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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D96FBC it is the complementary color #269043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D96FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D96FBC shade: #DE6FB7, #EF81CA, #FF93DD, #FFA5F0 and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D96FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D96FBC shade: #D96FBC, #C85DA9, #B74B96, #A63983 and #952770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D96FBC shade: #D86DBB, #D86D9E, #D86D81 and #D86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D96FBC shade: #D86DBB, #D86DD8, #BC6DD8, #9F6DD8 and #826DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D96FBC shade matches the following richer shades: #D86DBB, #E75FC2 and #F650C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D96FBC shade: #D86DBB, #C97CB4, #BA8BAD, #AB9AA7 and #9DA9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D96FBC shade: #BC6DD8, #D86DD8, #D86DBC, #D86D9F and #D86D83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D96FBC shade: #C03399, #CF4DAC, #D86DBB, #E18ECA and #E9AFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D96FBC shade: #D96FBC, #D89F6D and #6DD8CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D96FBC shade: #D96FBC, #BCD86D and #6DBCD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D96FBC shade: #D96FBC, #D89F6D, #6DD88A and #6DA6D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D96FBC shade: #D96FBC, #D8BF6D, #6DD88A and #6D86D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

Complementary color

CMYK 74 / 0 / 53 / 44

HEX #269043

RGB 38 144 67

HSL 136.42, 0.58%, 0.36%

LAB 52.69, -46.75, 32.3

 

CMYK 0 / 50 / 18 / 13

HEX #DE6FB7

RGB 222 111 183

HSL 321.08, 0.63%, 0.65%

LAB 61.93, 51.94, -18.19

 

CMYK 0 / 46 / 15 / 6

HEX #EF81CA

RGB 239 129 202

HSL 320.18, 0.77%, 0.72%

LAB 68.25, 51.23, -19.09

 

CMYK 0 / 42 / 13 / 0

HEX #FF93DD

RGB 255 147 221

HSL 318.89, 1%, 0.79%

LAB 74.41, 50.19, -20.07

 

CMYK 0 / 35 / 6 / 0

HEX #FFA5F0

RGB 255 165 240

HSL 310, 1%, 0.82%

LAB 78.73, 44.12, -23.84

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

CMYK 0 / 54 / 16 / 22

HEX #C85DA9

RGB 200 93 169

HSL 317.38, 0.49%, 0.57%

LAB 55.04, 51.8, -20.91

 

CMYK 0 / 59 / 18 / 28

HEX #B74B96

RGB 183 75 150

HSL 318.33, 0.43%, 0.51%

LAB 48.64, 52.29, -19.76

 

CMYK 0 / 66 / 21 / 35

HEX #A63983

RGB 166 57 131

HSL 319.27, 0.49%, 0.44%

LAB 42.26, 52.5, -18.3

 

CMYK 0 / 74 / 25 / 42

HEX #952770

RGB 149 39 112

HSL 320.18, 0.59%, 0.37%

LAB 36, 52.18, -16.36

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBB

RGB 216 109 187

HSL 316.26, 0.58%, 0.64%

LAB 60.89, 51.69, -22.12

 

CMYK 0 / 50 / 27 / 15

HEX #D86D9E

RGB 216 109 158

HSL 332.52, 0.58%, 0.64%

LAB 59.89, 47.44, -6.99

 

CMYK 0 / 50 / 40 / 15

HEX #D86D81

RGB 216 109 129

HSL 348.79, 0.58%, 0.64%

LAB 59.09, 43.88, 8.62

 

CMYK 0 / 50 / 50 / 15

HEX #D86D6D

RGB 216 109 109

HSL 0, 0.58%, 0.64%

LAB 58.64, 41.87, 19.57

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBB

RGB 216 109 187

HSL 316.26, 0.58%, 0.64%

LAB 60.89, 51.69, -22.12

 

CMYK 0 / 50 / 0 / 15

HEX #D86DD8

RGB 216 109 216

HSL 300, 0.58%, 0.64%

LAB 62.08, 56.54, -36.69

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 26 / 50 / 0 / 15

HEX #9F6DD8

RGB 159 109 216

HSL 268.04, 0.58%, 0.64%

LAB 55.35, 40.9, -47.74

 

CMYK 40 / 50 / 0 / 15

HEX #826DD8

RGB 130 109 216

HSL 251.78, 0.58%, 0.64%

LAB 52.55, 33.47, -52.36

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBB

RGB 216 109 187

HSL 316.26, 0.58%, 0.64%

LAB 60.89, 51.69, -22.12

 

CMYK 0 / 59 / 16 / 9

HEX #E75FC2

RGB 231 95 194

HSL 316.32, 0.74%, 0.64%

LAB 60.84, 63.57, -26

 

