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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDEE4 it is the complementary color #23211B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDEE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDEE4 shade: #E1DEDF and #F2F0F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDEE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDEE4 shade: #DCDEE4, #CBCCD1, #BABABE, #A9A8AB and #989698

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDEE4 shade: #DCDEE4, #DCDCE4, #DEDCE4, #E0DCE4 and #E3DCE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDEE4 shade: #DCDEE4 and #DCDCE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDEE4 shade matches the following richer shades: #DCDEE4, #D7DBE9, #D2D9EE, #CDD6F3 and #C8D4F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDEE4 shade: #DCDEE4, #E1E0DF, #E6E3DA, #EBE5D5 and #F0E8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDEE4 shade: #DCE2E4, #DCE0E4, #DCDEE4, #DCDCE4 and #DEDCE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDEE4 shade: #ADB2C0, #C5C8D2, #DCDEE4 and #F3F4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDEE4 shade: #DCDEE4, #E3DCE4 and #E1E4DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDEE4 shade: #DCDEE4, #E4DCDE and #DEE4DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDEE4 shade: #DCDEE4, #E3DCE4, #E4E2DC and #DCE4DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDEE4 shade: #DCDEE4, #E4DCE2, #E4E2DC and #DCE4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

Complementary color

CMYK 0 / 6 / 23 / 86

HEX #23211B

RGB 35 33 27

HSL 45, 0.13%, 0.12%

LAB 12.76, -0.4, 4.4

 

CMYK 0 / 1 / 1 / 12

HEX #E1DEDF

RGB 225 222 223

HSL 340, 0.05%, 0.88%

LAB 88.72, 1.2, -0.14

 

CMYK 0 / 1 / 0 / 5

HEX #F2F0F2

RGB 242 240 242

HSL 300, 0.07%, 0.95%

LAB 95, 1.02, -0.74

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 3 / 2 / 0 / 18

HEX #CBCCD1

RGB 203 204 209

HSL 230, 0.06%, 0.81%

LAB 82.1, 0.59, -2.61

 

CMYK 2 / 2 / 0 / 25

HEX #BABABE

RGB 186 186 190

HSL 240, 0.03%, 0.74%

LAB 75.62, 0.75, -2.03

 

CMYK 1 / 2 / 0 / 33

HEX #A9A8AB

RGB 169 168 171

HSL 260, 0.02%, 0.66%

LAB 69.03, 0.93, -1.43

 

CMYK 0 / 1 / 0 / 40

HEX #989698

RGB 152 150 152

HSL 300, 0.01%, 0.59%

LAB 62.3, 1.12, -0.8

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 4 / 4 / 0 / 11

HEX #DCDCE4

RGB 220 220 228

HSL 240, 0.13%, 0.88%

LAB 87.97, 1.47, -3.92

 

CMYK 3 / 4 / 0 / 11

HEX #DEDCE4

RGB 222 220 228

HSL 255, 0.13%, 0.88%

LAB 88.12, 2.13, -3.68

 

CMYK 2 / 4 / 0 / 11

HEX #E0DCE4

RGB 224 220 228

HSL 270, 0.13%, 0.88%

LAB 88.27, 2.8, -3.44

 

CMYK 0 / 4 / 0 / 11

HEX #E3DCE4

RGB 227 220 228

HSL 292.5, 0.13%, 0.88%

LAB 88.5, 3.81, -3.07

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 4 / 4 / 0 / 11

HEX #DCDCE4

RGB 220 220 228

HSL 240, 0.13%, 0.88%

LAB 87.97, 1.47, -3.92

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 8 / 6 / 0 / 9

HEX #D7DBE9

RGB 215 219 233

HSL 226.67, 0.29%, 0.88%

LAB 87.48, 1.29, -7.32

 

CMYK 12 / 9 / 0 / 7

HEX #D2D9EE

RGB 210 217 238

HSL 225, 0.45%, 0.88%

LAB 86.75, 1.7, -11.08

 

