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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC9A4 it is the complementary color #25365B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC9A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC9A4 shade: #DFC99F, #F0DBB2, #FFEDC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC9A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC9A4 shade: #DAC9A4, #C9B791, #B8A57E, #A7936B and #968158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC9A4 shade: #DAC9A4, #DABAA4, #DAACA4 and #DAA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC9A4 shade: #DAC9A4, #DAD7A4, #CEDAA4, #BFDAA4 and #B1DAA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC9A4 shade matches the following richer shades: #DAC9A4, #E4CC9A, #EED08F and #F8D485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC9A4 shade: #DAC9A4, #CFC5AE, #C5C1B9, #BBBDC3 and #B0B9CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC9A4 shade: #DAACA4, #DABAA4, #DAC9A4, #DAD7A4 and #CEDAA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC9A4 shade: #C2A669, #CEB787, #DAC9A4, #E5DAC1 and #F1ECDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC9A4 shade: #DAC9A4, #AADAA4 and #B3A4DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC9A4 shade: #DAC9A4, #A4DAC9 and #C9A4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC9A4 shade: #DAC9A4, #AADAA4, #A4B5DA and #D3A4DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC9A4 shade: #DAC9A4, #A4DAAE, #A4B5DA and #DAA4D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

Complementary color

CMYK 59 / 41 / 0 / 64

HEX #25365B

RGB 37 54 91

HSL 221.11, 0.42%, 0.25%

LAB 22.95, 5.58, -24.32

 

CMYK 0 / 10 / 29 / 13

HEX #DFC99F

RGB 223 201 159

HSL 39.38, 0.5%, 0.75%

LAB 81.82, 1.43, 23.83

 

CMYK 0 / 9 / 26 / 6

HEX #F0DBB2

RGB 240 219 178

HSL 39.68, 0.67%, 0.82%

LAB 88.16, 1.05, 22.82

 

CMYK 0 / 7 / 23 / 0

HEX #FFEDC5

RGB 255 237 197

HSL 41.38, 1%, 0.89%

LAB 94.25, -0.01, 21.61

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 9 / 28 / 21

HEX #C9B791

RGB 201 183 145

HSL 40.71, 0.34%, 0.68%

LAB 75.03, 0.56, 21.69

 

CMYK 0 / 10 / 32 / 28

HEX #B8A57E

RGB 184 165 126

HSL 40.34, 0.29%, 0.61%

LAB 68.47, 0.97, 22.77

 

CMYK 0 / 12 / 36 / 35

HEX #A7936B

RGB 167 147 107

HSL 40, 0.25%, 0.54%

LAB 61.78, 1.45, 23.93

 

CMYK 0 / 14 / 41 / 41

HEX #968158

RGB 150 129 88

HSL 39.68, 0.26%, 0.47%

LAB 54.96, 2.02, 25.19

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 15 / 25 / 15

HEX #DABAA4

RGB 218 186 164

HSL 24.44, 0.42%, 0.75%

LAB 77.7, 8.11, 15.4

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 1 / 25 / 15

HEX #DAD7A4

RGB 218 215 164

HSL 56.67, 0.42%, 0.75%

LAB 85.09, -7.02, 25.61

 

CMYK 6 / 0 / 25 / 15

HEX #CEDAA4

RGB 206 218 164

HSL 73.33, 0.42%, 0.75%

LAB 84.97, -13.01, 25.29

 

CMYK 12 / 0 / 25 / 15

HEX #BFDAA4

RGB 191 218 164

HSL 90, 0.42%, 0.75%

LAB 83.91, -18.45, 23.68

 

CMYK 19 / 0 / 25 / 15

HEX #B1DAA4

RGB 177 218 164

HSL 105.56, 0.42%, 0.75%

LAB 83, -23.37, 22.28

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 11 / 32 / 11

HEX #E4CC9A

RGB 228 204 154

HSL 40.54, 0.58%, 0.75%

LAB 82.92, 1.15, 28.02

 

CMYK 0 / 13 / 40 / 7

HEX #EED08F

RGB 238 208 143

HSL 41.05, 0.74%, 0.75%

LAB 84.62, 1.71, 36.13

 

CMYK 0 / 15 / 46 / 3

HEX #F8D485

RGB 248 212 133

HSL 41.22, 0.89%, 0.75%

LAB 86.37, 2.59, 43.6

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 5 / 16 / 19

HEX #CFC5AE

RGB 207 197 174

HSL 41.82, 0.26%, 0.75%

LAB 79.76, -0.33, 12.79

 

