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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6099 it is the complementary color #249F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6099 shade: #E06094, #F172A7, #FF84BA, #FF96CD and #FFA8E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6099 shade: #DB6099, #CA4E86, #B93C73, #A82A60 and #97184D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6099 shade: #DB6199, #DB6178 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6099 shade: #DB6199, #DB61BA, #DA61DB, #B961DB and #9861DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6099 shade matches the following richer shades: #DB6199, #EA5198 and #FA4197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6099 shade: #DB6199, #CB709A, #BB809B, #AC909D and #9C9F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6099 shade: #DB61DB, #DB61BA, #DB619A, #DB6179 and #DB6961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6099 shade: #BE2B6F, #D33F84, #DB6199, #E282AF and #EAA4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6099 shade: #DB6099, #DBBA61 and #61CADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6099 shade: #DB6099, #9ADB61 and #619ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6099 shade: #DB6099, #DBBA61, #61DBA2 and #6181DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6099 shade: #DB6099, #D7DB61, #61DBA2 and #6561DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

Complementary color

CMYK 77 / 0 / 36 / 38

HEX #249F66

RGB 36 159 102

HSL 152.2, 0.63%, 0.38%

LAB 58.16, -46.35, 20.6

 

CMYK 0 / 57 / 34 / 12

HEX #E06094

RGB 224 96 148

HSL 335.63, 0.67%, 0.63%

LAB 58.37, 54.98, -3.32

 

CMYK 0 / 53 / 31 / 5

HEX #F172A7

RGB 241 114 167

HSL 334.96, 0.82%, 0.7%

LAB 64.58, 54.3, -4.82

 

CMYK 0 / 48 / 27 / 0

HEX #FF84BA

RGB 255 132 186

HSL 333.66, 1%, 0.76%

LAB 70.39, 52.58, -6.73

 

CMYK 0 / 41 / 20 / 0

HEX #FF96CD

RGB 255 150 205

HSL 328.57, 1%, 0.79%

LAB 74.5, 46.26, -11.15

 

CMYK 0 / 34 / 12 / 0

HEX #FFA8E0

RGB 255 168 224

HSL 321.38, 1%, 0.83%

LAB 78.84, 39.93, -15.02

 

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

CMYK 0 / 61 / 34 / 21

HEX #CA4E86

RGB 202 78 134

HSL 332.9, 0.54%, 0.55%

LAB 51.53, 54.53, -5.56

 

CMYK 0 / 68 / 38 / 27

HEX #B93C73

RGB 185 60 115

HSL 333.6, 0.51%, 0.48%

LAB 45.34, 54.77, -3.54

 

CMYK 0 / 75 / 43 / 34

HEX #A82A60

RGB 168 42 96

HSL 334.29, 0.6%, 0.41%

LAB 39.28, 54.51, -0.97

 

CMYK 0 / 84 / 49 / 41

HEX #97184D

RGB 151 24 77

HSL 334.96, 0.73%, 0.34%

LAB 33.5, 53.38, 2.42

 

CMYK 0 / 56 / 30 / 14

HEX #DB6199

RGB 219 97 153

HSL 332.46, 0.63%, 0.62%

LAB 57.95, 53.55, -6.94

 

CMYK 0 / 56 / 45 / 14

HEX #DB6178

RGB 219 97 120

HSL 348.69, 0.63%, 0.62%

LAB 57.04, 49.85, 11.04

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 56 / 30 / 14

HEX #DB6199

RGB 219 97 153

HSL 332.46, 0.63%, 0.62%

LAB 57.95, 53.55, -6.94

 

CMYK 0 / 56 / 15 / 14

HEX #DB61BA

RGB 219 97 186

HSL 316.23, 0.63%, 0.62%

LAB 59.12, 58.12, -24.23

 

CMYK 0 / 56 / 0 / 14

HEX #DA61DB

RGB 218 97 219

HSL 299.51, 0.63%, 0.62%

LAB 60.4, 63.18, -40.98

 

CMYK 16 / 56 / 0 / 14

HEX #B961DB

RGB 185 97 219

HSL 283.28, 0.63%, 0.62%

LAB 56.07, 54.68, -48.11

 

CMYK 31 / 56 / 0 / 14

HEX #9861DB

RGB 152 97 219

HSL 267.05, 0.63%, 0.62%

LAB 52.22, 46.42, -54.47

 

CMYK 0 / 56 / 30 / 14

HEX #DB6199

RGB 219 97 153

HSL 332.46, 0.63%, 0.62%

LAB 57.95, 53.55, -6.94

 

CMYK 0 / 65 / 35 / 8

HEX #EA5198

RGB 234 81 152

HSL 332.16, 0.78%, 0.62%

LAB 57.7, 64.8, -6.48

 

CMYK 0 / 74 / 40 / 2

HEX #FA4197

RGB 250 65 151

HSL 332.11, 0.95%, 0.62%

LAB 58.36, 74.6, -4.62

 

CMYK 0 / 56 / 30 / 14

HEX #DB6199

RGB 219 97 153

HSL 332.46, 0.63%, 0.62%

LAB 57.95, 53.55, -6.94

 

