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Color name
HEX #DA2985

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2985 it is the complementary color #25D67A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2985 shade: #DF2980, #F03B93, #FF4DA6, #FF5FB9 and #FF71CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2985 shade: #DA2985, #C91772, #B8055F, #A7004C and #960039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2985 shade: #DA2985, #DA2955 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2985 shade: #DA2985, #DA29B5, #D029DA, #A029DA and #7029DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2985 shade matches the following richer shades: #DA2985 and #EE1586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2985 shade: #DA2985, #C63D84, #B25183, #9E6583 and #897A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2985 shade: #CE29DA, #DA29B7, #DA2987, #DA2958 and #DA2929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2985 shade: #97195B, #BB1F70, #DA2985, #E04C99 and #E66FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2985 shade: #DA2985, #DA9F29 and #29CEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2985 shade: #DA2985, #87DA29 and #2987DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2985 shade: #DA2985, #DA9F29, #29DA7C and #2964DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2985 shade: #DA2985, #DAD429, #29DA7C and #292FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

Complementary color

CMYK 83 / 0 / 43 / 16

HEX #25D67A

RGB 37 214 122

HSL 148.81, 0.71%, 0.49%

LAB 76, -62.6, 33.68

 

CMYK 0 / 82 / 43 / 13

HEX #DF2980

RGB 223 41 128

HSL 331.32, 0.74%, 0.52%

LAB 50.49, 72.2, -3.09

 

CMYK 0 / 75 / 39 / 6

HEX #F03B93

RGB 240 59 147

HSL 330.83, 0.86%, 0.59%

LAB 55.85, 73.46, -6.18

 

CMYK 0 / 70 / 35 / 0

HEX #FF4DA6

RGB 255 77 166

HSL 330, 1%, 0.65%

LAB 61.06, 73.54, -9.24

 

CMYK 0 / 63 / 27 / 0

HEX #FF5FB9

RGB 255 95 185

HSL 326.25, 1%, 0.69%

LAB 64.12, 69.01, -15.55

 

CMYK 0 / 56 / 20 / 0

HEX #FF71CC

RGB 255 113 204

HSL 321.55, 1%, 0.72%

LAB 67.6, 63.87, -21

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 89 / 43 / 21

HEX #C91772

RGB 201 23 114

HSL 329.33, 0.79%, 0.44%

LAB 44.58, 69.29, -3.71

 

CMYK 0 / 97 / 48 / 28

HEX #B8055F

RGB 184 5 95

HSL 329.83, 0.95%, 0.37%

LAB 39.79, 65.99, 0.78

 

CMYK 0 / 100 / 54 / 35

HEX #A7004C

RGB 167 0 76

HSL 332.69, 1%, 0.33%

LAB 35.47, 61.17, 6.35

 

CMYK 0 / 100 / 62 / 41

HEX #960039

RGB 150 0 57

HSL 337.2, 1%, 0.29%

LAB 31.3, 55.81, 12.52

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 81 / 61 / 15

HEX #DA2955

RGB 218 41 85

HSL 345.08, 0.71%, 0.51%

LAB 48.44, 67.67, 20.13

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 81 / 17 / 15

HEX #DA29B5

RGB 218 41 181

HSL 312.54, 0.71%, 0.51%

LAB 51.64, 76.94, -32.94

 

CMYK 5 / 81 / 0 / 15

HEX #D029DA

RGB 208 41 218

HSL 296.61, 0.71%, 0.51%

LAB 51.9, 80.32, -53.98

 

CMYK 27 / 81 / 0 / 15

HEX #A029DA

RGB 160 41 218

HSL 280.34, 0.71%, 0.51%

LAB 44.41, 72.1, -66.45

 

CMYK 49 / 81 / 0 / 15

HEX #7029DA

RGB 112 41 218

HSL 264.07, 0.71%, 0.51%

LAB 38.01, 65.24, -77.18

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 91 / 44 / 7

HEX #EE1586

RGB 238 21 134

HSL 328.76, 0.86%, 0.51%

LAB 52.33, 79.66, -3.68

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 69 / 33 / 22

HEX #C63D84

RGB 198 61 132

HSL 328.91, 0.55%, 0.51%

LAB 48.27, 60.05, -9.29

 

