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Color name
HEX #D6B95B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6B95B it is the complementary color #2946A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6B95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6B95B shade: #DBB956, #ECCB69, #FDDD7C, #FFEF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6B95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6B95B shade: #D6B95B, #C5A748, #B49535, #A38322 and #92710F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6B95B shade: #D6B95B, #D6985B, #D6775B and #D65B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6B95B shade: #D6B95B, #D2D65B, #B1D65B, #90D65B and #6FD65B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6B95B shade matches the following richer shades: #D6B95B, #E6C24B and #F7CA3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6B95B shade: #D6B95B, #C5B06C, #B5A77C, #A49F8D and #94969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6B95B shade: #D6765B, #D6965B, #D6B75B, #D4D65B and #B3D65B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6B95B shade: #B2932C, #CDAB3A, #D6B95B, #DEC77C and #E6D59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6B95B shade: #D6B95B, #61D65B and #865BD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6B95B shade: #D6B95B, #5BD6B7 and #B75BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6B95B shade: #D6B95B, #61D65B, #5B7AD6 and #D05BD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6B95B shade: #D6B95B, #5BD67A, #5B7AD6 and #D65BB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

Complementary color

CMYK 75 / 57 / 0 / 36

HEX #2946A4

RGB 41 70 164

HSL 225.85, 0.6%, 0.4%

LAB 32.99, 23.34, -53.91

 

CMYK 0 / 16 / 61 / 14

HEX #DBB956

RGB 219 185 86

HSL 44.66, 0.65%, 0.6%

LAB 76.33, 0.86, 53.66

 

CMYK 0 / 14 / 56 / 7

HEX #ECCB69

RGB 236 203 105

HSL 44.89, 0.78%, 0.67%

LAB 82.68, -0.04, 52.49

 

CMYK 0 / 13 / 51 / 1

HEX #FDDD7C

RGB 253 221 124

HSL 45.12, 0.97%, 0.74%

LAB 88.95, -0.82, 51.28

 

CMYK 0 / 6 / 44 / 0

HEX #FFEF8F

RGB 255 239 143

HSL 51.43, 1%, 0.78%

LAB 93.87, -7.35, 48.22

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 0 / 15 / 63 / 23

HEX #C5A748

RGB 197 167 72

HSL 45.6, 0.52%, 0.53%

LAB 69.45, 0.06, 51.86

 

CMYK 0 / 17 / 71 / 29

HEX #B49535

RGB 180 149 53

HSL 45.35, 0.55%, 0.46%

LAB 62.89, 1.19, 52.79

 

CMYK 0 / 20 / 79 / 36

HEX #A38322

RGB 163 131 34

HSL 45.12, 0.65%, 0.39%

LAB 56.22, 2.56, 53.22

 

CMYK 0 / 23 / 90 / 43

HEX #92710F

RGB 146 113 15

HSL 44.89, 0.81%, 0.32%

LAB 49.44, 4.23, 52.58

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 44 / 57 / 16

HEX #D6775B

RGB 214 119 91

HSL 13.66, 0.6%, 0.6%

LAB 60.11, 34.43, 31.64

 

CMYK 0 / 57 / 57 / 16

HEX #D65B5B

RGB 214 91 91

HSL 0, 0.6%, 0.6%

LAB 54.59, 48.44, 24.53

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 2 / 0 / 57 / 16

HEX #D2D65B

RGB 210 214 91

HSL 61.95, 0.6%, 0.6%

LAB 83.21, -17.33, 58.88

 

CMYK 17 / 0 / 57 / 16

HEX #B1D65B

RGB 177 214 91

HSL 78.05, 0.6%, 0.6%

LAB 80.85, -30.46, 55.59

 

CMYK 33 / 0 / 57 / 16

HEX #90D65B

RGB 144 214 91

HSL 94.15, 0.6%, 0.6%

LAB 78.91, -42.6, 52.88

 

CMYK 48 / 0 / 57 / 16

HEX #6FD65B

RGB 111 214 91

HSL 110.24, 0.6%, 0.6%

LAB 77.42, -53.06, 50.76

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 0 / 16 / 67 / 10

HEX #E6C24B

RGB 230 194 75

HSL 46.06, 0.76%, 0.6%

LAB 79.57, 0.13, 62.29

 

CMYK 0 / 18 / 77 / 3

HEX #F7CA3A

RGB 247 202 58

HSL 45.71, 0.92%, 0.6%

LAB 83.08, 2.41, 72.71

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 0 / 11 / 45 / 23

HEX #C5B06C

RGB 197 176 108

HSL 45.84, 0.43%, 0.6%

LAB 72.23, -1.72, 37.48

 

