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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCD1BB it is the complementary color #232E44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCD1BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCD1BB shade: #E1D1B6, #F2E3C9, #FFF5DC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCD1BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCD1BB shade: #DCD1BB, #CBBFA8, #BAAD95, #A99B82 and #98896F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCD1BB shade: #DCD1BB, #DCC8BB, #DCBFBB and #DCBBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCD1BB shade: #DCD1BB, #DCDABB, #D5DCBB, #CCDCBB and #C3DCBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCD1BB shade matches the following richer shades: #DCD1BB, #E4D4B3, #ECD6AB, #F5D9A2 and #FDDC9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCD1BB shade: #DCD1BB, #D4CEC3, #CBCBCC, #C3C9D4 and #BBC6DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCD1BB shade: #DCC0BB, #DCC8BB, #DCD1BB, #DCDABB and #D5DCBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCD1BB shade: #C0AC85, #CEBFA0, #DCD1BB, #EAE3D6 and #F8F6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCD1BB shade: #DCD1BB, #C0DCBB and #C4BBDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCD1BB shade: #DCD1BB, #BBDCD1 and #D1BBDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCD1BB shade: #DCD1BB, #C0DCBB, #BBC6DC and #D7BBDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCD1BB shade: #DCD1BB, #BBDCC1, #BBC6DC and #DCBBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

Complementary color

CMYK 49 / 32 / 0 / 73

HEX #232E44

RGB 35 46 68

HSL 220, 0.32%, 0.2%

LAB 18.92, 2.29, -15.27

 

CMYK 0 / 7 / 19 / 12

HEX #E1D1B6

RGB 225 209 182

HSL 37.67, 0.42%, 0.8%

LAB 84.48, 1.23, 15.4

 

CMYK 0 / 6 / 17 / 5

HEX #F2E3C9

RGB 242 227 201

HSL 38.05, 0.61%, 0.87%

LAB 90.79, 0.95, 14.54

 

CMYK 0 / 4 / 14 / 0

HEX #FFF5DC

RGB 255 245 220

HSL 42.86, 1%, 0.93%

LAB 96.71, -0.7, 13.23

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 6 / 17 / 20

HEX #CBBFA8

RGB 203 191 168

HSL 39.43, 0.25%, 0.73%

LAB 77.75, 0.42, 13.12

 

CMYK 0 / 7 / 20 / 27

HEX #BAAD95

RGB 186 173 149

HSL 38.92, 0.21%, 0.66%

LAB 71.21, 0.7, 14.02

 

CMYK 0 / 8 / 23 / 34

HEX #A99B82

RGB 169 155 130

HSL 38.46, 0.18%, 0.59%

LAB 64.56, 1.02, 14.98

 

CMYK 0 / 10 / 27 / 40

HEX #98896F

RGB 152 137 111

HSL 38.05, 0.17%, 0.52%

LAB 57.76, 1.39, 16.02

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 9 / 15 / 14

HEX #DCC8BB

RGB 220 200 187

HSL 23.64, 0.32%, 0.8%

LAB 81.9, 4.88, 9.03

 

CMYK 0 / 13 / 15 / 14

HEX #DCBFBB

RGB 220 191 187

HSL 7.27, 0.32%, 0.8%

LAB 79.65, 9.64, 5.8

 

CMYK 0 / 15 / 15 / 14

HEX #DCBBBB

RGB 220 187 187

HSL 0, 0.32%, 0.8%

LAB 78.66, 11.78, 4.38

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 1 / 15 / 14

HEX #DCDABB

RGB 220 218 187

HSL 56.36, 0.32%, 0.8%

LAB 86.48, -4.48, 15.52

 

CMYK 3 / 0 / 15 / 14

HEX #D5DCBB

RGB 213 220 187

HSL 72.73, 0.32%, 0.8%

LAB 86.46, -8.02, 15.43

 

CMYK 7 / 0 / 15 / 14

HEX #CCDCBB

RGB 204 220 187

HSL 89.09, 0.32%, 0.8%

LAB 85.81, -11.21, 14.41

 

CMYK 11 / 0 / 15 / 14

HEX #C3DCBB

RGB 195 220 187

HSL 105.45, 0.32%, 0.8%

LAB 85.19, -14.34, 13.45

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 7 / 21 / 11

HEX #E4D4B3

RGB 228 212 179

HSL 40.41, 0.48%, 0.8%

LAB 85.42, 0.34, 18.34

 

