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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8815 it is the complementary color #2577EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8815. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8815 shade: #DF8810, #F09A23, #FFAC36, #FFBE49 and #FFD05C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8815. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8815 shade: #DA8815, #C97602, #B86400, #A75200 and #964000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8815 shade: #DA8815, #DA5315, #DA1E15 and #DA1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8815 shade: #DA8815, #DABD15, #C1DA15, #8CDA15 and #57DA15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8815 shade matches the following richer shades: #DA8815 and #ED8B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8815 shade: #DA8815, #C68528, #B3813C, #9F7E4F and #8C7B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8815 shade: #DA1F15, #DA5315, #DA8815, #DABC15 and #C3DA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8815 shade: #8F590E, #B47011, #DA8815, #EA9C2E and #EEAE54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8815 shade: #DA8815, #40DA15 and #3915DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8815 shade: #DA8815, #15DA88 and #8815DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8815 shade: #DA8815, #40DA15, #1567DA and #AF15DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8815 shade: #DA8815, #15DA25, #1567DA and #DA15C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

Complementary color

CMYK 84 / 49 / 0 / 8

HEX #2577EA

RGB 37 119 234

HSL 215.03, 0.82%, 0.53%

LAB 51.3, 17.89, -64.77

 

CMYK 0 / 39 / 93 / 13

HEX #DF8810

RGB 223 136 16

HSL 34.78, 0.87%, 0.47%

LAB 64.43, 25.91, 67.77

 

CMYK 0 / 36 / 85 / 6

HEX #F09A23

RGB 240 154 35

HSL 34.83, 0.87%, 0.54%

LAB 70.7, 23.88, 68.87

 

CMYK 0 / 33 / 79 / 0

HEX #FFAC36

RGB 255 172 54

HSL 35.22, 1%, 0.61%

LAB 76.7, 21.24, 68.54

 

CMYK 0 / 25 / 71 / 0

HEX #FFBE49

RGB 255 190 73

HSL 38.57, 1%, 0.64%

LAB 81.05, 12.61, 65.43

 

CMYK 0 / 18 / 64 / 0

HEX #FFD05C

RGB 255 208 92

HSL 42.7, 1%, 0.68%

LAB 85.58, 4.32, 62.17

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 41 / 99 / 21

HEX #C97602

RGB 201 118 2

HSL 34.97, 0.98%, 0.4%

LAB 57.44, 26.04, 63.99

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 51 / 100 / 35

HEX #A75200

RGB 167 82 0

HSL 29.46, 1%, 0.33%

LAB 44.59, 30.95, 53.98

 

CMYK 0 / 57 / 100 / 41

HEX #964000

RGB 150 64 0

HSL 25.6, 1%, 0.29%

LAB 38.11, 33.38, 48.79

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 62 / 90 / 15

HEX #DA5315

RGB 218 83 21

HSL 18.88, 0.82%, 0.47%

LAB 53.11, 50.47, 58.1

 

CMYK 0 / 86 / 90 / 15

HEX #DA1E15

RGB 218 30 21

HSL 2.74, 0.82%, 0.47%

LAB 46.83, 67.77, 53.68

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 13 / 90 / 15

HEX #DABD15

RGB 218 189 21

HSL 51.17, 0.82%, 0.47%

LAB 76.89, -4.33, 75.94

 

CMYK 11 / 0 / 90 / 15

HEX #C1DA15

RGB 193 218 21

HSL 67.61, 0.82%, 0.47%

LAB 82.67, -29.34, 79.58

 

CMYK 36 / 0 / 90 / 15

HEX #8CDA15

RGB 140 218 21

HSL 83.76, 0.82%, 0.47%

LAB 79.48, -49.73, 75.69

 