CMYK 0 / 67 / 19 / 4

HEX #F650C8

RGB 246 80 200

HSL 316.63, 0.9%, 0.64%

LAB 61.22, 74.25, -28.65

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBB

RGB 216 109 187

HSL 316.26, 0.58%, 0.64%

LAB 60.89, 51.69, -22.12

 

CMYK 0 / 38 / 10 / 21

HEX #C97CB4

RGB 201 124 180

HSL 316.36, 0.42%, 0.64%

LAB 61.76, 38.04, -16.98

 

CMYK 0 / 25 / 7 / 27

HEX #BA8BAD

RGB 186 139 173

HSL 316.6, 0.25%, 0.64%

LAB 63.28, 23.45, -10.89

 

CMYK 0 / 10 / 2 / 33

HEX #AB9AA7

RGB 171 154 167

HSL 314.12, 0.09%, 0.64%

LAB 65.4, 8.61, -4.5

 

CMYK 7 / 0 / 5 / 34

HEX #9DA9A0

RGB 157 169 160

HSL 135, 0.07%, 0.64%

LAB 68.08, -5.97, 3.18

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 0 / 50 / 0 / 15

HEX #D86DD8

RGB 216 109 216

HSL 300, 0.58%, 0.64%

LAB 62.08, 56.54, -36.69

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBC

RGB 216 109 188

HSL 315.7, 0.58%, 0.64%

LAB 60.93, 51.84, -22.63

 

CMYK 0 / 50 / 26 / 15

HEX #D86D9F

RGB 216 109 159

HSL 331.96, 0.58%, 0.64%

LAB 59.92, 47.58, -7.52

 

CMYK 0 / 50 / 39 / 15

HEX #D86D83

RGB 216 109 131

HSL 347.66, 0.58%, 0.64%

LAB 59.14, 44.11, 7.53

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 0 / 63 / 17 / 19

HEX #CF4DAC

RGB 207 77 172

HSL 316.15, 0.58%, 0.56%

LAB 53.55, 61.42, -24.87

 

CMYK 0 / 50 / 13 / 15

HEX #D86DBB

RGB 216 109 187

HSL 316.26, 0.58%, 0.64%

LAB 60.89, 51.69, -22.12

 

CMYK 0 / 37 / 10 / 12

HEX #E18ECA

RGB 225 142 202

HSL 316.63, 0.58%, 0.72%

LAB 69.2, 40.09, -17.82

 

CMYK 0 / 25 / 7 / 9

HEX #E9AFD9

RGB 233 175 217

HSL 316.55, 0.57%, 0.8%

LAB 77.87, 27.75, -12.91

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

CMYK 0 / 26 / 50 / 15

HEX #D89F6D

RGB 216 159 109

HSL 28.04, 0.58%, 0.64%

LAB 69.82, 15.32, 34.29

 

CMYK 50 / 0 / 6 / 15

HEX #6DD8CA

RGB 109 216 202

HSL 172.15, 0.58%, 0.64%

LAB 79.97, -34.27, -2.61

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

CMYK 13 / 0 / 50 / 15

HEX #BCD86D

RGB 188 216 109

HSL 75.7, 0.58%, 0.64%

LAB 82.33, -25.51, 49.24

 

CMYK 50 / 13 / 0 / 15

HEX #6DBCD8

RGB 109 188 216

HSL 195.7, 0.58%, 0.64%

LAB 72.35, -16.76, -21.57

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

CMYK 0 / 26 / 50 / 15

HEX #D89F6D

RGB 216 159 109

HSL 28.04, 0.58%, 0.64%

LAB 69.82, 15.32, 34.29

 

CMYK 50 / 0 / 36 / 15

HEX #6DD88A

RGB 109 216 138

HSL 136.26, 0.58%, 0.64%

LAB 78.58, -47.75, 29.21

 

CMYK 50 / 23 / 0 / 15

HEX #6DA6D8

RGB 109 166 216

HSL 208.04, 0.58%, 0.64%

LAB 66.12, -4.92, -31.11

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBC

RGB 217 111 188

HSL 316.42, 0.58%, 0.64%

LAB 61.44, 51.17, -21.84

 

CMYK 0 / 12 / 50 / 15

HEX #D8BF6D

RGB 216 191 109

HSL 45.98, 0.58%, 0.64%

LAB 77.85, -1.7, 44.33

 

CMYK 50 / 0 / 36 / 15

HEX #6DD88A

RGB 109 216 138

HSL 136.26, 0.58%, 0.64%

LAB 78.58, -47.75, 29.21

 

CMYK 50 / 38 / 0 / 15

HEX #6D86D8

RGB 109 134 216

HSL 225.98, 0.58%, 0.64%

LAB 57.33, 13.53, -44.87

 

Description

Color code: HEX #D96FBC | qconv.com Color code: HEX #D96FBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 111 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 111 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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