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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D89EA7 it is the complementary color #276158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D89EA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D89EA7 shade: #DD9EA2, #EEB0B5, #FFC2C8, #FFD4DB and #FFE6EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D89EA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D89EA7 shade: #D89EA7, #C78C94, #B67A81, #A5686E and #94565B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D89EA7 shade: #D79CA5 and #D79C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D89EA7 shade: #D79CA5, #D79CB5, #D79CC5, #D79CD5 and #C99CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D89EA7 shade matches the following richer shades: #D79CA5, #E2919E, #EE8696 and #F97B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D89EA7 shade: #D79CA5, #CCA7AD, #C1B2B5, #B6BDBC and #ABC9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D89EA7 shade: #D79CC5, #D79CB6, #D79CA6, #D7A29C and #D7B29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D89EA7 shade: #C06170, #CB7F8A, #D79CA5, #E3BAC0 and #EFD7DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D89EA7 shade: #D89EA7, #D5D79C and #9CBED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D89EA7 shade: #D89EA7, #A6D79C and #9CA6D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D89EA7 shade: #D89EA7, #D5D79C, #9CD7CD and #9E9CD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D89EA7 shade: #D89EA7, #C4D79C, #9CD7CD and #B09CD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

Complementary color

CMYK 60 / 0 / 9 / 62

HEX #276158

RGB 39 97 88

HSL 170.69, 0.43%, 0.27%

LAB 37.27, -21.31, -0.56

 

CMYK 0 / 29 / 27 / 13

HEX #DD9EA2

RGB 221 158 162

HSL 356.19, 0.48%, 0.74%

LAB 71.17, 24, 7.28

 

CMYK 0 / 26 / 24 / 7

HEX #EEB0B5

RGB 238 176 181

HSL 355.16, 0.65%, 0.81%

LAB 77.62, 23.3, 6.34

 

CMYK 0 / 24 / 22 / 0

HEX #FFC2C8

RGB 255 194 200

HSL 354.1, 1%, 0.88%

LAB 83.97, 22.66, 5.48

 

CMYK 0 / 17 / 14 / 0

HEX #FFD4DB

RGB 255 212 219

HSL 350.23, 1%, 0.92%

LAB 88.67, 16.1, 2.19

 

CMYK 0 / 10 / 7 / 0

HEX #FFE6EE

RGB 255 230 238

HSL 340.8, 1%, 0.95%

LAB 93.46, 9.85, -0.78

 

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

CMYK 0 / 30 / 26 / 22

HEX #C78C94

RGB 199 140 148

HSL 351.86, 0.35%, 0.66%

LAB 64.19, 23.59, 4.77

 

CMYK 0 / 33 / 29 / 29

HEX #B67A81

RGB 182 122 129

HSL 353, 0.29%, 0.6%

LAB 57.51, 24.38, 5.78

 

CMYK 0 / 37 / 33 / 35

HEX #A5686E

RGB 165 104 110

HSL 354.1, 0.25%, 0.53%

LAB 50.72, 25.27, 6.92

 

CMYK 0 / 42 / 39 / 42

HEX #94565B

RGB 148 86 91

HSL 355.16, 0.26%, 0.46%

LAB 43.81, 26.26, 8.24

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA5

RGB 215 156 165

HSL 350.85, 0.42%, 0.73%

LAB 70.13, 23.29, 4.04

 

CMYK 0 / 27 / 27 / 16

HEX #D79C9C

RGB 215 156 156

HSL 0, 0.42%, 0.73%

LAB 69.91, 22.01, 8.72

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA5

RGB 215 156 165

HSL 350.85, 0.42%, 0.73%

LAB 70.13, 23.29, 4.04

 

CMYK 0 / 27 / 16 / 16

HEX #D79CB5

RGB 215 156 181

HSL 334.58, 0.42%, 0.73%

LAB 70.57, 25.74, -4.21

 

CMYK 0 / 27 / 8 / 16

HEX #D79CC5

RGB 215 156 197

HSL 318.31, 0.42%, 0.73%

LAB 71.05, 28.4, -12.37

 

CMYK 0 / 27 / 1 / 16

HEX #D79CD5

RGB 215 156 213

HSL 302.03, 0.42%, 0.73%

LAB 71.57, 31.26, -20.4

 

CMYK 7 / 27 / 0 / 16

HEX #C99CD7

RGB 201 156 215

HSL 285.76, 0.42%, 0.73%

LAB 70.25, 27.09, -23.65

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA5

RGB 215 156 165

HSL 350.85, 0.42%, 0.73%

LAB 70.13, 23.29, 4.04

 

CMYK 0 / 36 / 30 / 11

HEX #E2919E

RGB 226 145 158

HSL 350.37, 0.58%, 0.73%

LAB 68.67, 32.27, 5.99

 

CMYK 0 / 44 / 37 / 7

HEX #EE8696

RGB 238 134 150

HSL 350.77, 0.75%, 0.73%

LAB 67.6, 41.37, 9.14

 

