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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8B411 it is the complementary color #274BEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8B411. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8B411 shade: #DDB40C, #EEC61F, #FFD832, #FFEA45 and #FFFC58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8B411. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8B411 shade: #D8B411, #C7A200, #B69000, #A57E00 and #946C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8B411 shade: #D9B411, #D97F11, #D94911, #D91311 and #D91111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8B411 shade: #D9B411, #C7D911, #91D911, #5BD911 and #25D911

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8B411 shade matches the following richer shades: #D9B411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8B411 shade: #D9B411, #C6A824, #B39C37, #A0904A and #8D845D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8B411 shade: #D94A11, #D97F11, #D9B411, #C8D911 and #93D911

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8B411 shade: #8C750B, #B2950E, #D9B411, #EDC926 and #F0D24C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8B411 shade: #D8B411, #11D914 and #6411D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8B411 shade: #D8B411, #11D9B4 and #B411D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8B411 shade: #D8B411, #11D914, #1136D9 and #D911D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8B411 shade: #D8B411, #11D950, #1136D9 and #D91199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

Complementary color

CMYK 84 / 68 / 0 / 7

HEX #274BEE

RGB 39 75 238

HSL 229.15, 0.85%, 0.54%

LAB 40.63, 47.14, -84.43

 

CMYK 0 / 19 / 95 / 13

HEX #DDB40C

RGB 221 180 12

HSL 48.23, 0.9%, 0.46%

LAB 74.85, 1.55, 75.82

 

CMYK 0 / 17 / 87 / 7

HEX #EEC61F

RGB 238 198 31

HSL 48.41, 0.86%, 0.53%

LAB 81.11, -0.14, 78.15

 

CMYK 0 / 15 / 80 / 0

HEX #FFD832

RGB 255 216 50

HSL 48.59, 1%, 0.6%

LAB 87.29, -1.63, 79.24

 

CMYK 0 / 8 / 73 / 0

HEX #FFEA45

RGB 255 234 69

HSL 53.23, 1%, 0.64%

LAB 91.92, -9.95, 77.56

 

CMYK 0 / 1 / 65 / 0

HEX #FFFC58

RGB 255 252 88

HSL 58.92, 1%, 0.67%

LAB 96.65, -17.82, 75.44

 

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

CMYK 0 / 19 / 100 / 22

HEX #C7A200

RGB 199 162 0

HSL 48.84, 1%, 0.39%

LAB 68.01, 1.24, 71.32

 

CMYK 0 / 21 / 100 / 29

HEX #B69000

RGB 182 144 0

HSL 47.47, 1%, 0.36%

LAB 61.56, 3.32, 66

 

CMYK 0 / 24 / 100 / 35

HEX #A57E00

RGB 165 126 0

HSL 45.82, 1%, 0.32%

LAB 54.99, 5.48, 60.59

 

CMYK 0 / 27 / 100 / 42

HEX #946C00

RGB 148 108 0

HSL 43.78, 1%, 0.29%

LAB 48.29, 7.76, 55.08

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 0 / 41 / 92 / 15

HEX #D97F11

RGB 217 127 17

HSL 33, 0.85%, 0.46%

LAB 61.63, 28.18, 65.2

 

CMYK 0 / 66 / 92 / 15

HEX #D94911

RGB 217 73 17

HSL 16.8, 0.85%, 0.46%

LAB 51.33, 54.31, 58.01

 

CMYK 0 / 91 / 92 / 15

HEX #D91311

RGB 217 19 17

HSL 0.6, 0.85%, 0.46%

LAB 45.99, 69.23, 54.55

 

CMYK 0 / 92 / 92 / 15

HEX #D91111

RGB 217 17 17

HSL 0, 0.85%, 0.46%

LAB 45.9, 69.49, 54.49

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 8 / 0 / 92 / 15

HEX #C7D911

RGB 199 217 17

HSL 65.4, 0.85%, 0.46%

LAB 82.81, -26.45, 80.41

 

CMYK 33 / 0 / 92 / 15

HEX #91D911

RGB 145 217 17

HSL 81.6, 0.85%, 0.46%

LAB 79.43, -47.62, 76.31

 

CMYK 58 / 0 / 92 / 15

HEX #5BD911

RGB 91 217 17

HSL 97.8, 0.85%, 0.46%

LAB 77.22, -64.3, 73.58

 

CMYK 83 / 0 / 92 / 15

HEX #25D911

RGB 37 217 17

HSL 114, 0.85%, 0.46%

LAB 76.11, -73.78, 72.2

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 0 / 15 / 82 / 22

HEX #C6A824

RGB 198 168 36

HSL 48.89, 0.69%, 0.46%

LAB 69.57, -1.75, 65.79

 

