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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4E2DC it is the complementary color #1B1D23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4E2DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4E2DC shade: #E9E2D7, #FAF4EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4E2DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4E2DC shade: #E4E2DC, #D3D0C9, #C2BEB6, #B1ACA3 and #A09A90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4E2DC shade: #E4E2DC, #E4E0DC, #E4DEDC and #E4DCDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4E2DC shade: #E4E2DC, #E4E4DC, #E2E4DC, #DFE4DC and #DDE4DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4E2DC shade matches the following richer shades: #E4E2DC, #E9E4D7, #EEE7D2, #F3E9CD and #F8ECC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4E2DC shade: #E4E2DC, #DFDFE1, #DADDE6, #D5DAEB and #D0D8F0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4E2DC shade: #E4DEDC, #E4E0DC, #E4E2DC, #E4E4DC and #E2E4DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4E2DC shade: #C0BBAD, #D2CFC5, #E4E2DC and #F6F5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4E2DC shade: #E4E2DC, #DCE4DC and #DFDCE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4E2DC shade: #E4E2DC, #DCE4E2 and #E2DCE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4E2DC shade: #E4E2DC, #DCE4DC, #DCDEE4 and #E3DCE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4E2DC shade: #E4E2DC, #DCE4DE, #DCDEE4 and #E4DCE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

Complementary color

CMYK 23 / 17 / 0 / 86

HEX #1B1D23

RGB 27 29 35

HSL 225, 0.13%, 0.12%

LAB 10.8, 0.74, -4.41

 

CMYK 0 / 3 / 8 / 9

HEX #E9E2D7

RGB 233 226 215

HSL 36.67, 0.29%, 0.88%

LAB 90.15, 0.5, 6.2

 

CMYK 0 / 2 / 6 / 2

HEX #FAF4EA

RGB 250 244 234

HSL 37.5, 0.62%, 0.95%

LAB 96.4, 0.31, 5.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 1 / 5 / 17

HEX #D3D0C9

RGB 211 208 201

HSL 42, 0.1%, 0.81%

LAB 83.54, -0.2, 3.82

 

CMYK 0 / 2 / 6 / 24

HEX #C2BEB6

RGB 194 190 182

HSL 40, 0.09%, 0.74%

LAB 77.09, -0.02, 4.52

 

CMYK 0 / 3 / 8 / 31

HEX #B1ACA3

RGB 177 172 163

HSL 38.57, 0.08%, 0.67%

LAB 70.52, 0.17, 5.25

 

CMYK 0 / 4 / 10 / 37

HEX #A09A90

RGB 160 154 144

HSL 37.5, 0.08%, 0.6%

LAB 63.83, 0.38, 6.02

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 2 / 4 / 11

HEX #E4E0DC

RGB 228 224 220

HSL 30, 0.13%, 0.88%

LAB 89.38, 0.66, 2.42

 

CMYK 0 / 3 / 4 / 11

HEX #E4DEDC

RGB 228 222 220

HSL 15, 0.13%, 0.88%

LAB 88.88, 1.69, 1.69

 

CMYK 0 / 4 / 4 / 11

HEX #E4DCDC

RGB 228 220 220

HSL 0, 0.13%, 0.88%

LAB 88.38, 2.73, 0.96

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 0 / 4 / 11

HEX #E4E4DC

RGB 228 228 220

HSL 60, 0.13%, 0.88%

LAB 90.39, -1.4, 3.89

 

CMYK 1 / 0 / 4 / 11

HEX #E2E4DC

RGB 226 228 220

HSL 75, 0.13%, 0.88%

LAB 90.24, -2.08, 3.65

 

CMYK 2 / 0 / 4 / 11

HEX #DFE4DC

RGB 223 228 220

HSL 97.5, 0.13%, 0.88%

LAB 90.02, -3.1, 3.3

 

CMYK 3 / 0 / 4 / 11

HEX #DDE4DC

RGB 221 228 220

HSL 112.5, 0.13%, 0.88%

LAB 89.87, -3.78, 3.07

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 2 / 8 / 9

HEX #E9E4D7

RGB 233 228 215

HSL 43.33, 0.29%, 0.88%

LAB 90.65, -0.53, 6.93

 

CMYK 0 / 3 / 12 / 7

HEX #EEE7D2

RGB 238 231 210

HSL 45, 0.45%, 0.88%

LAB 91.68, -1.13, 11.06

 

