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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB380 it is the complementary color #254C7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB380 shade: #DFB37B, #F0C58E, #FFD7A1, #FFE9B4 and #FFFBC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB380 shade: #DAB380, #C9A16D, #B88F5A, #A77D47 and #966B34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB380 shade: #DAB380, #DA9B80, #DA8280 and #DA8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB380 shade: #DAB380, #DACB80, #D0DA80, #B8DA80 and #A0DA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB380 shade matches the following richer shades: #DAB380, #E7B573 and #F4B666

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB380 shade: #DAB380, #CDB18D, #BFAF9A, #B2AEA8 and #A5ACB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB380 shade: #DA8380, #DA9B80, #DAB380, #DACB80 and #D1DA80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB380 shade: #C78D40, #D0A060, #DAB380, #E3C6A0 and #ECD9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB380 shade: #DAB380, #95DA80 and #8F80DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB380 shade: #DAB380, #80DAB3 and #B380DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB380 shade: #DAB380, #95DA80, #80A7DA and #C580DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB380 shade: #DAB380, #80DA86, #80A7DA and #DA80D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

Complementary color

CMYK 71 / 40 / 0 / 50

HEX #254C7F

RGB 37 76 127

HSL 214, 0.55%, 0.32%

LAB 32.02, 4.36, -32.89

 

CMYK 0 / 20 / 45 / 13

HEX #DFB37B

RGB 223 179 123

HSL 33.6, 0.61%, 0.68%

LAB 75.67, 8.82, 34.58

 

CMYK 0 / 18 / 41 / 6

HEX #F0C58E

RGB 240 197 142

HSL 33.67, 0.77%, 0.75%

LAB 82.06, 8.1, 33.32

 

CMYK 0 / 16 / 37 / 0

HEX #FFD7A1

RGB 255 215 161

HSL 34.47, 1%, 0.82%

LAB 88.18, 6.7, 31.86

 

CMYK 0 / 9 / 29 / 0

HEX #FFE9B4

RGB 255 233 180

HSL 42.4, 1%, 0.85%

LAB 92.94, -0.23, 28.52

 

CMYK 0 / 2 / 22 / 0

HEX #FFFBC7

RGB 255 251 199

HSL 55.71, 1%, 0.89%

LAB 97.78, -6.76, 25.46

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 20 / 46 / 21

HEX #C9A16D

RGB 201 161 109

HSL 33.91, 0.46%, 0.61%

LAB 68.76, 8.08, 32.62

 

CMYK 0 / 22 / 51 / 28

HEX #B88F5A

RGB 184 143 90

HSL 33.83, 0.4%, 0.54%

LAB 62.15, 8.94, 33.99

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 29 / 65 / 41

HEX #966B34

RGB 150 107 52

HSL 33.67, 0.49%, 0.4%

LAB 48.57, 11.21, 36.93

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 29 / 41 / 15

HEX #DA9B80

RGB 218 155 128

HSL 18, 0.55%, 0.68%

LAB 69.4, 20.22, 23.52

 

CMYK 0 / 40 / 41 / 15

HEX #DA8280

RGB 218 130 128

HSL 1.33, 0.55%, 0.68%

LAB 63.7, 33.63, 15.71

 

CMYK 0 / 41 / 41 / 15

HEX #DA8080

RGB 218 128 128

HSL 0, 0.55%, 0.68%

LAB 63.26, 34.69, 15.11

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 7 / 41 / 15

HEX #DACB80

RGB 218 203 128

HSL 50, 0.55%, 0.68%

LAB 81.39, -5.24, 39.25

 

CMYK 5 / 0 / 41 / 15

HEX #D0DA80

RGB 208 218 128

HSL 66.67, 0.55%, 0.68%

LAB 84.54, -16.76, 43.07

 

CMYK 16 / 0 / 41 / 15

HEX #B8DA80

RGB 184 218 128

HSL 82.67, 0.55%, 0.68%

LAB 82.86, -25.91, 40.59

 

CMYK 27 / 0 / 41 / 15

HEX #A0DA80

RGB 160 218 128

HSL 98.67, 0.55%, 0.68%

LAB 81.39, -34.56, 38.42

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 22 / 50 / 9

HEX #E7B573

RGB 231 181 115

HSL 34.14, 0.71%, 0.68%

LAB 76.84, 10.24, 40.37

 

