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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D859BE it is the complementary color #27A641. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D859BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D859BE shade: #DD59B9, #EE6BCC, #FF7DDF, #FF8FF2 and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D859BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D859BE shade: #D859BE, #C747AB, #B63598, #A52385 and #941172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D859BE shade: #D859BE, #D8599C, #D8597A and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D859BE shade: #D859BE, #D059D8, #AD59D8, #8B59D8 and #6959D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D859BE shade matches the following richer shades: #D859BE, #E849C8 and #F938D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D859BE shade: #D859BE, #C76AB4, #B77AAA, #A68BA1 and #969B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D859BE shade: #AE59D8, #CF59D8, #D859BE, #D8599D and #D8597B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D859BE shade: #B52A98, #D038B1, #D859BE, #E07BCB and #E79CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D859BE shade: #D859BE, #D88C59 and #59D8BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D859BE shade: #D859BE, #BED859 and #59BED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D859BE shade: #D859BE, #D88C59, #59D873 and #59A5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D859BE shade: #D859BE, #D8B259, #59D873 and #597FD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

Complementary color

CMYK 77 / 0 / 61 / 35

HEX #27A641

RGB 39 166 65

HSL 132.28, 0.62%, 0.4%

LAB 59.97, -54.7, 41.93

 

CMYK 0 / 60 / 16 / 13

HEX #DD59B9

RGB 221 89 185

HSL 316.36, 0.66%, 0.61%

LAB 58.06, 62.08, -25.27

 

CMYK 0 / 55 / 14 / 7

HEX #EE6BCC

RGB 238 107 204

HSL 315.57, 0.79%, 0.68%

LAB 64.2, 61.7, -26.41

 

CMYK 0 / 51 / 13 / 0

HEX #FF7DDF

RGB 255 125 223

HSL 314.77, 1%, 0.75%

LAB 70.35, 61.17, -27.36

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF2

RGB 255 143 242

HSL 306.96, 1%, 0.78%

LAB 74.39, 55.57, -31.57

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 64 / 14 / 22

HEX #C747AB

RGB 199 71 171

HSL 313.13, 0.53%, 0.53%

LAB 51.37, 61.59, -27.75

 

CMYK 0 / 71 / 16 / 29

HEX #B63598

RGB 182 53 152

HSL 313.95, 0.55%, 0.46%

LAB 45.3, 61.31, -26.12

 

CMYK 0 / 79 / 19 / 35

HEX #A52385

RGB 165 35 133

HSL 314.77, 0.65%, 0.39%

LAB 39.4, 60.32, -23.97

 

CMYK 0 / 89 / 23 / 42

HEX #941172

RGB 148 17 114

HSL 315.57, 0.79%, 0.32%

LAB 33.8, 58.23, -21.05

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 59 / 28 / 15

HEX #D8599C

RGB 216 89 156

HSL 328.35, 0.62%, 0.6%

LAB 56.23, 56.65, -11.3

 

CMYK 0 / 59 / 44 / 15

HEX #D8597A

RGB 216 89 122

HSL 344.41, 0.62%, 0.6%

LAB 55.23, 52.75, 7.22

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 4 / 59 / 0 / 15

HEX #D059D8

RGB 208 89 216

HSL 296.22, 0.62%, 0.6%

LAB 57.57, 63.66, -43.84

 

CMYK 20 / 59 / 0 / 15

HEX #AD59D8

RGB 173 89 216

HSL 279.69, 0.62%, 0.6%

LAB 52.94, 55, -51.48

 

CMYK 36 / 59 / 0 / 15

HEX #8B59D8

RGB 139 89 216

HSL 263.62, 0.62%, 0.6%

LAB 49, 46.95, -58.01

 

CMYK 51 / 59 / 0 / 15

HEX #6959D8

RGB 105 89 216

HSL 247.56, 0.62%, 0.6%

LAB 45.78, 39.74, -63.37

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 69 / 14 / 9

HEX #E849C8

RGB 232 73 200

HSL 312.08, 0.78%, 0.6%

LAB 58.12, 73.31, -33.63

 

CMYK 0 / 78 / 16 / 2

HEX #F938D1

RGB 249 56 209

HSL 312.44, 0.94%, 0.6%

LAB 59.5, 83.48, -36.4

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 47 / 10 / 22

HEX #C76AB4

RGB 199 106 180

HSL 312.26, 0.45%, 0.6%

LAB 57.79, 46.82, -23.06

 

