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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6956F it is the complementary color #296A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6956F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6956F shade: #DB956A, #ECA77D, #FDB990, #FFCBA3 and #FFDDB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6956F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6956F shade: #D6956F, #C5835C, #B47149, #A35F36 and #924D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6956F shade: #D6956F, #D67A6F and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6956F shade: #D6956F, #D6B16F, #D6CD6F, #C4D66F and #A8D66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6956F shade matches the following richer shades: #D6956F, #E59160 and #F48D52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6956F shade: #D6956F, #C7997E, #B89D8D, #AAA19C and #9BA5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6956F shade: #D66F80, #D67A6F, #D6956F, #D6B06F and #D6CC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6956F shade: #BE6835, #CD7E4F, #D6956F, #DFAD8F and #E8C5B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6956F shade: #D6956F, #9CD66F and #6F73D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6956F shade: #D6956F, #6FD695 and #956FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6956F shade: #D6956F, #9CD66F, #6FB0D6 and #AA6FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6956F shade: #D6956F, #7DD66F, #6FB0D6 and #C86FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

Complementary color

CMYK 72 / 26 / 0 / 44

HEX #296A90

RGB 41 106 144

HSL 202.14, 0.56%, 0.36%

LAB 42.45, -7.52, -26.81

 

CMYK 0 / 32 / 52 / 14

HEX #DB956A

RGB 219 149 106

HSL 22.83, 0.61%, 0.64%

LAB 67.72, 21.66, 33.28

 

CMYK 0 / 29 / 47 / 7

HEX #ECA77D

RGB 236 167 125

HSL 22.7, 0.74%, 0.71%

LAB 74.16, 20.62, 31.82

 

CMYK 0 / 27 / 43 / 1

HEX #FDB990

RGB 253 185 144

HSL 22.57, 0.96%, 0.78%

LAB 80.51, 19.7, 30.47

 

CMYK 0 / 20 / 36 / 0

HEX #FFCBA3

RGB 255 203 163

HSL 26.09, 1%, 0.82%

LAB 85.31, 13.14, 26.96

 

CMYK 0 / 13 / 29 / 0

HEX #FFDDB6

RGB 255 221 182

HSL 32.05, 1%, 0.86%

LAB 90.02, 6.15, 23.5

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 34 / 53 / 23

HEX #C5835C

RGB 197 131 92

HSL 22.29, 0.48%, 0.57%

LAB 60.67, 21.2, 31.35

 

CMYK 0 / 37 / 59 / 29

HEX #B47149

RGB 180 113 73

HSL 22.43, 0.42%, 0.5%

LAB 54.02, 22.47, 33.02

 

CMYK 0 / 42 / 67 / 36

HEX #A35F36

RGB 163 95 54

HSL 22.57, 0.5%, 0.43%

LAB 47.28, 23.93, 34.83

 

CMYK 0 / 47 / 76 / 43

HEX #924D23

RGB 146 77 35

HSL 22.7, 0.61%, 0.35%

LAB 40.48, 25.63, 36.72

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 43 / 48 / 16

HEX #D67A6F

RGB 214 122 111

HSL 6.41, 0.56%, 0.64%

LAB 61.1, 34.59, 21.71

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 17 / 48 / 16

HEX #D6B16F

RGB 214 177 111

HSL 38.45, 0.56%, 0.64%

LAB 74.12, 5.04, 38.65

 

CMYK 0 / 4 / 48 / 16

HEX #D6CD6F

RGB 214 205 111

HSL 54.76, 0.56%, 0.64%

LAB 81.35, -9.54, 47.56

 

CMYK 8 / 0 / 48 / 16

HEX #C4D66F

RGB 196 214 111

HSL 70.49, 0.56%, 0.64%

LAB 82.37, -21.23, 48.47

 

CMYK 21 / 0 / 48 / 16

HEX #A8D66F

RGB 168 214 111

HSL 86.8, 0.56%, 0.64%

LAB 80.5, -31.91, 45.76

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 37 / 58 / 10

HEX #E59160

RGB 229 145 96

HSL 22.11, 0.72%, 0.64%

LAB 67.84, 27.02, 39

 

CMYK 0 / 42 / 66 / 4

HEX #F48D52

RGB 244 141 82

HSL 21.85, 0.88%, 0.64%

LAB 68.67, 34.18, 47.66

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 23 / 37 / 22

HEX #C7997E

RGB 199 153 126

HSL 22.19, 0.39%, 0.64%

LAB 66.85, 13.52, 20.82

 

