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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D6AA it is the complementary color #262955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D6AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D6AA shade: #DED6A5, #EFE8B8, #FFFACB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D6AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D6AA shade: #D9D6AA, #C8C497, #B7B284, #A6A071 and #958E5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D6AA shade: #D9D6AA, #D9C9AA, #D9BDAA, #D9B0AA and #D9AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D6AA shade: #D9D6AA, #CFD9AA, #C2D9AA, #B6D9AA and #AAD9AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D6AA shade matches the following richer shades: #D9D6AA, #E2DEA0, #ECE796 and #F6F08C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D6AA shade: #D9D6AA, #CFCDB4, #C5C4BE, #BBBCC8 and #B1B3D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D6AA shade: #D9BDAA, #D9C9AA, #D9D5AA, #CFD9AA and #C3D9AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D6AA shade: #BFBA71, #CCC88E, #D9D6AA, #E5E3C7 and #F2F1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D6AA shade: #D9D6AA, #AAD9B0 and #C3AAD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D6AA shade: #D9D6AA, #AAD9D5 and #D5AAD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D6AA shade: #D9D6AA, #AAD9B0, #AAADD9 and #D9AAD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D6AA shade: #D9D6AA, #AAD9BE, #AAADD9 and #D9AAC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

Complementary color

CMYK 55 / 52 / 0 / 67

HEX #262955

RGB 38 41 85

HSL 236.17, 0.38%, 0.24%

LAB 18.6, 12.85, -27.26

 

CMYK 0 / 4 / 26 / 13

HEX #DED6A5

RGB 222 214 165

HSL 51.58, 0.46%, 0.76%

LAB 85.17, -4.88, 25.25

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 0 / 2 / 20 / 0

HEX #FFFACB

RGB 255 250 203

HSL 54.23, 1%, 0.9%

LAB 97.61, -5.71, 23.19

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 0 / 2 / 25 / 22

HEX #C8C497

RGB 200 196 151

HSL 55.1, 0.31%, 0.69%

LAB 78.46, -5.83, 23.16

 

CMYK 0 / 3 / 28 / 28

HEX #B7B284

RGB 183 178 132

HSL 54.12, 0.26%, 0.62%

LAB 71.94, -5.58, 24.21

 

CMYK 0 / 4 / 32 / 35

HEX #A6A071

RGB 166 160 113

HSL 53.21, 0.23%, 0.55%

LAB 65.31, -5.28, 25.34

 

CMYK 0 / 5 / 37 / 42

HEX #958E5E

RGB 149 142 94

HSL 52.36, 0.23%, 0.48%

LAB 58.55, -4.92, 26.53

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 0 / 7 / 22 / 15

HEX #D9C9AA

RGB 217 201 170

HSL 39.57, 0.38%, 0.76%

LAB 81.53, 0.68, 17.53

 

CMYK 0 / 13 / 22 / 15

HEX #D9BDAA

RGB 217 189 170

HSL 24.26, 0.38%, 0.76%

LAB 78.49, 7, 13.27

 

CMYK 0 / 19 / 22 / 15

HEX #D9B0AA

RGB 217 176 170

HSL 7.66, 0.38%, 0.76%

LAB 75.27, 13.96, 8.69

 

CMYK 0 / 22 / 22 / 15

HEX #D9AAAA

RGB 217 170 170

HSL 0, 0.38%, 0.76%

LAB 73.81, 17.19, 6.6

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 5 / 0 / 22 / 15

HEX #CFD9AA

RGB 207 217 170

HSL 72.77, 0.38%, 0.76%

LAB 84.89, -11.26, 22.07

 

CMYK 11 / 0 / 22 / 15

HEX #C2D9AA

RGB 194 217 170

HSL 89.36, 0.38%, 0.76%

LAB 83.96, -15.96, 20.65

 

CMYK 16 / 0 / 22 / 15

HEX #B6D9AA

RGB 182 217 170

HSL 104.68, 0.38%, 0.76%

LAB 83.16, -20.18, 19.41

 

CMYK 22 / 0 / 21 / 15

HEX #AAD9AB

RGB 170 217 171

HSL 121.28, 0.38%, 0.76%

LAB 82.44, -24.09, 17.77

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 0 / 2 / 29 / 11

HEX #E2DEA0

RGB 226 222 160

HSL 56.36, 0.53%, 0.76%

LAB 87.46, -8.09, 30.98

 

CMYK 0 / 2 / 36 / 7

HEX #ECE796

RGB 236 231 150

HSL 56.51, 0.69%, 0.76%

LAB 90.41, -9.99, 40.06

 