CMYK 0 / 45 / 24 / 20

HEX #CB709A

RGB 203 112 154

HSL 332.31, 0.47%, 0.62%

LAB 58.62, 40.98, -6.76

 

CMYK 0 / 32 / 17 / 27

HEX #BB809B

RGB 187 128 155

HSL 332.54, 0.3%, 0.62%

LAB 60.22, 26.84, -5.18

 

CMYK 0 / 16 / 9 / 33

HEX #AC909D

RGB 172 144 157

HSL 332.14, 0.14%, 0.62%

LAB 62.64, 12.73, -2.93

 

CMYK 2 / 0 / 1 / 38

HEX #9C9F9E

RGB 156 159 158

HSL 160, 0.02%, 0.62%

LAB 65.23, -1.26, 0.14

 

CMYK 0 / 56 / 0 / 14

HEX #DB61DB

RGB 219 97 219

HSL 300, 0.63%, 0.62%

LAB 60.54, 63.44, -40.75

 

CMYK 0 / 56 / 15 / 14

HEX #DB61BA

RGB 219 97 186

HSL 316.23, 0.63%, 0.62%

LAB 59.12, 58.12, -24.23

 

CMYK 0 / 56 / 30 / 14

HEX #DB619A

RGB 219 97 154

HSL 331.97, 0.63%, 0.62%

LAB 57.98, 53.67, -7.47

 

CMYK 0 / 56 / 45 / 14

HEX #DB6179

RGB 219 97 121

HSL 348.2, 0.63%, 0.62%

LAB 57.07, 49.94, 10.48

 

CMYK 0 / 52 / 56 / 14

HEX #DB6961

RGB 219 105 97

HSL 3.93, 0.63%, 0.62%

LAB 58.06, 43.94, 25.76

 

CMYK 0 / 77 / 42 / 25

HEX #BE2B6F

RGB 190 43 111

HSL 332.24, 0.63%, 0.46%

LAB 43.98, 61.7, -2.98

 

CMYK 0 / 70 / 37 / 17

HEX #D33F84

RGB 211 63 132

HSL 332.03, 0.63%, 0.54%

LAB 50.77, 62.94, -5.33

 

CMYK 0 / 56 / 30 / 14

HEX #DB6199

RGB 219 97 153

HSL 332.46, 0.63%, 0.62%

LAB 57.95, 53.55, -6.94

 

CMYK 0 / 42 / 23 / 11

HEX #E282AF

RGB 226 130 175

HSL 331.88, 0.62%, 0.7%

LAB 65.93, 42.49, -7.59

 

CMYK 0 / 30 / 16 / 8

HEX #EAA4C4

RGB 234 164 196

HSL 332.57, 0.63%, 0.78%

LAB 74.84, 30.5, -5.95

 

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

CMYK 0 / 15 / 56 / 14

HEX #DBBA61

RGB 219 186 97

HSL 43.77, 0.63%, 0.62%

LAB 76.7, 1.14, 48.9

 

CMYK 56 / 8 / 0 / 14

HEX #61CADB

RGB 97 202 219

HSL 188.36, 0.63%, 0.62%

LAB 76.01, -25.55, -17.69

 

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

CMYK 30 / 0 / 56 / 14

HEX #9ADB61

RGB 154 219 97

HSL 91.97, 0.63%, 0.62%

LAB 80.96, -40.7, 52.67

 

CMYK 56 / 30 / 0 / 14

HEX #619ADB

RGB 97 154 219

HSL 211.97, 0.63%, 0.62%

LAB 62.31, 0.11, -38.75

 

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

CMYK 0 / 15 / 56 / 14

HEX #DBBA61

RGB 219 186 97

HSL 43.77, 0.63%, 0.62%

LAB 76.7, 1.14, 48.9

 

CMYK 56 / 0 / 26 / 14

HEX #61DBA2

RGB 97 219 162

HSL 151.97, 0.63%, 0.62%

LAB 79.51, -47.3, 17.91

 

CMYK 56 / 41 / 0 / 14

HEX #6181DB

RGB 97 129 219

HSL 224.26, 0.63%, 0.62%

LAB 55.44, 14.84, -49.59

 

CMYK 0 / 56 / 30 / 14

HEX #DB6099

RGB 219 96 153

HSL 332.2, 0.63%, 0.62%

LAB 57.78, 54.01, -7.2

 

CMYK 2 / 0 / 56 / 14

HEX #D7DB61

RGB 215 219 97

HSL 61.97, 0.63%, 0.62%

LAB 84.98, -17.32, 58.34

 

CMYK 56 / 0 / 26 / 14

HEX #61DBA2

RGB 97 219 162

HSL 151.97, 0.63%, 0.62%

LAB 79.51, -47.3, 17.91

 

CMYK 54 / 56 / 0 / 14

HEX #6561DB

RGB 101 97 219

HSL 241.97, 0.63%, 0.62%

LAB 47.53, 35.12, -62.25

 

Description

Color code: HEX #DB6099 | qconv.com Color code: HEX #DB6099 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 96 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 96 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 30 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 30% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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