CMYK 0 / 4 / 16 / 5

HEX #F3E9CD

RGB 243 233 205

HSL 44.21, 0.61%, 0.88%

LAB 92.46, -1.15, 14.82

 

CMYK 0 / 5 / 19 / 3

HEX #F8ECC8

RGB 248 236 200

HSL 45, 0.77%, 0.88%

LAB 93.5, -1.62, 18.93

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 1 / 1 / 0 / 12

HEX #DFDFE1

RGB 223 223 225

HSL 240, 0.03%, 0.88%

LAB 88.87, 0.37, -0.99

 

CMYK 5 / 4 / 0 / 10

HEX #DADDE6

RGB 218 221 230

HSL 225, 0.19%, 0.88%

LAB 88.13, 0.66, -4.76

 

CMYK 9 / 7 / 0 / 8

HEX #D5DAEB

RGB 213 218 235

HSL 226.36, 0.35%, 0.88%

LAB 87.14, 1.55, -8.9

 

CMYK 13 / 10 / 0 / 6

HEX #D0D8F0

RGB 208 216 240

HSL 225, 0.52%, 0.88%

LAB 86.41, 2, -12.66

 

CMYK 0 / 3 / 4 / 11

HEX #E4DEDC

RGB 228 222 220

HSL 15, 0.13%, 0.88%

LAB 88.88, 1.69, 1.69

 

CMYK 0 / 2 / 4 / 11

HEX #E4E0DC

RGB 228 224 220

HSL 30, 0.13%, 0.88%

LAB 89.38, 0.66, 2.42

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 0 / 4 / 11

HEX #E4E4DC

RGB 228 228 220

HSL 60, 0.13%, 0.88%

LAB 90.39, -1.4, 3.89

 

CMYK 1 / 0 / 4 / 11

HEX #E2E4DC

RGB 226 228 220

HSL 75, 0.13%, 0.88%

LAB 90.24, -2.08, 3.65

 

CMYK 0 / 3 / 10 / 25

HEX #C0BBAD

RGB 192 187 173

HSL 44.21, 0.13%, 0.72%

LAB 75.92, -0.69, 7.7

 

CMYK 0 / 1 / 6 / 18

HEX #D2CFC5

RGB 210 207 197

HSL 46.15, 0.13%, 0.8%

LAB 83.1, -0.72, 5.32

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 0 / 0 / 1 / 4

HEX #F6F5F3

RGB 246 245 243

HSL 40, 0.14%, 0.96%

LAB 96.56, -0.01, 1.07

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 4 / 11

HEX #DCE4DC

RGB 220 228 220

HSL 120, 0.13%, 0.88%

LAB 89.8, -4.12, 2.96

 

CMYK 2 / 4 / 0 / 11

HEX #DFDCE4

RGB 223 220 228

HSL 262.5, 0.13%, 0.88%

LAB 88.2, 2.47, -3.56

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 1 / 11

HEX #DCE4E2

RGB 220 228 226

HSL 165, 0.13%, 0.88%

LAB 89.95, -3.03, 0.03

 

CMYK 1 / 4 / 0 / 11

HEX #E2DCE4

RGB 226 220 228

HSL 285, 0.13%, 0.88%

LAB 88.43, 3.47, -3.19

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 4 / 11

HEX #DCE4DC

RGB 220 228 220

HSL 120, 0.13%, 0.88%

LAB 89.8, -4.12, 2.96

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 0 / 11

HEX #E3DCE4

RGB 227 220 228

HSL 292.5, 0.13%, 0.88%

LAB 88.5, 3.81, -3.07

 

CMYK 0 / 1 / 4 / 11

HEX #E4E2DC

RGB 228 226 220

HSL 45, 0.13%, 0.88%

LAB 89.88, -0.37, 3.16

 

CMYK 4 / 0 / 3 / 11

HEX #DCE4DE

RGB 220 228 222

HSL 135, 0.13%, 0.88%

LAB 89.85, -3.76, 1.98

 

CMYK 4 / 3 / 0 / 11

HEX #DCDEE4

RGB 220 222 228

HSL 225, 0.13%, 0.88%

LAB 88.48, 0.43, -3.17

 

CMYK 0 / 4 / 1 / 11

HEX #E4DCE2

RGB 228 220 226

HSL 315, 0.13%, 0.88%

LAB 88.53, 3.79, -1.97

 

Description

Color code: HEX #E4E2DC | qconv.com Color code: HEX #E4E2DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 226 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 226 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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