CMYK 0 / 2 / 6 / 23

HEX #C5C1B9

RGB 197 193 185

HSL 40, 0.09%, 0.75%

LAB 78.18, -0.03, 4.51

 

CMYK 4 / 3 / 0 / 24

HEX #BBBDC3

RGB 187 189 195

HSL 225, 0.06%, 0.75%

LAB 76.62, 0.45, -3.27

 

CMYK 14 / 10 / 0 / 20

HEX #B0B9CD

RGB 176 185 205

HSL 221.38, 0.22%, 0.75%

LAB 75.04, 0.94, -11.14

 

CMYK 0 / 21 / 25 / 15

HEX #DAACA4

RGB 218 172 164

HSL 8.89, 0.42%, 0.75%

LAB 74.25, 15.61, 10.53

 

CMYK 0 / 15 / 25 / 15

HEX #DABAA4

RGB 218 186 164

HSL 24.44, 0.42%, 0.75%

LAB 77.7, 8.11, 15.4

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 1 / 25 / 15

HEX #DAD7A4

RGB 218 215 164

HSL 56.67, 0.42%, 0.75%

LAB 85.09, -7.02, 25.61

 

CMYK 6 / 0 / 25 / 15

HEX #CEDAA4

RGB 206 218 164

HSL 73.33, 0.42%, 0.75%

LAB 84.97, -13.01, 25.29

 

CMYK 0 / 14 / 46 / 24

HEX #C2A669

RGB 194 166 105

HSL 41.12, 0.42%, 0.59%

LAB 69.3, 2.07, 35.28

 

CMYK 0 / 11 / 34 / 19

HEX #CEB787

RGB 206 183 135

HSL 40.56, 0.42%, 0.67%

LAB 75.29, 1.23, 27.45

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 0 / 5 / 16 / 10

HEX #E5DAC1

RGB 229 218 193

HSL 41.67, 0.41%, 0.83%

LAB 87.32, -0.31, 13.66

 

CMYK 0 / 2 / 7 / 5

HEX #F1ECDF

RGB 241 236 223

HSL 43.33, 0.39%, 0.91%

LAB 93.46, -0.53, 6.88

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 22 / 0 / 25 / 15

HEX #AADAA4

RGB 170 218 164

HSL 113.33, 0.42%, 0.75%

LAB 82.58, -25.76, 21.63

 

CMYK 18 / 25 / 0 / 15

HEX #B3A4DA

RGB 179 164 218

HSL 256.67, 0.42%, 0.75%

LAB 70.31, 16.27, -25.37

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 25 / 0 / 8 / 15

HEX #A4DAC9

RGB 164 218 201

HSL 161.11, 0.42%, 0.75%

LAB 83.05, -20.83, 2.72

 

CMYK 8 / 25 / 0 / 15

HEX #C9A4DA

RGB 201 164 218

HSL 281.11, 0.42%, 0.75%

LAB 72.25, 23.29, -22.24

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 22 / 0 / 25 / 15

HEX #AADAA4

RGB 170 218 164

HSL 113.33, 0.42%, 0.75%

LAB 82.58, -25.76, 21.63

 

CMYK 25 / 17 / 0 / 15

HEX #A4B5DA

RGB 164 181 218

HSL 221.11, 0.42%, 0.75%

LAB 73.55, 2.24, -20.55

 

CMYK 3 / 25 / 0 / 15

HEX #D3A4DA

RGB 211 164 218

HSL 292.22, 0.42%, 0.75%

LAB 73.19, 26.55, -20.72

 

CMYK 0 / 8 / 25 / 15

HEX #DAC9A4

RGB 218 201 164

HSL 41.11, 0.42%, 0.75%

LAB 81.49, 0.2, 20.67

 

CMYK 25 / 0 / 20 / 15

HEX #A4DAAE

RGB 164 218 174

HSL 131.11, 0.42%, 0.75%

LAB 82.43, -26.03, 16.12

 

CMYK 25 / 17 / 0 / 15

HEX #A4B5DA

RGB 164 181 218

HSL 221.11, 0.42%, 0.75%

LAB 73.55, 2.24, -20.55

 

CMYK 0 / 25 / 5 / 15

HEX #DAA4D0

RGB 218 164 208

HSL 311.11, 0.42%, 0.75%

LAB 73.55, 27.02, -14.63

 

Description

Color code: HEX #DAC9A4 | qconv.com Color code: HEX #DAC9A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 201 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 201 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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