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Color name
HEX #DACA38

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DACA38 it is the complementary color #2535C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DACA38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DACA38 shade: #DFCA33, #F0DC46, #FFEE59, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DACA38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DACA38 shade: #DACA38, #C9B825, #B8A612, #A79400 and #968200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DACA38 shade: #DACA38, #DA9E38, #DA7338, #DA4738 and #DA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DACA38 shade: #DACA38, #BEDA38, #93DA38, #67DA38 and #3CDA38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DACA38 shade matches the following richer shades: #DACA38 and #EDD925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DACA38 shade: #DACA38, #C7BB4B, #B4AC5E, #A19C71 and #8E8D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DACA38 shade: #DA7438, #DA9F38, #DACA38, #BFDA38 and #94DA38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DACA38 shade: #A2951D, #C5B524, #DACA38, #E1D35B and #E7DD7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DACA38 shade: #DACA38, #38DA48 and #8938DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DACA38 shade: #DACA38, #38DACA and #CA38DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DACA38 shade: #DACA38, #38DA48, #3848DA and #DA38CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DACA38 shade: #DACA38, #38DA79, #3848DA and #DA3899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

Complementary color

CMYK 81 / 73 / 0 / 22

HEX #2535C7

RGB 37 53 199

HSL 234.07, 0.69%, 0.46%

LAB 31.95, 46.53, -76.36

 

CMYK 0 / 9 / 77 / 13

HEX #DFCA33

RGB 223 202 51

HSL 52.67, 0.73%, 0.54%

LAB 80.83, -8.05, 72.11

 

CMYK 0 / 8 / 71 / 6

HEX #F0DC46

RGB 240 220 70

HSL 52.94, 0.85%, 0.61%

LAB 87.07, -9.17, 72.1

 

CMYK 0 / 7 / 65 / 0

HEX #FFEE59

RGB 255 238 89

HSL 53.86, 1%, 0.67%

LAB 93.07, -10.95, 71.38

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 0 / 8 / 82 / 21

HEX #C9B825

RGB 201 184 37

HSL 53.78, 0.69%, 0.47%

LAB 74.08, -8.78, 69.51

 

CMYK 0 / 10 / 90 / 28

HEX #B8A612

RGB 184 166 18

HSL 53.49, 0.82%, 0.4%

LAB 67.66, -7.35, 67.93

 

CMYK 0 / 11 / 100 / 35

HEX #A79400

RGB 167 148 0

HSL 53.17, 1%, 0.33%

LAB 61.13, -5.7, 65

 

CMYK 0 / 13 / 100 / 41

HEX #968200

RGB 150 130 0

HSL 52, 1%, 0.29%

LAB 54.5, -3.73, 59.52

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 0 / 28 / 74 / 15

HEX #DA9E38

RGB 218 158 56

HSL 37.78, 0.69%, 0.54%

LAB 69.22, 13.09, 59.2

 

CMYK 0 / 47 / 74 / 15

HEX #DA7338

RGB 218 115 56

HSL 21.85, 0.69%, 0.54%

LAB 59.39, 35.99, 49.27

 

CMYK 0 / 67 / 74 / 15

HEX #DA4738

RGB 218 71 56

HSL 5.56, 0.69%, 0.54%

LAB 51.49, 56.48, 40.84

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 13 / 0 / 74 / 15

HEX #BEDA38

RGB 190 218 56

HSL 70.37, 0.69%, 0.54%

LAB 82.58, -29.47, 71.21

 

CMYK 33 / 0 / 74 / 15

HEX #93DA38

RGB 147 218 56

HSL 86.3, 0.69%, 0.54%

LAB 79.97, -45.92, 67.8

 

CMYK 53 / 0 / 74 / 15

HEX #67DA38

RGB 103 218 56

HSL 102.59, 0.69%, 0.54%

LAB 78.06, -59.86, 65.29

 

CMYK 72 / 0 / 74 / 15

HEX #3CDA38

RGB 60 218 56

HSL 118.52, 0.69%, 0.54%

LAB 76.91, -69.2, 63.77

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 0 / 8 / 84 / 7

HEX #EDD925

RGB 237 217 37

HSL 54, 0.85%, 0.54%

LAB 85.89, -10.08, 80.68

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 0 / 6 / 62 / 22

HEX #C7BB4B

RGB 199 187 75

HSL 54.19, 0.53%, 0.54%

LAB 74.95, -9.38, 56.55

 