CMYK 0 / 13 / 69 / 30

HEX #B39C37

RGB 179 156 55

HSL 48.87, 0.53%, 0.46%

LAB 64.67, -2.93, 53.73

 

CMYK 0 / 10 / 54 / 37

HEX #A0904A

RGB 160 144 74

HSL 48.84, 0.37%, 0.46%

LAB 59.81, -3.42, 38.96

 

CMYK 0 / 6 / 34 / 45

HEX #8D845D

RGB 141 132 93

HSL 48.75, 0.21%, 0.46%

LAB 55.03, -2.87, 22.32

 

CMYK 0 / 66 / 92 / 15

HEX #D94A11

RGB 217 74 17

HSL 17.1, 0.85%, 0.46%

LAB 51.48, 53.9, 58.12

 

CMYK 0 / 41 / 92 / 15

HEX #D97F11

RGB 217 127 17

HSL 33, 0.85%, 0.46%

LAB 61.63, 28.18, 65.2

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 8 / 0 / 92 / 15

HEX #C8D911

RGB 200 217 17

HSL 65.1, 0.85%, 0.46%

LAB 82.88, -26.04, 80.5

 

CMYK 32 / 0 / 92 / 15

HEX #93D911

RGB 147 217 17

HSL 81, 0.85%, 0.46%

LAB 79.54, -46.9, 76.43

 

CMYK 0 / 16 / 92 / 45

HEX #8C750B

RGB 140 117 11

HSL 49.3, 0.85%, 0.3%

LAB 49.88, -0.97, 53.56

 

CMYK 0 / 16 / 92 / 30

HEX #B2950E

RGB 178 149 14

HSL 49.39, 0.85%, 0.38%

LAB 62.5, -1.04, 64.4

 

CMYK 0 / 17 / 92 / 15

HEX #D9B411

RGB 217 180 17

HSL 48.9, 0.85%, 0.46%

LAB 74.47, -0.14, 74.68

 

CMYK 0 / 15 / 84 / 7

HEX #EDC926

RGB 237 201 38

HSL 49.15, 0.85%, 0.54%

LAB 81.79, -1.95, 77.07

 

CMYK 0 / 13 / 68 / 6

HEX #F0D24C

RGB 240 210 76

HSL 49.02, 0.85%, 0.62%

LAB 84.56, -3.83, 67.32

 

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

CMYK 92 / 0 / 91 / 15

HEX #11D914

RGB 17 217 20

HSL 120.9, 0.85%, 0.46%

LAB 75.94, -75.22, 71.57

 

CMYK 54 / 92 / 0 / 15

HEX #6411D9

RGB 100 17 217

HSL 264.9, 0.85%, 0.46%

LAB 34.23, 70.51, -82.88

 

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

CMYK 92 / 0 / 17 / 15

HEX #11D9B4

RGB 17 217 180

HSL 168.9, 0.85%, 0.46%

LAB 77.9, -52.32, 5.9

 

CMYK 17 / 92 / 0 / 15

HEX #B411D9

RGB 180 17 217

HSL 288.9, 0.85%, 0.46%

LAB 45.79, 79.85, -63.49

 

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

CMYK 92 / 0 / 91 / 15

HEX #11D914

RGB 17 217 20

HSL 120.9, 0.85%, 0.46%

LAB 75.94, -75.22, 71.57

 

CMYK 92 / 75 / 0 / 15

HEX #1136D9

RGB 17 54 217

HSL 228.9, 0.85%, 0.46%

LAB 33.49, 51.19, -84.27

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 17 / 92 / 15

HEX #D8B411

RGB 216 180 17

HSL 49.15, 0.85%, 0.46%

LAB 74.37, -0.57, 74.57

 

CMYK 92 / 0 / 63 / 15

HEX #11D950

RGB 17 217 80

HSL 138.9, 0.85%, 0.46%

LAB 76.27, -71.1, 53.75

 

CMYK 92 / 75 / 0 / 15

HEX #1136D9

RGB 17 54 217

HSL 228.9, 0.85%, 0.46%

LAB 33.49, 51.19, -84.27

 

CMYK 0 / 92 / 29 / 15

HEX #D91199

RGB 217 17 153

HSL 319.2, 0.85%, 0.46%

LAB 48.83, 77.47, -20.76

 

Description

Color code: HEX #D8B411 | qconv.com Color code: HEX #D8B411 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 180 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 180 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 92 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 92% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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