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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAACA4 it is the complementary color #25535B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAACA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAACA4 shade: #DFAC9F, #F0BEB2, #FFD0C5, #FFE2D8 and #FFF4EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAACA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAACA4 shade: #DAACA4, #C99A91, #B8887E, #A7766B and #966458

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAACA4 shade: #DAACA4 and #DAA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAACA4 shade: #DAACA4, #DABAA4, #DAC9A4, #DAD7A4 and #CDDAA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAACA4 shade matches the following richer shades: #DAACA4, #E4A59A, #EE9D8F and #F89685

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAACA4 shade: #DAACA4, #CFB3AE, #C5BAB9, #BBC2C3 and #B0C9CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAACA4 shade: #DAA4B9, #DAA4AB, #DAABA4, #DAB9A4 and #DAC8A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAACA4 shade: #C27669, #CE9187, #DAACA4, #E5C7C1 and #F1E1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAACA4 shade: #DAACA4, #C8DAA4 and #A4B2DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAACA4 shade: #DAACA4, #A4DAAB and #ABA4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAACA4 shade: #DAACA4, #C8DAA4, #A4D2DA and #B6A4DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAACA4 shade: #DAACA4, #B8DAA4, #A4D2DA and #C6A4DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

Complementary color

CMYK 59 / 9 / 0 / 64

HEX #25535B

RGB 37 83 91

HSL 188.89, 0.42%, 0.25%

LAB 32.56, -13.08, -9.46

 

CMYK 0 / 23 / 29 / 13

HEX #DFAC9F

RGB 223 172 159

HSL 12.19, 0.5%, 0.75%

LAB 74.63, 16.81, 13.87

 

CMYK 0 / 21 / 26 / 6

HEX #F0BEB2

RGB 240 190 178

HSL 11.61, 0.67%, 0.82%

LAB 81.05, 16.2, 12.89

 

CMYK 0 / 18 / 23 / 0

HEX #FFD0C5

RGB 255 208 197

HSL 11.38, 1%, 0.89%

LAB 87.19, 14.91, 11.69

 

CMYK 0 / 11 / 15 / 0

HEX #FFE2D8

RGB 255 226 216

HSL 15.38, 1%, 0.92%

LAB 91.96, 8.38, 8.52

 

CMYK 0 / 4 / 8 / 0

HEX #FFF4EB

RGB 255 244 235

HSL 27, 1%, 0.96%

LAB 96.8, 2.18, 5.63

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 23 / 28 / 21

HEX #C99A91

RGB 201 154 145

HSL 9.64, 0.34%, 0.68%

LAB 67.7, 16.24, 11.5

 

CMYK 0 / 26 / 32 / 28

HEX #B8887E

RGB 184 136 126

HSL 10.34, 0.29%, 0.61%

LAB 61.05, 16.94, 12.55

 

CMYK 0 / 29 / 36 / 35

HEX #A7766B

RGB 167 118 107

HSL 11, 0.25%, 0.54%

LAB 54.27, 17.75, 13.72

 

CMYK 0 / 33 / 41 / 41

HEX #966458

RGB 150 100 88

HSL 11.61, 0.26%, 0.47%

LAB 47.37, 18.68, 15.04

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 15 / 25 / 15

HEX #DABAA4

RGB 218 186 164

HSL 24.44, 0.42%, 0.75%

LAB 77.7, 8.11, 15.4

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 1 / 25 / 15

HEX #DAD7A4

RGB 218 215 164

HSL 56.67, 0.42%, 0.75%

LAB 85.09, -7.02, 25.61

 

CMYK 6 / 0 / 25 / 15

HEX #CDDAA4

RGB 205 218 164

HSL 74.44, 0.42%, 0.75%

LAB 84.9, -13.37, 25.18

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 28 / 32 / 11

HEX #E4A59A

RGB 228 165 154

HSL 8.92, 0.58%, 0.75%

LAB 73.37, 21.81, 14.91

 

CMYK 0 / 34 / 40 / 7

HEX #EE9D8F

RGB 238 157 143

HSL 8.84, 0.74%, 0.75%

LAB 72.41, 28.57, 19.77

 

CMYK 0 / 40 / 46 / 3

HEX #F89685

RGB 248 150 133

HSL 8.87, 0.89%, 0.75%

LAB 71.87, 34.99, 24.71

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 14 / 16 / 19

HEX #CFB3AE

RGB 207 179 174

HSL 9.09, 0.26%, 0.75%

LAB 75.18, 9.25, 6.26

 