CMYK 0 / 4 / 48 / 29

HEX #B4AC5E

RGB 180 172 94

HSL 54.42, 0.36%, 0.54%

LAB 69.48, -8.05, 40.89

 

CMYK 0 / 3 / 30 / 37

HEX #A19C71

RGB 161 156 113

HSL 53.75, 0.2%, 0.54%

LAB 63.79, -5.14, 23.23

 

CMYK 0 / 1 / 7 / 44

HEX #8E8D84

RGB 142 141 132

HSL 54, 0.04%, 0.54%

LAB 58.48, -1.33, 4.92

 

CMYK 0 / 47 / 74 / 15

HEX #DA7438

RGB 218 116 56

HSL 22.22, 0.69%, 0.54%

LAB 59.6, 35.47, 49.49

 

CMYK 0 / 27 / 74 / 15

HEX #DA9F38

RGB 218 159 56

HSL 38.15, 0.69%, 0.54%

LAB 69.46, 12.55, 59.44

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 12 / 0 / 74 / 15

HEX #BFDA38

RGB 191 218 56

HSL 70, 0.69%, 0.54%

LAB 82.65, -29.07, 71.3

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 0 / 8 / 82 / 36

HEX #A2951D

RGB 162 149 29

HSL 54.14, 0.7%, 0.37%

LAB 61.01, -7.93, 59.09

 

CMYK 0 / 8 / 82 / 23

HEX #C5B524

RGB 197 181 36

HSL 54.04, 0.69%, 0.46%

LAB 72.92, -9, 68.64

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 0 / 6 / 60 / 12

HEX #E1D35B

RGB 225 211 91

HSL 53.73, 0.69%, 0.62%

LAB 83.63, -9.68, 59.69

 

CMYK 0 / 4 / 45 / 9

HEX #E7DD7E

RGB 231 221 126

HSL 54.29, 0.69%, 0.7%

LAB 87.1, -9.42, 47.63

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 74 / 0 / 67 / 15

HEX #38DA48

RGB 56 218 72

HSL 125.93, 0.69%, 0.54%

LAB 76.95, -68.47, 57.91

 

CMYK 37 / 74 / 0 / 15

HEX #8938DA

RGB 137 56 218

HSL 270, 0.69%, 0.54%

LAB 43.08, 63.08, -68.76

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 74 / 0 / 7 / 15

HEX #38DACA

RGB 56 218 202

HSL 174.07, 0.69%, 0.54%

LAB 79.18, -44, -3.92

 

CMYK 7 / 74 / 0 / 15

HEX #CA38DA

RGB 202 56 218

HSL 294.07, 0.69%, 0.54%

LAB 52.34, 75.15, -53.34

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 74 / 0 / 67 / 15

HEX #38DA48

RGB 56 218 72

HSL 125.93, 0.69%, 0.54%

LAB 76.95, -68.47, 57.91

 

CMYK 74 / 67 / 0 / 15

HEX #3848DA

RGB 56 72 218

HSL 234.07, 0.69%, 0.54%

LAB 38.79, 43.34, -76.06

 

CMYK 0 / 74 / 7 / 15

HEX #DA38CA

RGB 218 56 202

HSL 305.93, 0.69%, 0.54%

LAB 54.02, 75.92, -41.36

 

CMYK 0 / 7 / 74 / 15

HEX #DACA38

RGB 218 202 56

HSL 54.07, 0.69%, 0.54%

LAB 80.42, -9.98, 69.95

 

CMYK 74 / 0 / 44 / 15

HEX #38DA79

RGB 56 218 121

HSL 144.07, 0.69%, 0.54%

LAB 77.5, -62, 36.17

 

CMYK 74 / 67 / 0 / 15

HEX #3848DA

RGB 56 72 218

HSL 234.07, 0.69%, 0.54%

LAB 38.79, 43.34, -76.06

 

CMYK 0 / 74 / 30 / 15

HEX #DA3899

RGB 218 56 153

HSL 324.07, 0.69%, 0.54%

LAB 51.88, 69.46, -16.09

 

Description

Color code: HEX #DACA38 | qconv.com Color code: HEX #DACA38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 202 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 202 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 15% C M Y K

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