CMYK 0 / 8 / 31 / 29

HEX #B5A77C

RGB 181 167 124

HSL 45.26, 0.28%, 0.6%

LAB 68.69, -1.57, 24.11

 

CMYK 0 / 3 / 14 / 36

HEX #A49F8D

RGB 164 159 141

HSL 46.96, 0.11%, 0.6%

LAB 65.45, -1.36, 10.04

 

CMYK 6 / 4 / 0 / 38

HEX #94969D

RGB 148 150 157

HSL 226.67, 0.04%, 0.6%

LAB 62.12, 0.67, -3.93

 

CMYK 0 / 45 / 57 / 16

HEX #D6765B

RGB 214 118 91

HSL 13.17, 0.6%, 0.6%

LAB 59.9, 34.95, 31.37

 

CMYK 0 / 30 / 57 / 16

HEX #D6965B

RGB 214 150 91

HSL 28.78, 0.6%, 0.6%

LAB 67.17, 17.82, 40.39

 

CMYK 0 / 14 / 57 / 16

HEX #D6B75B

RGB 214 183 91

HSL 44.88, 0.6%, 0.6%

LAB 75.4, 0.16, 50.13

 

CMYK 1 / 0 / 57 / 16

HEX #D4D65B

RGB 212 214 91

HSL 60.98, 0.6%, 0.6%

LAB 83.36, -16.51, 59.1

 

CMYK 16 / 0 / 57 / 16

HEX #B3D65B

RGB 179 214 91

HSL 77.07, 0.6%, 0.6%

LAB 80.98, -29.69, 55.78

 

CMYK 0 / 17 / 75 / 30

HEX #B2932C

RGB 178 147 44

HSL 46.12, 0.6%, 0.44%

LAB 62.1, 0.95, 55.57

 

CMYK 0 / 17 / 72 / 20

HEX #CDAB3A

RGB 205 171 58

HSL 46.12, 0.6%, 0.52%

LAB 71.15, 0.6, 59.87

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 0 / 10 / 44 / 13

HEX #DEC77C

RGB 222 199 124

HSL 45.92, 0.6%, 0.68%

LAB 80.65, -1.98, 40.4

 

CMYK 0 / 7 / 32 / 10

HEX #E6D59D

RGB 230 213 157

HSL 46.03, 0.59%, 0.76%

LAB 85.43, -2.36, 29.86

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 55 / 0 / 57 / 16

HEX #61D65B

RGB 97 214 91

HSL 117.07, 0.6%, 0.6%

LAB 76.91, -56.82, 50.05

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 57 / 0 / 14 / 16

HEX #5BD6B7

RGB 91 214 183

HSL 164.88, 0.6%, 0.6%

LAB 78.31, -41.72, 5.05

 

CMYK 14 / 57 / 0 / 16

HEX #B75BD6

RGB 183 91 214

HSL 284.88, 0.6%, 0.6%

LAB 54.45, 56.09, -47.86

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 55 / 0 / 57 / 16

HEX #61D65B

RGB 97 214 91

HSL 117.07, 0.6%, 0.6%

LAB 76.91, -56.82, 50.05

 

CMYK 57 / 43 / 0 / 16

HEX #5B7AD6

RGB 91 122 214

HSL 224.88, 0.6%, 0.6%

LAB 52.95, 16.24, -50.76

 

CMYK 3 / 57 / 0 / 16

HEX #D05BD6

RGB 208 91 214

HSL 297.07, 0.6%, 0.6%

LAB 57.8, 62.42, -42.35

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 57 / 0 / 43 / 16

HEX #5BD67A

RGB 91 214 122

HSL 135.12, 0.6%, 0.6%

LAB 77.11, -53.98, 35.33

 

CMYK 57 / 43 / 0 / 16

HEX #5B7AD6

RGB 91 122 214

HSL 224.88, 0.6%, 0.6%

LAB 52.95, 16.24, -50.76

 

CMYK 0 / 57 / 14 / 16

HEX #D65BB7

RGB 214 91 183

HSL 315.12, 0.6%, 0.6%

LAB 57.27, 58.95, -25.42

 

Description

Color code: HEX #D6B95B | qconv.com Color code: HEX #D6B95B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 185 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 185 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 57% 16% C M Y K

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Provide designers and agencies with accurate color values.

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