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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5D72 it is the complementary color #25A28D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5D72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5D72 shade: #DF5D6D, #F06F80, #FF8193, #FF93A6 and #FFA5B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5D72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5D72 shade: #DA5D72, #C94B5F, #B8394C, #A72739 and #961526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5D72 shade: #DA5C71 and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5D72 shade: #DA5C71, #DA5C93, #DA5CB5, #DA5CD7 and #BB5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5D72 shade matches the following richer shades: #DA5C71, #EA4C67 and #FA3C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5D72 shade: #DA5C71, #CA6C7C, #BA7D87, #A98D92 and #999D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5D72 shade: #DA5CB6, #DA5C95, #DA5C73, #DA675C and #DA885C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5D72 shade: #BA2A42, #D23B54, #DA5C71, #E17E8F and #E9A0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5D72 shade: #DA5D72, #D8DA5C and #5CA5DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5D72 shade: #DA5D72, #73DA5C and #5C73DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5D72 shade: #DA5D72, #D8DA5C, #5CDAC3 and #5E5CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5D72 shade: #DA5D72, #B2DA5C, #5CDAC3 and #845CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

Complementary color

CMYK 77 / 0 / 13 / 36

HEX #25A28D

RGB 37 162 141

HSL 169.92, 0.63%, 0.39%

LAB 60.03, -38, 1.44

 

CMYK 0 / 58 / 51 / 13

HEX #DF5D6D

RGB 223 93 109

HSL 352.62, 0.67%, 0.62%

LAB 56.7, 52.05, 17.1

 

CMYK 0 / 54 / 47 / 6

HEX #F06F80

RGB 240 111 128

HSL 352.09, 0.81%, 0.69%

LAB 62.89, 51.15, 15.04

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 0 / 42 / 35 / 0

HEX #FF93A6

RGB 255 147 166

HSL 349.44, 1%, 0.79%

LAB 72.81, 42.64, 7.94

 

CMYK 0 / 35 / 27 / 0

HEX #FFA5B9

RGB 255 165 185

HSL 346.67, 1%, 0.82%

LAB 77.08, 35.76, 3.63

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

CMYK 0 / 63 / 53 / 21

HEX #C94B5F

RGB 201 75 95

HSL 350.48, 0.54%, 0.54%

LAB 49.83, 51.58, 15.41

 

CMYK 0 / 69 / 59 / 28

HEX #B8394C

RGB 184 57 76

HSL 351.02, 0.53%, 0.47%

LAB 43.71, 52.09, 18.21

 

CMYK 0 / 77 / 66 / 35

HEX #A72739

RGB 167 39 57

HSL 351.56, 0.62%, 0.4%

LAB 37.77, 52.12, 21.69

 

CMYK 0 / 86 / 75 / 41

HEX #961526

RGB 150 21 38

HSL 352.09, 0.75%, 0.34%

LAB 32.17, 51.28, 26.05

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C93

RGB 218 92 147

HSL 333.81, 0.63%, 0.61%

LAB 56.75, 54.79, -5.23

 

CMYK 0 / 58 / 17 / 15

HEX #DA5CB5

RGB 218 92 181

HSL 317.62, 0.63%, 0.61%

LAB 57.94, 59.34, -23.19

 

CMYK 0 / 58 / 1 / 15

HEX #DA5CD7

RGB 218 92 215

HSL 301.43, 0.63%, 0.61%

LAB 59.4, 64.7, -40.29

 

CMYK 14 / 58 / 0 / 15

HEX #BB5CDA

RGB 187 92 218

HSL 285.24, 0.63%, 0.61%

LAB 55.36, 57.41, -48.65

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 68 / 56 / 8

HEX #EA4C67

RGB 234 76 103

HSL 349.75, 0.79%, 0.61%

LAB 55.73, 62.27, 19.59

 

CMYK 0 / 76 / 63 / 2

HEX #FA3C5C

RGB 250 60 92

HSL 349.89, 0.95%, 0.61%

LAB 56.42, 71.62, 27.51

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 47 / 39 / 21

HEX #CA6C7C

RGB 202 108 124

HSL 349.79, 0.47%, 0.61%

LAB 56.82, 38.82, 8.04

 