CMYK 0 / 54 / 26 / 30

HEX #B25183

RGB 178 81 131

HSL 329.07, 0.39%, 0.51%

LAB 48.25, 45.14, -9.05

 

CMYK 0 / 36 / 17 / 38

HEX #9E6583

RGB 158 101 131

HSL 328.42, 0.23%, 0.51%

LAB 49.76, 27.47, -7.08

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 6 / 81 / 0 / 15

HEX #CE29DA

RGB 206 41 218

HSL 295.93, 0.71%, 0.51%

LAB 51.58, 79.96, -54.52

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

CMYK 0 / 81 / 38 / 15

HEX #DA2987

RGB 218 41 135

HSL 328.14, 0.71%, 0.51%

LAB 49.79, 71.65, -8.46

 

CMYK 0 / 81 / 60 / 15

HEX #DA2958

RGB 218 41 88

HSL 344.07, 0.71%, 0.51%

LAB 48.51, 67.85, 18.37

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 83 / 40 / 41

HEX #97195B

RGB 151 25 91

HSL 328.57, 0.72%, 0.35%

LAB 34.05, 54.48, -5.88

 

CMYK 0 / 83 / 40 / 27

HEX #BB1F70

RGB 187 31 112

HSL 328.85, 0.72%, 0.43%

LAB 42.33, 64.2, -6.11

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 66 / 32 / 12

HEX #E04C99

RGB 224 76 153

HSL 328.78, 0.7%, 0.59%

LAB 55.4, 64.04, -10.67

 

CMYK 0 / 52 / 25 / 10

HEX #E66FAD

RGB 230 111 173

HSL 328.74, 0.7%, 0.67%

LAB 62.68, 53.01, -11.23

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 27 / 81 / 15

HEX #DA9F29

RGB 218 159 41

HSL 40, 0.71%, 0.51%

LAB 69.37, 11.99, 64.87

 

CMYK 81 / 6 / 0 / 15

HEX #29CEDA

RGB 41 206 218

HSL 184.07, 0.71%, 0.51%

LAB 75.87, -35.44, -17.48

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 38 / 0 / 81 / 15

HEX #87DA29

RGB 135 218 41

HSL 88.14, 0.71%, 0.51%

LAB 79.3, -50.83, 71.36

 

CMYK 81 / 38 / 0 / 15

HEX #2987DA

RGB 41 135 218

HSL 208.14, 0.71%, 0.51%

LAB 54.93, 2.35, -49.97

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 27 / 81 / 15

HEX #DA9F29

RGB 218 159 41

HSL 40, 0.71%, 0.51%

LAB 69.37, 11.99, 64.87

 

CMYK 81 / 0 / 43 / 15

HEX #29DA7C

RGB 41 218 124

HSL 148.14, 0.71%, 0.51%

LAB 77.32, -63.25, 34.39

 

CMYK 81 / 54 / 0 / 15

HEX #2964DA

RGB 41 100 218

HSL 220, 0.71%, 0.51%

LAB 45.15, 24.23, -65.7

 

CMYK 0 / 81 / 39 / 15

HEX #DA2985

RGB 218 41 133

HSL 328.81, 0.71%, 0.51%

LAB 49.72, 71.45, -7.35

 

CMYK 0 / 3 / 81 / 15

HEX #DAD429

RGB 218 212 41

HSL 57.97, 0.71%, 0.51%

LAB 82.99, -15.53, 76.67

 

CMYK 81 / 0 / 43 / 15

HEX #29DA7C

RGB 41 218 124

HSL 148.14, 0.71%, 0.51%

LAB 77.32, -63.25, 34.39

 

CMYK 81 / 78 / 0 / 15

HEX #292FDA

RGB 41 47 218

HSL 237.97, 0.71%, 0.51%

LAB 33.06, 56.21, -85.54

 

Description

Color code: HEX #DA2985 | qconv.com Color code: HEX #DA2985 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 39% 15% C M Y K

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Provide designers and agencies with accurate color values.

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