CMYK 0 / 6 / 6 / 23

HEX #C5BAB9

RGB 197 186 185

HSL 5, 0.09%, 0.75%

LAB 76.37, 3.7, 1.89

 

CMYK 4 / 1 / 0 / 24

HEX #BBC2C3

RGB 187 194 195

HSL 187.5, 0.06%, 0.75%

LAB 77.93, -2.21, -1.35

 

CMYK 14 / 2 / 0 / 20

HEX #B0C9CD

RGB 176 201 205

HSL 188.28, 0.22%, 0.75%

LAB 79.28, -7.56, -4.84

 

CMYK 0 / 25 / 15 / 15

HEX #DAA4B9

RGB 218 164 185

HSL 336.67, 0.42%, 0.75%

LAB 72.86, 23.12, -3.01

 

CMYK 0 / 25 / 22 / 15

HEX #DAA4AB

RGB 218 164 171

HSL 352.22, 0.42%, 0.75%

LAB 72.49, 20.95, 4.17

 

CMYK 0 / 22 / 25 / 15

HEX #DAABA4

RGB 218 171 164

HSL 7.78, 0.42%, 0.75%

LAB 74, 16.15, 10.18

 

CMYK 0 / 15 / 25 / 15

HEX #DAB9A4

RGB 218 185 164

HSL 23.33, 0.42%, 0.75%

LAB 77.45, 8.65, 15.05

 

CMYK 0 / 8 / 25 / 15

HEX #DAC8A4

RGB 218 200 164

HSL 40, 0.42%, 0.75%

LAB 81.23, 0.73, 20.32

 

CMYK 0 / 39 / 46 / 24

HEX #C27669

RGB 194 118 105

HSL 8.76, 0.42%, 0.59%

LAB 57.51, 28.35, 19.83

 

CMYK 0 / 30 / 34 / 19

HEX #CE9187

RGB 206 145 135

HSL 8.45, 0.42%, 0.67%

LAB 65.84, 21.77, 14.54

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 13 / 16 / 10

HEX #E5C7C1

RGB 229 199 193

HSL 10, 0.41%, 0.83%

LAB 82.57, 9.61, 6.89

 

CMYK 0 / 7 / 7 / 5

HEX #F1E1DF

RGB 241 225 223

HSL 6.67, 0.39%, 0.91%

LAB 90.72, 5.12, 2.93

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 8 / 0 / 25 / 15

HEX #C8DAA4

RGB 200 218 164

HSL 80, 0.42%, 0.75%

LAB 84.54, -15.2, 24.63

 

CMYK 25 / 18 / 0 / 15

HEX #A4B2DA

RGB 164 178 218

HSL 224.44, 0.42%, 0.75%

LAB 72.76, 3.88, -21.75

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 25 / 0 / 22 / 15

HEX #A4DAAB

RGB 164 218 171

HSL 127.78, 0.42%, 0.75%

LAB 82.37, -26.56, 17.61

 

CMYK 22 / 25 / 0 / 15

HEX #ABA4DA

RGB 171 164 218

HSL 247.78, 0.42%, 0.75%

LAB 69.66, 13.78, -26.43

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 8 / 0 / 25 / 15

HEX #C8DAA4

RGB 200 218 164

HSL 80, 0.42%, 0.75%

LAB 84.54, -15.2, 24.63

 

CMYK 25 / 4 / 0 / 15

HEX #A4D2DA

RGB 164 210 218

HSL 188.89, 0.42%, 0.75%

LAB 81.32, -13.14, -8.87

 

CMYK 17 / 25 / 0 / 15

HEX #B6A4DA

RGB 182 164 218

HSL 260, 0.42%, 0.75%

LAB 70.57, 17.21, -24.97

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 16 / 0 / 25 / 15

HEX #B8DAA4

RGB 184 218 164

HSL 97.78, 0.42%, 0.75%

LAB 83.45, -20.93, 22.97

 

CMYK 25 / 4 / 0 / 15

HEX #A4D2DA

RGB 164 210 218

HSL 188.89, 0.42%, 0.75%

LAB 81.32, -13.14, -8.87

 

CMYK 9 / 25 / 0 / 15

HEX #C6A4DA

RGB 198 164 218

HSL 277.78, 0.42%, 0.75%

LAB 71.97, 22.32, -22.69

 

Description

Color code: HEX #DAACA4 | qconv.com Color code: HEX #DAACA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 172 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 172 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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