CMYK 0 / 15 / 23 / 28

HEX #B89D8D

RGB 184 157 141

HSL 22.33, 0.23%, 0.64%

LAB 66.69, 7.43, 12.06

 

CMYK 0 / 5 / 8 / 33

HEX #AAA19C

RGB 170 161 156

HSL 21.43, 0.08%, 0.64%

LAB 66.85, 2.36, 3.76

 

CMYK 9 / 4 / 0 / 33

HEX #9BA5AB

RGB 155 165 171

HSL 202.5, 0.09%, 0.64%

LAB 67.14, -2.31, -4.32

 

CMYK 0 / 48 / 40 / 16

HEX #D66F80

RGB 214 111 128

HSL 350.1, 0.56%, 0.64%

LAB 59.18, 42.05, 9.3

 

CMYK 0 / 43 / 48 / 16

HEX #D67A6F

RGB 214 122 111

HSL 6.41, 0.56%, 0.64%

LAB 61.1, 34.59, 21.71

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 18 / 48 / 16

HEX #D6B06F

RGB 214 176 111

HSL 37.86, 0.56%, 0.64%

LAB 73.87, 5.57, 38.33

 

CMYK 0 / 5 / 48 / 16

HEX #D6CC6F

RGB 214 204 111

HSL 54.17, 0.56%, 0.64%

LAB 81.09, -9.03, 47.25

 

CMYK 0 / 45 / 72 / 25

HEX #BE6835

RGB 190 104 53

HSL 22.34, 0.56%, 0.48%

LAB 53.06, 30.3, 42.85

 

CMYK 0 / 39 / 61 / 20

HEX #CD7E4F

RGB 205 126 79

HSL 22.38, 0.56%, 0.56%

LAB 60.31, 26.2, 38.14

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 0 / 22 / 36 / 13

HEX #DFAD8F

RGB 223 173 143

HSL 22.5, 0.56%, 0.72%

LAB 74.55, 14.24, 22.43

 

CMYK 0 / 15 / 24 / 9

HEX #E8C5B0

RGB 232 197 176

HSL 22.5, 0.55%, 0.8%

LAB 81.96, 9.24, 15.13

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 27 / 0 / 48 / 16

HEX #9CD66F

RGB 156 214 111

HSL 93.79, 0.56%, 0.64%

LAB 79.79, -36.25, 44.73

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 48 / 0 / 30 / 16

HEX #6FD695

RGB 111 214 149

HSL 142.14, 0.56%, 0.64%

LAB 78.25, -44.41, 23.08

 

CMYK 30 / 48 / 0 / 16

HEX #956FD6

RGB 149 111 214

HSL 262.14, 0.56%, 0.64%

LAB 54.67, 36.63, -47.75

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 27 / 0 / 48 / 16

HEX #9CD66F

RGB 156 214 111

HSL 93.79, 0.56%, 0.64%

LAB 79.79, -36.25, 44.73

 

CMYK 48 / 18 / 0 / 16

HEX #6FB0D6

RGB 111 176 214

HSL 202.14, 0.56%, 0.64%

LAB 68.96, -10.5, -25.64

 

CMYK 21 / 48 / 0 / 16

HEX #AA6FD6

RGB 170 111 214

HSL 274.37, 0.56%, 0.64%

LAB 56.85, 42.31, -44.16

 

CMYK 0 / 30 / 48 / 16

HEX #D6956F

RGB 214 149 111

HSL 22.14, 0.56%, 0.64%

LAB 67.23, 20.1, 29.83

 

CMYK 42 / 0 / 48 / 16

HEX #7DD66F

RGB 125 214 111

HSL 111.84, 0.56%, 0.64%

LAB 78.23, -46.51, 42.46

 

CMYK 48 / 18 / 0 / 16

HEX #6FB0D6

RGB 111 176 214

HSL 202.14, 0.56%, 0.64%

LAB 68.96, -10.5, -25.64

 

CMYK 7 / 48 / 0 / 16

HEX #C86FD6

RGB 200 111 214

HSL 291.84, 0.56%, 0.64%

LAB 60.34, 50.7, -38.43

 

Description

Color code: HEX #D6956F | qconv.com Color code: HEX #D6956F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 149 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 149 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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