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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6293 it is the complementary color #259D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6293 shade: #DF628E, #F074A1, #FF86B4, #FF98C7 and #FFAADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6293 shade: #DA6293, #C95080, #B83E6D, #A72C5A and #961A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6293 shade: #DA6293, #DA6272 and #DA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6293 shade: #DA6293, #DA62B3, #DA62D3, #C062DA and #9F62DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6293 shade matches the following richer shades: #DA6293, #E95290 and #F9428D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6293 shade: #DA6293, #CA7195, #BA8198, #AB919B and #9BA09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6293 shade: #DA62D4, #DA62B4, #DA6294, #DA6274 and #DA7062

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6293 shade: #BD2C67, #D2407C, #DA6293, #E283AA and #E9A4C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6293 shade: #DA6293, #DAC062 and #62C4DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6293 shade: #DA6293, #94DA62 and #6294DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6293 shade: #DA6293, #DAC062, #62DAA8 and #627CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6293 shade: #DA6293, #D0DA62, #62DAA8 and #6C62DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

Complementary color

CMYK 76 / 0 / 31 / 38

HEX #259D6C

RGB 37 157 108

HSL 155.5, 0.62%, 0.38%

LAB 57.65, -44.11, 16.59

 

CMYK 0 / 56 / 36 / 13

HEX #DF628E

RGB 223 98 142

HSL 338.88, 0.66%, 0.63%

LAB 58.39, 53.04, 0.19

 

CMYK 0 / 52 / 33 / 6

HEX #F074A1

RGB 240 116 161

HSL 338.23, 0.81%, 0.7%

LAB 64.64, 52.3, -1.34

 

CMYK 0 / 47 / 29 / 0

HEX #FF86B4

RGB 255 134 180

HSL 337.19, 1%, 0.76%

LAB 70.6, 50.84, -3.07

 

CMYK 0 / 40 / 22 / 0

HEX #FF98C7

RGB 255 152 199

HSL 332.62, 1%, 0.8%

LAB 74.72, 44.38, -7.51

 

CMYK 0 / 33 / 15 / 0

HEX #FFAADA

RGB 255 170 218

HSL 326.12, 1%, 0.83%

LAB 79.08, 37.94, -11.4

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 60 / 36 / 21

HEX #C95080

RGB 201 80 128

HSL 336.2, 0.53%, 0.55%

LAB 51.51, 52.63, -2.02

 

CMYK 0 / 66 / 41 / 28

HEX #B83E6D

RGB 184 62 109

HSL 336.89, 0.5%, 0.48%

LAB 45.28, 53, 0.03

 

CMYK 0 / 74 / 46 / 35

HEX #A72C5A

RGB 167 44 90

HSL 337.56, 0.58%, 0.41%

LAB 39.16, 52.94, 2.63

 

CMYK 0 / 83 / 53 / 41

HEX #961A47

RGB 150 26 71

HSL 338.23, 0.7%, 0.35%

LAB 33.3, 52.08, 6.04

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 55 / 48 / 15

HEX #DA6272

RGB 218 98 114

HSL 352, 0.62%, 0.62%

LAB 56.93, 48.45, 14.37

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 55 / 18 / 15

HEX #DA62B3

RGB 218 98 179

HSL 319.5, 0.62%, 0.62%

LAB 58.88, 56.32, -20.6

 

CMYK 0 / 55 / 3 / 15

HEX #DA62D3

RGB 218 98 211

HSL 303.5, 0.62%, 0.62%

LAB 60.2, 61.37, -36.79

 

CMYK 12 / 55 / 0 / 15

HEX #C062DA

RGB 192 98 218

HSL 287, 0.62%, 0.62%

LAB 57.08, 55.79, -45.88

 

CMYK 27 / 55 / 0 / 15

HEX #9F62DA

RGB 159 98 218

HSL 270.5, 0.62%, 0.62%

LAB 53.13, 47.37, -52.4

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 65 / 38 / 9

HEX #E95290

RGB 233 82 144

HSL 335.36, 0.77%, 0.62%

LAB 57.44, 63.26, -2.19

 

CMYK 0 / 73 / 43 / 2

HEX #F9428D

RGB 249 66 141

HSL 335.41, 0.94%, 0.62%

LAB 58, 73.1, 0.71

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 44 / 26 / 21

HEX #CA7195

RGB 202 113 149

HSL 335.73, 0.46%, 0.62%

LAB 58.54, 39.41, -4

 