CMYK 16 / 12 / 0 / 5

HEX #CDD6F3

RGB 205 214 243

HSL 225.79, 0.61%, 0.88%

LAB 85.78, 2.72, -15.22

 

CMYK 19 / 15 / 0 / 3

HEX #C8D4F8

RGB 200 212 248

HSL 225, 0.77%, 0.88%

LAB 85.07, 3.3, -18.96

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 0 / 1 / 12

HEX #E1E0DF

RGB 225 224 223

HSL 30, 0.03%, 0.88%

LAB 89.23, 0.16, 0.6

 

CMYK 0 / 1 / 5 / 10

HEX #E6E3DA

RGB 230 227 218

HSL 45, 0.19%, 0.88%

LAB 90.24, -0.55, 4.74

 

CMYK 0 / 3 / 9 / 8

HEX #EBE5D5

RGB 235 229 213

HSL 43.64, 0.35%, 0.88%

LAB 91.01, -0.67, 8.51

 

CMYK 0 / 3 / 13 / 6

HEX #F0E8D0

RGB 240 232 208

HSL 45, 0.52%, 0.88%

LAB 92.04, -1.24, 12.64

 

CMYK 4 / 1 / 0 / 11

HEX #DCE2E4

RGB 220 226 228

HSL 195, 0.13%, 0.88%

LAB 89.49, -1.64, -1.69

 

CMYK 4 / 2 / 0 / 11

HEX #DCE0E4

RGB 220 224 228

HSL 210, 0.13%, 0.88%

LAB 88.98, -0.61, -2.43

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 4 / 4 / 0 / 11

HEX #DCDCE4

RGB 220 220 228

HSL 240, 0.13%, 0.88%

LAB 87.97, 1.47, -3.92

 

CMYK 3 / 4 / 0 / 11

HEX #DEDCE4

RGB 222 220 228

HSL 255, 0.13%, 0.88%

LAB 88.12, 2.13, -3.68

 

CMYK 10 / 7 / 0 / 25

HEX #ADB2C0

RGB 173 178 192

HSL 224.21, 0.13%, 0.72%

LAB 72.58, 1.03, -7.72

 

CMYK 6 / 5 / 0 / 18

HEX #C5C8D2

RGB 197 200 210

HSL 226.15, 0.13%, 0.8%

LAB 80.65, 0.87, -5.34

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 1 / 1 / 0 / 4

HEX #F3F4F6

RGB 243 244 246

HSL 220, 0.14%, 0.96%

LAB 96.17, 0.03, -1.09

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 0 / 11

HEX #E3DCE4

RGB 227 220 228

HSL 292.5, 0.13%, 0.88%

LAB 88.5, 3.81, -3.07

 

CMYK 1 / 0 / 4 / 11

HEX #E1E4DC

RGB 225 228 220

HSL 82.5, 0.13%, 0.88%

LAB 90.17, -2.42, 3.54

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 3 / 11

HEX #E4DCDE

RGB 228 220 222

HSL 345, 0.13%, 0.88%

LAB 88.43, 3.08, -0.02

 

CMYK 3 / 0 / 4 / 11

HEX #DEE4DC

RGB 222 228 220

HSL 105, 0.13%, 0.88%

LAB 89.94, -3.44, 3.19

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 0 / 11

HEX #E3DCE4

RGB 227 220 228

HSL 292.5, 0.13%, 0.88%

LAB 88.5, 3.81, -3.07

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 4 / 11

HEX #DCE4DC

RGB 220 228 220

HSL 120, 0.13%, 0.88%

LAB 89.8, -4.12, 2.96

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 1 / 11

HEX #E4DCE2

RGB 228 220 226

HSL 315, 0.13%, 0.88%

LAB 88.53, 3.79, -1.97

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 3 / 11

HEX #DCE4DE

RGB 220 228 222

HSL 135, 0.13%, 0.88%

LAB 89.85, -3.76, 1.98

 

Description

Color code: HEX #DCDEE4 | qconv.com Color code: HEX #DCDEE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 222 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 222 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 3 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 3% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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