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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5D9A2 it is the complementary color #0A265D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5D9A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5D9A2 shade: #FAD99D, #FFEBB0, #FFFDC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5D9A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5D9A2 shade: #F5D9A2, #E4C78F, #D3B57C, #C2A369 and #B19156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5D9A2 shade: #F5D9A2, #F5C3A2, #F5ACA2 and #F5A2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5D9A2 shade: #F5D9A2, #F5EFA2, #E4F5A2, #CEF5A2 and #B8F5A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5D9A2 shade matches the following richer shades: #F5D9A2 and #FDDC9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5D9A2 shade: #F5D9A2, #EDD6AA, #E4D4B3, #DCD1BB and #D4CEC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5D9A2 shade: #F5ACA2, #F5C2A2, #F5D8A2, #F5EEA2 and #E6F5A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5D9A2 shade: #EDBB58, #F1CA7D, #F5D9A2, #F9E8C8 and #FDF7ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5D9A2 shade: #F5D9A2, #AFF5A2 and #B7A2F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5D9A2 shade: #F5D9A2, #A2F5D8 and #D8A2F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5D9A2 shade: #F5D9A2, #AFF5A2, #A2BFF5 and #E8A2F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5D9A2 shade: #F5D9A2, #A2F5AF, #A2BFF5 and #F5A2E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

Complementary color

CMYK 89 / 59 / 0 / 64

HEX #0A265D

RGB 10 38 93

HSL 219.76, 0.81%, 0.2%

LAB 16.7, 13.34, -35.74

 

CMYK 0 / 13 / 37 / 2

HEX #FAD99D

RGB 250 217 157

HSL 38.71, 0.9%, 0.8%

LAB 88.15, 3.29, 33.8

 

CMYK 0 / 8 / 31 / 0

HEX #FFEBB0

RGB 255 235 176

HSL 44.81, 1%, 0.85%

LAB 93.37, -1.73, 31.14

 

CMYK 0 / 1 / 24 / 0

HEX #FFFDC3

RGB 255 253 195

HSL 58, 1%, 0.88%

LAB 98.21, -8.29, 28.08

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 13 / 37 / 11

HEX #E4C78F

RGB 228 199 143

HSL 39.53, 0.61%, 0.73%

LAB 81.47, 2.45, 31.82

 

CMYK 0 / 14 / 41 / 17

HEX #D3B57C

RGB 211 181 124

HSL 39.31, 0.5%, 0.66%

LAB 75.05, 3.02, 33.02

 

CMYK 0 / 16 / 46 / 24

HEX #C2A369

RGB 194 163 105

HSL 39.1, 0.42%, 0.59%

LAB 68.52, 3.69, 34.29

 

CMYK 0 / 18 / 51 / 31

HEX #B19156

RGB 177 145 86

HSL 38.9, 0.37%, 0.52%

LAB 61.89, 4.48, 35.63

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 20 / 34 / 4

HEX #F5C3A2

RGB 245 195 162

HSL 23.86, 0.81%, 0.8%

LAB 82.41, 13.38, 23.38

 

CMYK 0 / 30 / 34 / 4

HEX #F5ACA2

RGB 245 172 162

HSL 7.23, 0.81%, 0.8%

LAB 77, 25.51, 15.89

 

CMYK 0 / 34 / 34 / 4

HEX #F5A2A2

RGB 245 162 162

HSL 0, 0.81%, 0.8%

LAB 74.74, 30.78, 12.72

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 2 / 34 / 4

HEX #F5EFA2

RGB 245 239 162

HSL 55.66, 0.81%, 0.8%

LAB 93.34, -9.18, 38.03

 

CMYK 7 / 0 / 34 / 4

HEX #E4F5A2

RGB 228 245 162

HSL 72.29, 0.81%, 0.8%

LAB 93.63, -18.5, 38.16

 

CMYK 16 / 0 / 34 / 4

HEX #CEF5A2

RGB 206 245 162

HSL 88.19, 0.81%, 0.8%

LAB 92.15, -26.48, 35.94

 

CMYK 25 / 0 / 34 / 4

HEX #B8F5A2

RGB 184 245 162

HSL 104.1, 0.81%, 0.8%

LAB 90.83, -34.08, 33.95

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 13 / 39 / 1

HEX #FDDC9A

RGB 253 220 154

HSL 40, 0.96%, 0.8%

LAB 89.11, 2.58, 36.64

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 10 / 28 / 7

HEX #EDD6AA

RGB 237 214 170

HSL 39.4, 0.65%, 0.8%

LAB 86.5, 1.44, 24.67

 

