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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8597A it is the complementary color #27A685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8597A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8597A shade: #DD5975, #EE6B88, #FF7D9B, #FF8FAE and #FFA1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8597A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8597A shade: #D8597A, #C74767, #B63554, #A52341 and #94112E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8597A shade: #D8597A and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8597A shade: #D8597A, #D8599C, #D859BE, #CF59D8 and #AD59D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8597A shade matches the following richer shades: #D8597A, #E84972 and #F9386A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8597A shade: #D8597A, #C76A82, #B77A8A, #A68B92 and #969B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8597A shade: #D859BE, #D8599D, #D8597B, #D85959 and #D87B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8597A shade: #B52A4E, #D0385F, #D8597A, #E07B95 and #E79CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8597A shade: #D8597A, #D8CF59 and #59AED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8597A shade: #D8597A, #7BD859 and #597BD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8597A shade: #D8597A, #D8CF59, #59D8B6 and #5962D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8597A shade: #D8597A, #BAD859, #59D8B6 and #7759D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

Complementary color

CMYK 77 / 0 / 20 / 35

HEX #27A685

RGB 39 166 133

HSL 164.41, 0.62%, 0.4%

LAB 61.13, -41.62, 7.52

 

CMYK 0 / 60 / 47 / 13

HEX #DD5975

RGB 221 89 117

HSL 347.27, 0.66%, 0.61%

LAB 55.89, 53.91, 11.22

 

CMYK 0 / 55 / 43 / 7

HEX #EE6B88

RGB 238 107 136

HSL 346.72, 0.79%, 0.68%

LAB 62.06, 53.13, 9.24

 

CMYK 0 / 51 / 39 / 0

HEX #FF7D9B

RGB 255 125 155

HSL 346.15, 1%, 0.75%

LAB 68.24, 52.28, 7.54

 

CMYK 0 / 44 / 32 / 0

HEX #FF8FAE

RGB 255 143 174

HSL 343.39, 1%, 0.78%

LAB 72.2, 45.62, 2.62

 

CMYK 0 / 37 / 24 / 0

HEX #FFA1C1

RGB 255 161 193

HSL 339.57, 1%, 0.82%

LAB 76.44, 38.92, -1.69

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 64 / 48 / 22

HEX #C74767

RGB 199 71 103

HSL 345, 0.53%, 0.53%

LAB 49.04, 53.35, 9.44

 

CMYK 0 / 71 / 54 / 29

HEX #B63554

RGB 182 53 84

HSL 345.58, 0.55%, 0.46%

LAB 42.96, 53.62, 12.17

 

CMYK 0 / 79 / 61 / 35

HEX #A52341

RGB 165 35 65

HSL 346.15, 0.65%, 0.39%

LAB 37.08, 53.3, 15.62

 

CMYK 0 / 89 / 69 / 42

HEX #94112E

RGB 148 17 46

HSL 346.72, 0.79%, 0.32%

LAB 31.56, 51.98, 20.06

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 59 / 28 / 15

HEX #D8599C

RGB 216 89 156

HSL 328.35, 0.62%, 0.6%

LAB 56.23, 56.65, -11.3

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 4 / 59 / 0 / 15

HEX #CF59D8

RGB 207 89 216

HSL 295.75, 0.62%, 0.6%

LAB 57.43, 63.41, -44.07

 

CMYK 20 / 59 / 0 / 15

HEX #AD59D8

RGB 173 89 216

HSL 279.69, 0.62%, 0.6%

LAB 52.94, 55, -51.48

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 69 / 51 / 9

HEX #E84972

RGB 232 73 114

HSL 344.53, 0.78%, 0.6%

LAB 55.21, 63.64, 12.32

 

CMYK 0 / 78 / 57 / 2

HEX #F9386A

RGB 249 56 106

HSL 344.46, 0.94%, 0.6%

LAB 56.1, 73.32, 18.77

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 47 / 35 / 22

HEX #C76A82

RGB 199 106 130

HSL 344.52, 0.45%, 0.6%

LAB 56.15, 39.49, 3.52

 