CMYK 0 / 25 / 58 / 4

HEX #F4B666

RGB 244 182 102

HSL 33.8, 0.87%, 0.68%

LAB 78.26, 13.97, 48.91

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 14 / 31 / 20

HEX #CDB18D

RGB 205 177 141

HSL 33.75, 0.39%, 0.68%

LAB 73.77, 4.79, 22.17

 

CMYK 0 / 8 / 19 / 25

HEX #BFAF9A

RGB 191 175 154

HSL 34.05, 0.22%, 0.68%

LAB 72.27, 2.29, 12.85

 

CMYK 0 / 2 / 6 / 30

HEX #B2AEA8

RGB 178 174 168

HSL 36, 0.06%, 0.68%

LAB 71.26, 0.33, 3.57

 

CMYK 9 / 5 / 0 / 29

HEX #A5ACB5

RGB 165 172 181

HSL 213.75, 0.1%, 0.68%

LAB 70.06, -0.66, -5.46

 

CMYK 0 / 40 / 41 / 15

HEX #DA8380

RGB 218 131 128

HSL 2, 0.55%, 0.68%

LAB 63.91, 33.11, 16.01

 

CMYK 0 / 29 / 41 / 15

HEX #DA9B80

RGB 218 155 128

HSL 18, 0.55%, 0.68%

LAB 69.4, 20.22, 23.52

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 7 / 41 / 15

HEX #DACB80

RGB 218 203 128

HSL 50, 0.55%, 0.68%

LAB 81.39, -5.24, 39.25

 

CMYK 4 / 0 / 41 / 15

HEX #D1DA80

RGB 209 218 128

HSL 66, 0.55%, 0.68%

LAB 84.62, -16.37, 43.18

 

CMYK 0 / 29 / 68 / 22

HEX #C78D40

RGB 199 141 64

HSL 34.22, 0.55%, 0.52%

LAB 62.98, 14.52, 48.57

 

CMYK 0 / 23 / 54 / 18

HEX #D0A060

RGB 208 160 96

HSL 34.29, 0.54%, 0.6%

LAB 69.04, 10.31, 39.93

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 0 / 13 / 30 / 11

HEX #E3C6A0

RGB 227 198 160

HSL 34.03, 0.54%, 0.76%

LAB 81.43, 4.66, 22.83

 

CMYK 0 / 8 / 19 / 7

HEX #ECD9C0

RGB 236 217 192

HSL 34.09, 0.54%, 0.84%

LAB 87.61, 2.59, 14.68

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 32 / 0 / 41 / 15

HEX #95DA80

RGB 149 218 128

HSL 106, 0.55%, 0.68%

LAB 80.79, -38.3, 37.53

 

CMYK 34 / 41 / 0 / 15

HEX #8F80DA

RGB 143 128 218

HSL 250, 0.55%, 0.68%

LAB 58.36, 26.24, -44.2

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 41 / 0 / 18 / 15

HEX #80DAB3

RGB 128 218 179

HSL 154, 0.55%, 0.68%

LAB 80.73, -35.77, 10.83

 

CMYK 18 / 41 / 0 / 15

HEX #B380DA

RGB 179 128 218

HSL 274, 0.55%, 0.68%

LAB 61.73, 36.4, -38.67

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 32 / 0 / 41 / 15

HEX #95DA80

RGB 149 218 128

HSL 106, 0.55%, 0.68%

LAB 80.79, -38.3, 37.53

 

CMYK 41 / 23 / 0 / 15

HEX #80A7DA

RGB 128 167 218

HSL 214, 0.55%, 0.68%

LAB 67.49, -0.22, -30.02

 

CMYK 10 / 41 / 0 / 15

HEX #C580DA

RGB 197 128 218

HSL 286, 0.55%, 0.68%

LAB 63.65, 41.71, -35.53

 

CMYK 0 / 18 / 41 / 15

HEX #DAB380

RGB 218 179 128

HSL 34, 0.55%, 0.68%

LAB 75.27, 7.34, 31.33

 

CMYK 41 / 0 / 39 / 15

HEX #80DA86

RGB 128 218 134

HSL 124, 0.55%, 0.68%

LAB 79.87, -44, 33.11

 

CMYK 41 / 23 / 0 / 15

HEX #80A7DA

RGB 128 167 218

HSL 214, 0.55%, 0.68%

LAB 67.49, -0.22, -30.02

 

CMYK 0 / 41 / 3 / 15

HEX #DA80D4

RGB 218 128 212

HSL 304, 0.55%, 0.68%

LAB 65.82, 46.9, -28.62

 

Description

Color code: HEX #DAB380 | qconv.com Color code: HEX #DAB380 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 179 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 179 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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