CMYK 0 / 7 / 21 / 11

HEX #E4D4B3

RGB 228 212 179

HSL 40.41, 0.48%, 0.8%

LAB 85.42, 0.34, 18.34

 

CMYK 0 / 5 / 15 / 14

HEX #DCD1BB

RGB 220 209 187

HSL 40, 0.32%, 0.8%

LAB 84.18, 0.17, 12.27

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC3

RGB 212 206 195

HSL 38.82, 0.17%, 0.8%

LAB 82.96, 0.16, 6.19

 

CMYK 0 / 30 / 34 / 4

HEX #F5ACA2

RGB 245 172 162

HSL 7.23, 0.81%, 0.8%

LAB 77, 25.51, 15.89

 

CMYK 0 / 21 / 34 / 4

HEX #F5C2A2

RGB 245 194 162

HSL 23.13, 0.81%, 0.8%

LAB 82.17, 13.9, 23.05

 

CMYK 0 / 12 / 34 / 4

HEX #F5D8A2

RGB 245 216 162

HSL 39.04, 0.81%, 0.8%

LAB 87.55, 2.46, 30.35

 

CMYK 0 / 3 / 34 / 4

HEX #F5EEA2

RGB 245 238 162

HSL 54.94, 0.81%, 0.8%

LAB 93.09, -8.68, 37.69

 

CMYK 6 / 0 / 34 / 4

HEX #E6F5A2

RGB 230 245 162

HSL 70.84, 0.81%, 0.8%

LAB 93.77, -17.76, 38.37

 

CMYK 0 / 21 / 63 / 7

HEX #EDBB58

RGB 237 187 88

HSL 39.87, 0.81%, 0.64%

LAB 78.61, 7.49, 55.77

 

CMYK 0 / 16 / 48 / 5

HEX #F1CA7D

RGB 241 202 125

HSL 39.83, 0.81%, 0.72%

LAB 83.14, 4.2, 43.4

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 0 / 7 / 20 / 2

HEX #F9E8C8

RGB 249 232 200

HSL 39.18, 0.8%, 0.88%

LAB 92.59, 0.78, 17.66

 

CMYK 0 / 2 / 6 / 1

HEX #FDF7ED

RGB 253 247 237

HSL 37.5, 0.8%, 0.96%

LAB 97.44, 0.31, 5.5

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 29 / 0 / 34 / 4

HEX #AFF5A2

RGB 175 245 162

HSL 110.6, 0.81%, 0.8%

LAB 90.33, -37.05, 33.21

 

CMYK 25 / 34 / 0 / 4

HEX #B7A2F5

RGB 183 162 245

HSL 255.18, 0.81%, 0.8%

LAB 71.21, 24.8, -38.71

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 34 / 0 / 12 / 4

HEX #A2F5D8

RGB 162 245 216

HSL 159.04, 0.81%, 0.8%

LAB 90.75, -31.36, 5.99

 

CMYK 12 / 34 / 0 / 4

HEX #D8A2F5

RGB 216 162 245

HSL 279.04, 0.81%, 0.8%

LAB 74.21, 34.58, -33.83

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 29 / 0 / 34 / 4

HEX #AFF5A2

RGB 175 245 162

HSL 110.6, 0.81%, 0.8%

LAB 90.33, -37.05, 33.21

 

CMYK 34 / 22 / 0 / 4

HEX #A2BFF5

RGB 162 191 245

HSL 219.04, 0.81%, 0.8%

LAB 77, 2.79, -29.88

 

CMYK 5 / 34 / 0 / 4

HEX #E8A2F5

RGB 232 162 245

HSL 290.6, 0.81%, 0.8%

LAB 75.82, 39.45, -31.22

 

CMYK 0 / 11 / 34 / 4

HEX #F5D9A2

RGB 245 217 162

HSL 39.76, 0.81%, 0.8%

LAB 87.8, 1.95, 30.68

 

CMYK 34 / 0 / 29 / 4

HEX #A2F5AF

RGB 162 245 175

HSL 129.4, 0.81%, 0.8%

LAB 89.9, -39.06, 25.92

 

CMYK 34 / 22 / 0 / 4

HEX #A2BFF5

RGB 162 191 245

HSL 219.04, 0.81%, 0.8%

LAB 77, 2.79, -29.88

 

CMYK 0 / 34 / 5 / 4

HEX #F5A2E8

RGB 245 162 232

HSL 309.4, 0.81%, 0.8%

LAB 76.73, 41.15, -22.66

 

Description

Color code: HEX #F5D9A2 | qconv.com Color code: HEX #F5D9A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 217 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 217 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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