CMYK 0 / 33 / 7 / 28

HEX #B77AAA

RGB 183 122 170

HSL 312.79, 0.3%, 0.6%

LAB 58.87, 31.32, -15.85

 

CMYK 0 / 16 / 3 / 35

HEX #A68BA1

RGB 166 139 161

HSL 311.11, 0.13%, 0.6%

LAB 60.91, 14.11, -7.82

 

CMYK 3 / 0 / 3 / 39

HEX #969B97

RGB 150 155 151

HSL 132, 0.02%, 0.6%

LAB 63.48, -2.57, 1.46

 

CMYK 19 / 59 / 0 / 15

HEX #AE59D8

RGB 174 89 216

HSL 280.16, 0.62%, 0.6%

LAB 53.06, 55.24, -51.28

 

CMYK 4 / 59 / 0 / 15

HEX #CF59D8

RGB 207 89 216

HSL 295.75, 0.62%, 0.6%

LAB 57.43, 63.41, -44.07

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 0 / 59 / 43 / 15

HEX #D8597B

RGB 216 89 123

HSL 343.94, 0.62%, 0.6%

LAB 55.25, 52.85, 6.67

 

CMYK 0 / 77 / 16 / 29

HEX #B52A98

RGB 181 42 152

HSL 312.52, 0.62%, 0.44%

LAB 43.87, 64.65, -28.37

 

CMYK 0 / 73 / 15 / 18

HEX #D038B1

RGB 208 56 177

HSL 312.24, 0.62%, 0.52%

LAB 51.17, 70.1, -31.47

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 45 / 9 / 12

HEX #E07BCB

RGB 224 123 203

HSL 312.48, 0.62%, 0.68%

LAB 65.22, 49.75, -24.45

 

CMYK 0 / 32 / 6 / 9

HEX #E79CD8

RGB 231 156 216

HSL 312, 0.61%, 0.76%

LAB 73.37, 37.04, -19.17

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 35 / 59 / 15

HEX #D88C59

RGB 216 140 89

HSL 24.09, 0.62%, 0.6%

LAB 65.02, 23.89, 38.88

 

CMYK 59 / 0 / 12 / 15

HEX #59D8BE

RGB 89 216 190

HSL 167.72, 0.62%, 0.6%

LAB 79.01, -41.3, 2.33

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 12 / 0 / 59 / 15

HEX #BED859

RGB 190 216 89

HSL 72.28, 0.62%, 0.6%

LAB 82.26, -26.49, 58.29

 

CMYK 59 / 12 / 0 / 15

HEX #59BED8

RGB 89 190 216

HSL 192.28, 0.62%, 0.6%

LAB 72.17, -21.9, -21.91

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 35 / 59 / 15

HEX #D88C59

RGB 216 140 89

HSL 24.09, 0.62%, 0.6%

LAB 65.02, 23.89, 38.88

 

CMYK 59 / 0 / 47 / 15

HEX #59D873

RGB 89 216 115

HSL 132.28, 0.62%, 0.6%

LAB 77.56, -56.29, 39.38

 

CMYK 59 / 24 / 0 / 15

HEX #59A5D8

RGB 89 165 216

HSL 204.09, 0.62%, 0.6%

LAB 64.96, -8.63, -32.99

 

CMYK 0 / 59 / 12 / 15

HEX #D859BE

RGB 216 89 190

HSL 312.28, 0.62%, 0.6%

LAB 57.52, 61.45, -29.02

 

CMYK 0 / 18 / 59 / 15

HEX #D8B259

RGB 216 178 89

HSL 42.05, 0.62%, 0.6%

LAB 74.29, 3.49, 49.86

 

CMYK 59 / 0 / 47 / 15

HEX #59D873

RGB 89 216 115

HSL 132.28, 0.62%, 0.6%

LAB 77.56, -56.29, 39.38

 

CMYK 59 / 41 / 0 / 15

HEX #597FD8

RGB 89 127 216

HSL 222.05, 0.62%, 0.6%

LAB 54.3, 13.46, -49.74

 

Description

Color code: HEX #D859BE | qconv.com Color code: HEX #D859BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 89 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 89 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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