / 12 / 10

HEX #E632CA

RGB 230 50 202

HSL 309.33, 0.78%, 0.55%

LAB 55.45, 80.08, -38.98

 

CMYK 0 / 63 / 10 / 8

HEX #EB56D3

RGB 235 86 211

HSL 309.66, 0.79%, 0.63%

LAB 60.8, 70.83, -35.67

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 57 / 88 / 16

HEX #D65B19

RGB 214 91 25

HSL 20.95, 0.79%, 0.47%

LAB 53.87, 45.41, 57.06

 

CMYK 88 / 0 / 22 / 16

HEX #19D6A7

RGB 25 214 167

HSL 165.08, 0.79%, 0.47%

LAB 76.73, -53.98, 11.17

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 13 / 0 / 88 / 16

HEX #BAD619

RGB 186 214 25

HSL 68.89, 0.79%, 0.47%

LAB 81.07, -30.25, 77.47

 

CMYK 88 / 13 / 0 / 16

HEX #19BAD6

RGB 25 186 214

HSL 188.89, 0.79%, 0.47%

LAB 69.6, -28.15, -24.86

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 57 / 88 / 16

HEX #D65B19

RGB 214 91 25

HSL 20.95, 0.79%, 0.47%

LAB 53.87, 45.41, 57.06

 

CMYK 88 / 0 / 75 / 16

HEX #19D635

RGB 25 214 53

HSL 128.89, 0.79%, 0.47%

LAB 75.17, -72.25, 62.88

 

CMYK 88 / 31 / 0 / 16

HEX #1994D6

RGB 25 148 214

HSL 200.95, 0.79%, 0.47%

LAB 58.27, -7.95, -42.46

 

CMYK 0 / 88 / 14 / 16

HEX #D619B8

RGB 214 25 184

HSL 309.52, 0.79%, 0.47%

LAB 50.04, 79.54, -37.26

 

CMYK 0 / 31 / 88 / 16

HEX #D69419

RGB 214 148 25

HSL 39.05, 0.79%, 0.47%

LAB 66.17, 15.75, 66.63

 

CMYK 88 / 0 / 75 / 16

HEX #19D635

RGB 25 214 53

HSL 128.89, 0.79%, 0.47%

LAB 75.17, -72.25, 62.88

 

CMYK 88 / 57 / 0 / 16

HEX #195BD6

RGB 25 91 214

HSL 219.05, 0.79%, 0.47%

LAB 42.07, 27.38, -68.44

 

Description

Color code: HEX #D619B8 | qconv.com Color code: HEX #D619B8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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