CMYK 0 / 2 / 43 / 4

HEX #F6F08C

RGB 246 240 140

HSL 56.6, 0.85%, 0.76%

LAB 93.37, -11.64, 48.88

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 0 / 1 / 13 / 19

HEX #CFCDB4

RGB 207 205 180

HSL 55.56, 0.22%, 0.76%

LAB 81.96, -3.57, 12.7

 

CMYK 0 / 1 / 4 / 23

HEX #C5C4BE

RGB 197 196 190

HSL 51.43, 0.06%, 0.76%

LAB 79.08, -0.73, 3.12

 

CMYK 7 / 6 / 0 / 22

HEX #BBBCC8

RGB 187 188 200

HSL 235.38, 0.11%, 0.76%

LAB 76.5, 1.95, -6.16

 

CMYK 16 / 15 / 0 / 18

HEX #B1B3D2

RGB 177 179 210

HSL 236.36, 0.27%, 0.76%

LAB 73.7, 5.59, -15.86

 

CMYK 0 / 13 / 22 / 15

HEX #D9BDAA

RGB 217 189 170

HSL 24.26, 0.38%, 0.76%

LAB 78.49, 7, 13.27

 

CMYK 0 / 7 / 22 / 15

HEX #D9C9AA

RGB 217 201 170

HSL 39.57, 0.38%, 0.76%

LAB 81.53, 0.68, 17.53

 

CMYK 0 / 2 / 22 / 15

HEX #D9D5AA

RGB 217 213 170

HSL 54.89, 0.38%, 0.76%

LAB 84.61, -5.54, 21.8

 

CMYK 5 / 0 / 22 / 15

HEX #CFD9AA

RGB 207 217 170

HSL 72.77, 0.38%, 0.76%

LAB 84.89, -11.26, 22.07

 

CMYK 10 / 0 / 22 / 15

HEX #C3D9AA

RGB 195 217 170

HSL 88.09, 0.38%, 0.76%

LAB 84.03, -15.6, 20.75

 

CMYK 0 / 3 / 41 / 25

HEX #BFBA71

RGB 191 186 113

HSL 56.15, 0.38%, 0.6%

LAB 74.44, -8.9, 37.59

 

CMYK 0 / 2 / 30 / 20

HEX #CCC88E

RGB 204 200 142

HSL 56.13, 0.38%, 0.68%

LAB 79.67, -7.57, 29.58

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 0 / 1 / 13 / 10

HEX #E5E3C7

RGB 229 227 199

HSL 56, 0.37%, 0.84%

LAB 89.73, -4, 13.93

 

CMYK 0 / 0 / 6 / 5

HEX #F2F1E3

RGB 242 241 227

HSL 56, 0.37%, 0.92%

LAB 94.88, -2.06, 6.86

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 10 / 22 / 0 / 15

HEX #C3AAD9

RGB 195 170 217

HSL 271.91, 0.38%, 0.76%

LAB 73.13, 17.84, -20.41

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 22 / 0 / 2 / 15

HEX #AAD9D5

RGB 170 217 213

HSL 174.89, 0.38%, 0.76%

LAB 83.43, -16, -3.05

 

CMYK 2 / 22 / 0 / 15

HEX #D5AAD9

RGB 213 170 217

HSL 294.89, 0.38%, 0.76%

LAB 74.77, 23.75, -17.77

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 22 / 20 / 0 / 15

HEX #AAADD9

RGB 170 173 217

HSL 236.17, 0.38%, 0.76%

LAB 71.85, 8.24, -22.53

 

CMYK 0 / 22 / 3 / 15

HEX #D9AAD2

RGB 217 170 210

HSL 308.94, 0.38%, 0.76%

LAB 74.92, 23.8, -13.68

 

CMYK 0 / 1 / 22 / 15

HEX #D9D6AA

RGB 217 214 170

HSL 56.17, 0.38%, 0.76%

LAB 84.87, -6.05, 22.16

 

CMYK 22 / 0 / 12 / 15

HEX #AAD9BE

RGB 170 217 190

HSL 145.53, 0.38%, 0.76%

LAB 82.85, -20.64, 8.32

 

CMYK 22 / 20 / 0 / 15

HEX #AAADD9

RGB 170 173 217

HSL 236.17, 0.38%, 0.76%

LAB 71.85, 8.24, -22.53

 

CMYK 0 / 22 / 10 / 15

HEX #D9AAC4

RGB 217 170 196

HSL 326.81, 0.38%, 0.76%

LAB 74.5, 21.34, -6.65

 

Description

Color code: HEX #D9D6AA | qconv.com Color code: HEX #D9D6AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 214 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 214 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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