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Color name
HEX #D98F39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D98F39 it is the complementary color #2670C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D98F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D98F39 shade: #DE8F34, #EFA147, #FFB35A, #FFC56D and #FFD780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D98F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D98F39 shade: #D98F39, #C87D26, #B76B13, #A65900 and #954700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D98F39 shade: #D98F39, #D96439 and #D93939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D98F39 shade: #D98F39, #D9BA39, #CDD939, #A2D939 and #77D939

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D98F39 shade matches the following richer shades: #D98F39 and #EC9126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D98F39 shade: #D98F39, #C68E4C, #B38C5F, #A08B72 and #8D8985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D98F39 shade: #D93939, #D96439, #D98F39, #D9B939 and #CED939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D98F39 shade: #A2651E, #C47B25, #D98F39, #E0A35C and #E6B67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D98F39 shade: #D98F39, #64D939 and #4F39D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D98F39 shade: #D98F39, #39D98F and #8F39D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D98F39 shade: #D98F39, #64D939, #3984D9 and #AE39D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D98F39 shade: #D98F39, #39D93F, #3984D9 and #D939D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

Complementary color

CMYK 81 / 43 / 0 / 22

HEX #2670C6

RGB 38 112 198

HSL 212.25, 0.68%, 0.46%

LAB 47.08, 8.65, -51.15

 

CMYK 0 / 36 / 77 / 13

HEX #DE8F34

RGB 222 143 52

HSL 32.12, 0.72%, 0.54%

LAB 66.08, 22.68, 57.93

 

CMYK 0 / 33 / 70 / 6

HEX #EFA147

RGB 239 161 71

HSL 32.14, 0.84%, 0.61%

LAB 72.43, 21.08, 56.83

 

CMYK 0 / 30 / 65 / 0

HEX #FFB35A

RGB 255 179 90

HSL 32.36, 1%, 0.68%

LAB 78.6, 19.26, 55.36

 

CMYK 0 / 23 / 57 / 0

HEX #FFC56D

RGB 255 197 109

HSL 36.16, 1%, 0.71%

LAB 83.07, 11.14, 51.49

 

CMYK 0 / 16 / 50 / 0

HEX #FFD780

RGB 255 215 128

HSL 41.1, 1%, 0.75%

LAB 87.69, 3.39, 47.84

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 38 / 81 / 22

HEX #C87D26

RGB 200 125 38

HSL 32.22, 0.68%, 0.47%

LAB 59.05, 22.51, 55.92

 

CMYK 0 / 42 / 90 / 28

HEX #B76B13

RGB 183 107 19

HSL 32.2, 0.81%, 0.4%

LAB 52.54, 24.51, 55.91

 

CMYK 0 / 46 / 100 / 35

HEX #A65900

RGB 166 89 0

HSL 32.17, 1%, 0.33%

LAB 45.98, 26.73, 54.74

 

CMYK 0 / 52 / 100 / 42

HEX #954700

RGB 149 71 0

HSL 28.59, 1%, 0.29%

LAB 39.4, 29.26, 49.45

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 54 / 74 / 15

HEX #D96439

RGB 217 100 57

HSL 16.13, 0.68%, 0.54%

LAB 56.25, 43.21, 45.42

 

CMYK 0 / 74 / 74 / 15

HEX #D93939

RGB 217 57 57

HSL 0, 0.68%, 0.54%

LAB 49.46, 61.32, 37.98

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 14 / 74 / 15

HEX #D9BA39

RGB 217 186 57

HSL 48.38, 0.68%, 0.54%

LAB 76.17, -2.14, 65.54

 

CMYK 6 / 0 / 74 / 15

HEX #CDD939

RGB 205 217 57

HSL 64.5, 0.68%, 0.54%

LAB 83.39, -22.83, 72.03

 

CMYK 25 / 0 / 74 / 15

HEX #A2D939

RGB 162 217 57

HSL 80.63, 0.68%, 0.54%

LAB 80.52, -39.92, 68.29

 

CMYK 45 / 0 / 74 / 15

HEX #77D939

RGB 119 217 57

HSL 96.75, 0.68%, 0.54%

LAB 78.37, -54.78, 65.46

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 39 / 84 / 7

HEX #EC9126

RGB 236 145 38

HSL 32.42, 0.84%, 0.54%

LAB 68.19, 27.03, 65.66

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 28 / 62 / 22

HEX #C68E4C

RGB 198 142 76

HSL 32.46, 0.52%, 0.54%

LAB 63.24, 14.32, 42.95

 