CMYK 0 / 33 / 27 / 27

HEX #BA7D87

RGB 186 125 135

HSL 350.16, 0.31%, 0.61%

LAB 58.84, 25.09, 4.29

 

CMYK 0 / 17 / 14 / 34

HEX #A98D92

RGB 169 141 146

HSL 349.29, 0.14%, 0.61%

LAB 61.27, 11.38, 1.29

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 0 / 58 / 17 / 15

HEX #DA5CB6

RGB 218 92 182

HSL 317.14, 0.63%, 0.61%

LAB 57.98, 59.49, -23.7

 

CMYK 0 / 58 / 32 / 15

HEX #DA5C95

RGB 218 92 149

HSL 332.86, 0.63%, 0.61%

LAB 56.81, 55.04, -6.31

 

CMYK 0 / 58 / 47 / 15

HEX #DA5C73

RGB 218 92 115

HSL 349.05, 0.63%, 0.61%

LAB 55.88, 51.36, 12.33

 

CMYK 0 / 53 / 58 / 15

HEX #DA675C

RGB 218 103 92

HSL 5.24, 0.63%, 0.61%

LAB 57.44, 44.18, 27.78

 

CMYK 0 / 38 / 58 / 15

HEX #DA885C

RGB 218 136 92

HSL 20.95, 0.63%, 0.61%

LAB 64.39, 27.08, 36.57

 

CMYK 0 / 77 / 65 / 27

HEX #BA2A42

RGB 186 42 66

HSL 350, 0.63%, 0.45%

LAB 41.98, 57.36, 22.2

 

CMYK 0 / 72 / 60 / 18

HEX #D23B54

RGB 210 59 84

HSL 350.07, 0.63%, 0.53%

LAB 48.85, 59.95, 21

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 44 / 36 / 12

HEX #E17E8F

RGB 225 126 143

HSL 349.7, 0.62%, 0.69%

LAB 64.09, 40.02, 7.87

 

CMYK 0 / 31 / 26 / 9

HEX #E9A0AC

RGB 233 160 172

HSL 350.14, 0.62%, 0.77%

LAB 73.18, 28.74, 4.82

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

CMYK 1 / 0 / 58 / 15

HEX #D8DA5C

RGB 216 218 92

HSL 60.95, 0.63%, 0.61%

LAB 84.75, -16.79, 60.29

 

CMYK 58 / 24 / 0 / 15

HEX #5CA5DA

RGB 92 165 218

HSL 205.24, 0.63%, 0.61%

LAB 65.16, -7.42, -33.77

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

CMYK 47 / 0 / 58 / 15

HEX #73DA5C

RGB 115 218 92

HSL 109.05, 0.63%, 0.61%

LAB 78.79, -53.37, 51.94

 

CMYK 58 / 47 / 0 / 15

HEX #5C73DA

RGB 92 115 218

HSL 229.05, 0.63%, 0.61%

LAB 51.38, 22.04, -55.52

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

CMYK 1 / 0 / 58 / 15

HEX #D8DA5C

RGB 216 218 92

HSL 60.95, 0.63%, 0.61%

LAB 84.75, -16.79, 60.29

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC3

RGB 92 218 195

HSL 169.05, 0.63%, 0.61%

LAB 79.82, -40.4, 0.84

 

CMYK 57 / 58 / 0 / 15

HEX #5E5CDA

RGB 94 92 218

HSL 240.95, 0.63%, 0.61%

LAB 45.77, 36.51, -64.57

 

CMYK 0 / 57 / 48 / 15

HEX #DA5D72

RGB 218 93 114

HSL 349.92, 0.63%, 0.61%

LAB 56.04, 50.81, 13.13

 

CMYK 18 / 0 / 58 / 15

HEX #B2DA5C

RGB 178 218 92

HSL 79.05, 0.63%, 0.61%

LAB 82.04, -31.86, 56.52

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC3

RGB 92 218 195

HSL 169.05, 0.63%, 0.61%

LAB 79.82, -40.4, 0.84

 

CMYK 39 / 58 / 0 / 15

HEX #845CDA

RGB 132 92 218

HSL 259.05, 0.63%, 0.61%

LAB 49.03, 44.25, -59.13

 

Description

Color code: HEX #DA5D72 | qconv.com Color code: HEX #DA5D72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 93 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 93 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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