CMYK 60 / 0 / 90 / 15

HEX #57DA15

RGB 87 218 21

HSL 99.9, 0.82%, 0.47%

LAB 77.41, -65.51, 73.13

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 41 / 99 / 7

HEX #ED8B02

RGB 237 139 2

HSL 34.98, 0.98%, 0.47%

LAB 66.88, 30.04, 72.39

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 33 / 80 / 22

HEX #C68528

RGB 198 133 40

HSL 35.32, 0.66%, 0.47%

LAB 60.72, 17.35, 56.59

 

CMYK 0 / 28 / 66 / 30

HEX #B3813C

RGB 179 129 60

HSL 34.79, 0.5%, 0.47%

LAB 57.67, 12.2, 44.01

 

CMYK 0 / 21 / 50 / 38

HEX #9F7E4F

RGB 159 126 79

HSL 35.25, 0.34%, 0.47%

LAB 54.92, 6.63, 30.31

 

CMYK 0 / 12 / 29 / 45

HEX #8C7B63

RGB 140 123 99

HSL 35.12, 0.17%, 0.47%

LAB 52.56, 2.64, 15.54

 

CMYK 0 / 86 / 90 / 15

HEX #DA1F15

RGB 218 31 21

HSL 3.05, 0.82%, 0.47%

LAB 46.9, 67.58, 53.73

 

CMYK 0 / 62 / 90 / 15

HEX #DA5315

RGB 218 83 21

HSL 18.88, 0.82%, 0.47%

LAB 53.11, 50.47, 58.1

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 14 / 90 / 15

HEX #DABC15

RGB 218 188 21

HSL 50.86, 0.82%, 0.47%

LAB 76.63, -3.81, 75.74

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 0 / 38 / 90 / 44

HEX #8F590E

RGB 143 89 14

HSL 34.88, 0.82%, 0.31%

LAB 42.79, 16.68, 47.4

 

CMYK 0 / 38 / 91 / 29

HEX #B47011

RGB 180 112 17

HSL 34.97, 0.83%, 0.39%

LAB 53.31, 20.39, 56.86

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 0 / 33 / 80 / 8

HEX #EA9C2E

RGB 234 156 46

HSL 35.11, 0.82%, 0.55%

LAB 70.5, 20.6, 64.86

 

CMYK 0 / 27 / 65 / 7

HEX #EEAE54

RGB 238 174 84

HSL 35.06, 0.82%, 0.63%

LAB 75.51, 14.5, 54.2

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 74 / 90 / 0 / 15

HEX #3915DA

RGB 57 21 218

HSL 250.96, 0.82%, 0.47%

LAB 30.56, 67.13, -89.67

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 90 / 0 / 38 / 15

HEX #15DA88

RGB 21 218 136

HSL 155.03, 0.82%, 0.47%

LAB 77.33, -62.51, 28.25

 

CMYK 38 / 90 / 0 / 15

HEX #8815DA

RGB 136 21 218

HSL 275.03, 0.82%, 0.47%

LAB 39.3, 73.57, -74.95

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 53 / 0 / 15

HEX #1567DA

RGB 21 103 218

HSL 215.03, 0.82%, 0.47%

LAB 45.53, 20.94, -65.1

 

CMYK 20 / 90 / 0 / 15

HEX #AF15DA

RGB 175 21 218

HSL 286.9, 0.82%, 0.47%

LAB 45.24, 78.74, -65

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 90 / 0 / 83 / 15

HEX #15DA25

RGB 21 218 37

HSL 124.87, 0.82%, 0.47%

LAB 76.34, -74.62, 68.58

 

CMYK 90 / 53 / 0 / 15

HEX #1567DA

RGB 21 103 218

HSL 215.03, 0.82%, 0.47%

LAB 45.53, 20.94, -65.1

 

CMYK 0 / 90 / 8 / 15

HEX #DA15C9

RGB 218 21 201

HSL 305.18, 0.82%, 0.47%

LAB 51.45, 83.1, -44.86

 

Description

Color code: HEX #DA8815 | qconv.com Color code: HEX #DA8815 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 136 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 136 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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