CMYK 0 / 9 / 28 / 7

HEX #ECD6AB

RGB 236 214 171

HSL 39.69, 0.63%, 0.8%

LAB 86.44, 1.2, 24.04

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 13 / 39 / 1

HEX #FDDC9A

RGB 253 220 154

HSL 40, 0.96%, 0.8%

LAB 89.11, 2.58, 36.64

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC3

RGB 212 206 195

HSL 38.82, 0.17%, 0.8%

LAB 82.96, 0.16, 6.19

 

CMYK 0 / 0 / 0 / 20

HEX #CBCBCC

RGB 203 203 204

HSL 240, 0.01%, 0.8%

LAB 81.71, 0.19, -0.51

 

CMYK 8 / 5 / 0 / 17

HEX #C3C9D4

RGB 195 201 212

HSL 218.82, 0.17%, 0.8%

LAB 80.81, 0.07, -6.19

 

CMYK 15 / 10 / 0 / 14

HEX #BBC6DC

RGB 187 198 220

HSL 220, 0.32%, 0.8%

LAB 79.68, 0.68, -12.22

 

CMYK 0 / 13 / 15 / 14

HEX #DCC0BB

RGB 220 192 187

HSL 9.09, 0.32%, 0.8%

LAB 79.9, 9.11, 6.16

 

CMYK 0 / 9 / 15 / 14

HEX #DCC8BB

RGB 220 200 187

HSL 23.64, 0.32%, 0.8%

LAB 81.9, 4.88, 9.03

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 1 / 15 / 14

HEX #DCDABB

RGB 220 218 187

HSL 56.36, 0.32%, 0.8%

LAB 86.48, -4.48, 15.52

 

CMYK 3 / 0 / 15 / 14

HEX #D5DCBB

RGB 213 220 187

HSL 72.73, 0.32%, 0.8%

LAB 86.46, -8.02, 15.43

 

CMYK 0 / 10 / 31 / 25

HEX #C0AC85

RGB 192 172 133

HSL 39.66, 0.32%, 0.64%

LAB 71.15, 1.3, 22.73

 

CMYK 0 / 7 / 22 / 19

HEX #CEBFA0

RGB 206 191 160

HSL 40.43, 0.32%, 0.72%

LAB 77.83, 0.35, 17.57

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 3 / 9 / 8

HEX #EAE3D6

RGB 234 227 214

HSL 39, 0.32%, 0.88%

LAB 90.45, 0.17, 7.18

 

CMYK 0 / 1 / 2 / 3

HEX #F8F6F2

RGB 248 246 242

HSL 40, 0.3%, 0.96%

LAB 96.93, -0.03, 2.14

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 13 / 0 / 15 / 14

HEX #C0DCBB

RGB 192 220 187

HSL 110.91, 0.32%, 0.8%

LAB 84.99, -15.37, 13.13

 

CMYK 11 / 15 / 0 / 14

HEX #C4BBDC

RGB 196 187 220

HSL 256.36, 0.32%, 0.8%

LAB 77.55, 9.5, -15.36

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 15 / 0 / 5 / 14

HEX #BBDCD1

RGB 187 220 209

HSL 160, 0.32%, 0.8%

LAB 85.18, -13, 1.75

 

CMYK 5 / 15 / 0 / 14

HEX #D1BBDC

RGB 209 187 220

HSL 280, 0.32%, 0.8%

LAB 78.61, 13.78, -13.64

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 13 / 0 / 15 / 14

HEX #C0DCBB

RGB 192 220 187

HSL 110.91, 0.32%, 0.8%

LAB 84.99, -15.37, 13.13

 

CMYK 15 / 10 / 0 / 14

HEX #BBC6DC

RGB 187 198 220

HSL 220, 0.32%, 0.8%

LAB 79.68, 0.68, -12.22

 

CMYK 2 / 15 / 0 / 14

HEX #D7BBDC

RGB 215 187 220

HSL 290.91, 0.32%, 0.8%

LAB 79.13, 15.78, -12.82

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 15 / 0 / 12 / 14

HEX #BBDCC1

RGB 187 220 193

HSL 130.91, 0.32%, 0.8%

LAB 84.79, -16, 9.65

 

CMYK 15 / 10 / 0 / 14

HEX #BBC6DC

RGB 187 198 220

HSL 220, 0.32%, 0.8%

LAB 79.68, 0.68, -12.22

 

CMYK 0 / 15 / 3 / 14

HEX #DCBBD6

RGB 220 187 214

HSL 310.91, 0.32%, 0.8%

LAB 79.39, 16.37, -9.14

 

Description

Color code: HEX #DCD1BB | qconv.com Color code: HEX #DCD1BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 209 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 209 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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