CMYK 0 / 22 / 47 / 30

HEX #B38C5F

RGB 179 140 95

HSL 32.14, 0.36%, 0.54%

LAB 60.93, 8.98, 29.63

 

CMYK 0 / 13 / 29 / 37

HEX #A08B72

RGB 160 139 114

HSL 32.61, 0.19%, 0.54%

LAB 59.12, 3.96, 16.3

 

CMYK 0 / 3 / 6 / 45

HEX #8D8985

RGB 141 137 133

HSL 30, 0.03%, 0.54%

LAB 57.32, 0.73, 2.66

 

CMYK 0 / 74 / 74 / 15

HEX #D93939

RGB 217 57 57

HSL 0, 0.68%, 0.54%

LAB 49.46, 61.32, 37.98

 

CMYK 0 / 54 / 74 / 15

HEX #D96439

RGB 217 100 57

HSL 16.13, 0.68%, 0.54%

LAB 56.25, 43.21, 45.42

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 15 / 74 / 15

HEX #D9B939

RGB 217 185 57

HSL 48, 0.68%, 0.54%

LAB 75.91, -1.62, 65.29

 

CMYK 5 / 0 / 74 / 15

HEX #CED939

RGB 206 217 57

HSL 64.13, 0.68%, 0.54%

LAB 83.46, -22.41, 72.13

 

CMYK 0 / 38 / 81 / 36

HEX #A2651E

RGB 162 101 30

HSL 32.27, 0.69%, 0.38%

LAB 48.36, 18.91, 47.49

 

CMYK 0 / 37 / 81 / 23

HEX #C47B25

RGB 196 123 37

HSL 32.45, 0.68%, 0.46%

LAB 58.07, 21.85, 55.22

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 0 / 27 / 59 / 12

HEX #E0A35C

RGB 224 163 92

HSL 32.27, 0.68%, 0.62%

LAB 71.43, 15.06, 45.25

 

CMYK 0 / 21 / 45 / 10

HEX #E6B67F

RGB 230 182 127

HSL 32.04, 0.67%, 0.7%

LAB 77.17, 10.45, 34.56

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 54 / 0 / 74 / 15

HEX #64D939

RGB 100 217 57

HSL 103.88, 0.68%, 0.54%

LAB 77.66, -60.23, 64.52

 

CMYK 64 / 74 / 0 / 15

HEX #4F39D9

RGB 79 57 217

HSL 248.25, 0.68%, 0.54%

LAB 37.11, 53.95, -78.19

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 74 / 0 / 34 / 15

HEX #39D98F

RGB 57 217 143

HSL 152.25, 0.68%, 0.54%

LAB 77.57, -57.44, 25.03

 

CMYK 34 / 74 / 0 / 15

HEX #8F39D9

RGB 143 57 217

HSL 272.25, 0.68%, 0.54%

LAB 43.91, 63.47, -66.79

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 54 / 0 / 74 / 15

HEX #64D939

RGB 100 217 57

HSL 103.88, 0.68%, 0.54%

LAB 77.66, -60.23, 64.52

 

CMYK 74 / 39 / 0 / 15

HEX #3984D9

RGB 57 132 217

HSL 211.88, 0.68%, 0.54%

LAB 54.43, 5.56, -50.18

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 34 / 74 / 15

HEX #D98F39

RGB 217 143 57

HSL 32.25, 0.68%, 0.54%

LAB 65.51, 20.78, 55.05

 

CMYK 74 / 0 / 71 / 15

HEX #39D93F

RGB 57 217 63

HSL 122.25, 0.68%, 0.54%

LAB 76.59, -68.81, 60.97

 

CMYK 74 / 39 / 0 / 15

HEX #3984D9

RGB 57 132 217

HSL 211.88, 0.68%, 0.54%

LAB 54.43, 5.56, -50.18

 

CMYK 0 / 74 / 2 / 15

HEX #D939D4

RGB 217 57 212

HSL 301.88, 0.68%, 0.54%

LAB 54.48, 76.92, -46.37

 

Description

Color code: HEX #D98F39 | qconv.com Color code: HEX #D98F39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 143 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 143 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 74% 15% C M Y K

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Provide designers and agencies with accurate color values.

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