CMYK 0 / 51 / 43 / 2

HEX #F97B8E

RGB 249 123 142

HSL 350.95, 0.91%, 0.73%

LAB 66.72, 49.85, 12.62

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA5

RGB 215 156 165

HSL 350.85, 0.42%, 0.73%

LAB 70.13, 23.29, 4.04

 

CMYK 0 / 18 / 15 / 20

HEX #CCA7AD

RGB 204 167 173

HSL 350.27, 0.27%, 0.73%

LAB 71.89, 14.49, 2.01

 

CMYK 0 / 8 / 6 / 24

HEX #C1B2B5

RGB 193 178 181

HSL 348, 0.11%, 0.73%

LAB 73.88, 5.88, 0.4

 

CMYK 4 / 0 / 1 / 26

HEX #B6BDBC

RGB 182 189 188

HSL 171.43, 0.05%, 0.73%

LAB 76.05, -2.61, -0.35

 

CMYK 15 / 0 / 2 / 21

HEX #ABC9C4

RGB 171 201 196

HSL 170, 0.22%, 0.73%

LAB 78.7, -11.02, -0.88

 

CMYK 0 / 27 / 8 / 16

HEX #D79CC5

RGB 215 156 197

HSL 318.31, 0.42%, 0.73%

LAB 71.05, 28.4, -12.37

 

CMYK 0 / 27 / 15 / 16

HEX #D79CB6

RGB 215 156 182

HSL 333.56, 0.42%, 0.73%

LAB 70.6, 25.9, -4.73

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA6

RGB 215 156 166

HSL 349.83, 0.42%, 0.73%

LAB 70.16, 23.44, 3.52

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 0 / 17 / 27 / 16

HEX #D7B29C

RGB 215 178 156

HSL 22.37, 0.42%, 0.73%

LAB 75.26, 10.13, 16.26

 

CMYK 0 / 49 / 42 / 25

HEX #C06170

RGB 192 97 112

HSL 350.53, 0.43%, 0.57%

LAB 52.87, 39.52, 9.29

 

CMYK 0 / 37 / 32 / 20

HEX #CB7F8A

RGB 203 127 138

HSL 351.32, 0.42%, 0.65%

LAB 61.4, 30.81, 6.51

 

CMYK 0 / 27 / 23 / 16

HEX #D79CA5

RGB 215 156 165

HSL 350.85, 0.42%, 0.73%

LAB 70.13, 23.29, 4.04

 

CMYK 0 / 18 / 15 / 11

HEX #E3BAC0

RGB 227 186 192

HSL 351.22, 0.42%, 0.81%

LAB 79.19, 15.63, 2.52

 

CMYK 0 / 10 / 8 / 6

HEX #EFD7DB

RGB 239 215 219

HSL 350, 0.43%, 0.89%

LAB 88, 8.95, 1.05

 

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

CMYK 1 / 0 / 27 / 16

HEX #D5D79C

RGB 213 215 156

HSL 62.03, 0.42%, 0.73%

LAB 84.56, -9.98, 28.97

 

CMYK 27 / 12 / 0 / 16

HEX #9CBED7

RGB 156 190 215

HSL 205.42, 0.42%, 0.73%

LAB 75.33, -5.73, -16.27

 

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

CMYK 23 / 0 / 27 / 16

HEX #A6D79C

RGB 166 215 156

HSL 109.83, 0.42%, 0.73%

LAB 81.35, -26.98, 24.09

 

CMYK 27 / 23 / 0 / 16

HEX #9CA6D7

RGB 156 166 215

HSL 229.83, 0.42%, 0.73%

LAB 68.93, 7.4, -26

 

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

CMYK 1 / 0 / 27 / 16

HEX #D5D79C

RGB 213 215 156

HSL 62.03, 0.42%, 0.73%

LAB 84.56, -9.98, 28.97

 

CMYK 27 / 0 / 5 / 16

HEX #9CD7CD

RGB 156 215 205

HSL 169.83, 0.42%, 0.73%

LAB 81.88, -20.9, -1.16

 

CMYK 27 / 27 / 0 / 16

HEX #9E9CD7

RGB 158 156 215

HSL 242.03, 0.42%, 0.73%

LAB 66.48, 13.63, -29.75

 

CMYK 0 / 27 / 23 / 15

HEX #D89EA7

RGB 216 158 167

HSL 350.69, 0.43%, 0.73%

LAB 70.76, 22.87, 3.85

 

CMYK 9 / 0 / 27 / 16

HEX #C4D79C

RGB 196 215 156

HSL 79.32, 0.42%, 0.73%

LAB 83.3, -16.32, 27.07

 

CMYK 27 / 0 / 5 / 16

HEX #9CD7CD

RGB 156 215 205

HSL 169.83, 0.42%, 0.73%

LAB 81.88, -20.9, -1.16

 

CMYK 18 / 27 / 0 / 16

HEX #B09CD7

RGB 176 156 215

HSL 260.34, 0.42%, 0.73%

LAB 67.96, 19.13, -27.36

 

Description

Color code: HEX #D89EA7 | qconv.com Color code: HEX #D89EA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 158 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 158 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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