CMYK 0 / 33 / 25 / 28

HEX #B77A8A

RGB 183 122 138

HSL 344.26, 0.3%, 0.6%

LAB 57.87, 26.06, 1.1

 

CMYK 0 / 16 / 12 / 35

HEX #A68B92

RGB 166 139 146

HSL 344.44, 0.13%, 0.6%

LAB 60.47, 11.38, 0.08

 

CMYK 3 / 0 / 1 / 39

HEX #969B9A

RGB 150 155 154

HSL 168, 0.02%, 0.6%

LAB 63.56, -1.99, -0.11

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 0 / 59 / 43 / 15

HEX #D8597B

RGB 216 89 123

HSL 343.94, 0.62%, 0.6%

LAB 55.25, 52.85, 6.67

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 43 / 59 / 15

HEX #D87B59

RGB 216 123 89

HSL 16.06, 0.62%, 0.6%

LAB 61.21, 32.96, 34.18

 

CMYK 0 / 77 / 57 / 29

HEX #B52A4E

RGB 181 42 78

HSL 344.46, 0.62%, 0.44%

LAB 41.26, 56.68, 13.56

 

CMYK 0 / 73 / 54 / 18

HEX #D0385F

RGB 208 56 95

HSL 344.61, 0.62%, 0.52%

LAB 48.34, 61.17, 13.56

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 45 / 33 / 12

HEX #E07B95

RGB 224 123 149

HSL 344.55, 0.62%, 0.68%

LAB 63.49, 41.93, 3.58

 

CMYK 0 / 32 / 24 / 9

HEX #E79CB0

RGB 231 156 176

HSL 344, 0.61%, 0.76%

LAB 72.16, 30.71, 1.1

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 4 / 59 / 15

HEX #D8CF59

RGB 216 207 89

HSL 55.75, 0.62%, 0.6%

LAB 81.81, -11.51, 58.35

 

CMYK 59 / 19 / 0 / 15

HEX #59AED8

RGB 89 174 216

HSL 199.84, 0.62%, 0.6%

LAB 67.54, -13.53, -28.99

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 43 / 0 / 59 / 15

HEX #7BD859

RGB 123 216 89

HSL 103.94, 0.62%, 0.6%

LAB 78.49, -50.51, 53.02

 

CMYK 59 / 43 / 0 / 15

HEX #597BD8

RGB 89 123 216

HSL 223.94, 0.62%, 0.6%

LAB 53.22, 15.89, -51.46

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 4 / 59 / 15

HEX #D8CF59

RGB 216 207 89

HSL 55.75, 0.62%, 0.6%

LAB 81.81, -11.51, 58.35

 

CMYK 59 / 0 / 16 / 15

HEX #59D8B6

RGB 89 216 182

HSL 163.94, 0.62%, 0.6%

LAB 78.82, -43.22, 6.31

 

CMYK 59 / 55 / 0 / 15

HEX #5962D8

RGB 89 98 216

HSL 235.75, 0.62%, 0.6%

LAB 46.73, 31.3, -61.88

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 14 / 0 / 59 / 15

HEX #BAD859

RGB 186 216 89

HSL 74.17, 0.62%, 0.6%

LAB 81.99, -28.07, 57.91

 

CMYK 59 / 0 / 16 / 15

HEX #59D8B6

RGB 89 216 182

HSL 163.94, 0.62%, 0.6%

LAB 78.82, -43.22, 6.31

 

CMYK 45 / 59 / 0 / 15

HEX #7759D8

RGB 119 89 216

HSL 254.17, 0.62%, 0.6%

LAB 47.01, 42.57, -61.32

 

Description

Color code: HEX #D8597A | qconv.com Color code: HEX #D8597A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 89 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 89 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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