CMYK 0 / 31 / 18 / 27

HEX #BA8198

RGB 186 129 152

HSL 335.79, 0.29%, 0.62%

LAB 60.25, 25.44, -3.42

 

CMYK 0 / 15 / 9 / 33

HEX #AB919B

RGB 171 145 155

HSL 336.92, 0.13%, 0.62%

LAB 62.74, 11.45, -1.66

 

CMYK 3 / 0 / 1 / 37

HEX #9BA09E

RGB 155 160 158

HSL 156, 0.03%, 0.62%

LAB 65.42, -2.17, 0.41

 

CMYK 0 / 55 / 3 / 15

HEX #DA62D4

RGB 218 98 212

HSL 303, 0.62%, 0.62%

LAB 60.24, 61.54, -37.28

 

CMYK 0 / 55 / 17 / 15

HEX #DA62B4

RGB 218 98 180

HSL 319, 0.62%, 0.62%

LAB 58.92, 56.47, -21.11

 

CMYK 0 / 55 / 32 / 15

HEX #DA6294

RGB 218 98 148

HSL 335, 0.62%, 0.62%

LAB 57.83, 52.14, -4.22

 

CMYK 0 / 55 / 47 / 15

HEX #DA6274

RGB 218 98 116

HSL 351, 0.62%, 0.62%

LAB 56.98, 48.64, 13.27

 

CMYK 0 / 49 / 55 / 15

HEX #DA7062

RGB 218 112 98

HSL 7, 0.62%, 0.62%

LAB 59.32, 40.14, 26.81

 

CMYK 0 / 77 / 46 / 26

HEX #BD2C67

RGB 189 44 103

HSL 335.59, 0.62%, 0.46%

LAB 43.65, 60.37, 1.49

 

CMYK 0 / 70 / 41 / 18

HEX #D2407C

RGB 210 64 124

HSL 335.34, 0.62%, 0.54%

LAB 50.48, 61.46, -0.96

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 42 / 25 / 11

HEX #E283AA

RGB 226 131 170

HSL 335.37, 0.62%, 0.7%

LAB 65.98, 41.27, -4.68

 

CMYK 0 / 30 / 17 / 9

HEX #E9A4C1

RGB 233 164 193

HSL 334.78, 0.61%, 0.78%

LAB 74.65, 29.69, -4.6

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 55 / 10 / 0 / 15

HEX #62C4DA

RGB 98 196 218

HSL 191, 0.62%, 0.62%

LAB 74.28, -22.63, -19.76

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 32 / 0 / 55 / 15

HEX #94DA62

RGB 148 218 98

HSL 95, 0.62%, 0.62%

LAB 80.36, -42.25, 51.44

 

CMYK 55 / 32 / 0 / 15

HEX #6294DA

RGB 98 148 218

HSL 215, 0.62%, 0.62%

LAB 60.64, 3.47, -40.81

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 55 / 0 / 23 / 15

HEX #62DAA8

RGB 98 218 168

HSL 155, 0.62%, 0.62%

LAB 79.37, -45.4, 14.56

 

CMYK 55 / 43 / 0 / 15

HEX #627CDA

RGB 98 124 218

HSL 227, 0.62%, 0.62%

LAB 54.11, 17.75, -51.15

 

CMYK 0 / 55 / 33 / 15

HEX #DA6293

RGB 218 98 147

HSL 335.5, 0.62%, 0.62%

LAB 57.8, 52.01, -3.69

 

CMYK 5 / 0 / 55 / 15

HEX #D0DA62

RGB 208 218 98

HSL 65, 0.62%, 0.62%

LAB 84.19, -19.57, 56.85

 

CMYK 55 / 0 / 23 / 15

HEX #62DAA8

RGB 98 218 168

HSL 155, 0.62%, 0.62%

LAB 79.37, -45.4, 14.56

 

CMYK 50 / 55 / 0 / 15

HEX #6C62DA

RGB 108 98 218

HSL 245, 0.62%, 0.62%

LAB 48.24, 35.61, -60.51

 

Description

Color code: HEX #DA6293 | qconv.com Color code: HEX #DA6293 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 98 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 98 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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