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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB964D it is the complementary color #2469B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB964D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB964D shade: #E09648, #F1A85B, #FFBA6E, #FFCC81 and #FFDE94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB964D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB964D shade: #DB964D, #CA843A, #B97227, #A86014 and #974E01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB964D shade: #DA954D, #DA6F4D and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB964D shade: #DA954D, #DABC4D, #D3DA4D, #ACDA4D and #86DA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB964D shade matches the following richer shades: #DA954D, #EB963B and #FD962A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB964D shade: #DA954D, #C9955E, #B7946F, #A69481 and #959392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB964D shade: #DA4D51, #DA6E4D, #DA934D, #DAB94D and #D5DA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB964D shade: #B16C24, #D3812B, #DA954D, #E1AA6F and #E8BE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB964D shade: #DB964D, #77DA4D and #5B4DDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB964D shade: #DB964D, #4DDA93 and #934DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB964D shade: #DB964D, #77DA4D, #4D93DA and #B04DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB964D shade: #DB964D, #4DDA4D, #4D93DA and #DA4DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

Complementary color

CMYK 80 / 41 / 0 / 30

HEX #2469B2

RGB 36 105 178

HSL 210.85, 0.66%, 0.42%

LAB 43.79, 5.18, -44.82

 

CMYK 0 / 33 / 68 / 12

HEX #E09648

RGB 224 150 72

HSL 30.79, 0.71%, 0.58%

LAB 68.11, 20.73, 51.22

 

CMYK 0 / 30 / 62 / 5

HEX #F1A85B

RGB 241 168 91

HSL 30.8, 0.84%, 0.65%

LAB 74.48, 19.36, 49.79

 

CMYK 0 / 27 / 57 / 0

HEX #FFBA6E

RGB 255 186 110

HSL 31.45, 1%, 0.72%

LAB 80.46, 16.94, 47.89

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC81

RGB 255 204 129

HSL 35.71, 1%, 0.75%

LAB 85.01, 9.14, 44.03

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE94

RGB 255 222 148

HSL 41.5, 1%, 0.79%

LAB 89.69, 1.71, 40.45

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 0 / 38 / 79 / 27

HEX #B97227

RGB 185 114 39

HSL 30.82, 0.65%, 0.44%

LAB 54.55, 22.1, 50.64

 

CMYK 0 / 43 / 88 / 34

HEX #A86014

RGB 168 96 20

HSL 30.81, 0.79%, 0.37%

LAB 47.93, 24.08, 51.09

 

CMYK 0 / 48 / 99 / 41

HEX #974E01

RGB 151 78 1

HSL 30.8, 0.99%, 0.3%

LAB 41.26, 26.3, 50.42

 

CMYK 0 / 32 / 65 / 15

HEX #DA954D

RGB 218 149 77

HSL 30.64, 0.66%, 0.58%

LAB 67.23, 19.05, 47.64

 

CMYK 0 / 49 / 65 / 15

HEX #DA6F4D

RGB 218 111 77

HSL 14.47, 0.66%, 0.58%

LAB 58.8, 39.15, 37.83

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 32 / 65 / 15

HEX #DA954D

RGB 218 149 77

HSL 30.64, 0.66%, 0.58%

LAB 67.23, 19.05, 47.64

 

CMYK 0 / 14 / 65 / 15

HEX #DABC4D

RGB 218 188 77

HSL 47.23, 0.66%, 0.58%

LAB 76.93, -1.72, 58.31

 

CMYK 3 / 0 / 65 / 15

HEX #D3DA4D

RGB 211 218 77

HSL 62.98, 0.66%, 0.58%

LAB 84.24, -19.81, 65.84

 

CMYK 21 / 0 / 65 / 15

HEX #ACDA4D

RGB 172 218 77

HSL 79.57, 0.66%, 0.58%

LAB 81.54, -35.33, 62.18

 

CMYK 39 / 0 / 65 / 15

HEX #86DA4D

RGB 134 218 77

HSL 95.74, 0.66%, 0.58%

LAB 79.47, -48.93, 59.35

 

CMYK 0 / 32 / 65 / 15

HEX #DA954D

RGB 218 149 77

HSL 30.64, 0.66%, 0.58%

LAB 67.23, 19.05, 47.64

 

CMYK 0 / 36 / 75 / 8

HEX #EB963B

RGB 235 150 59

HSL 31.02, 0.81%, 0.58%

LAB 69.32, 24.68, 58.72

 

CMYK 0 / 41 / 83 / 1

HEX #FD962A

RGB 253 150 42

HSL 30.71, 0.98%, 0.58%

LAB 71.46, 31.51, 67.98

 

CMYK 0 / 32 / 65 / 15

HEX #DA954D

RGB 218 149 77

HSL 30.64, 0.66%, 0.58%

LAB 67.23, 19.05, 47.64

 

CMYK 0 / 26 / 53 / 21

HEX #C9955E

RGB 201 149 94

HSL 30.84, 0.5%, 0.58%

LAB 65.53, 13.18, 36.48

 

CMYK 0 / 19 / 39 / 28

HEX #B7946F

RGB 183 148 111

HSL 30.83, 0.33%, 0.58%

LAB 63.67, 7.98, 24.52

 

CMYK 0 / 11 / 22 / 35

HEX #A69481

RGB 166 148 129

HSL 30.81, 0.17%, 0.58%

LAB 62.4, 3.55, 12.49

 

CMYK 0 / 1 / 2 / 42

HEX #959392

RGB 149 147 146

HSL 20, 0.01%, 0.58%

LAB 61.07, 0.54, 0.78

 

CMYK 0 / 65 / 63 / 15

HEX #DA4D51

RGB 218 77 81

HSL 358.3, 0.66%, 0.58%

LAB 52.74, 55.32, 28.1

 

CMYK 0 / 50 / 65 / 15

HEX #DA6E4D

RGB 218 110 77

HSL 14.04, 0.66%, 0.58%

LAB 58.6, 39.66, 37.59

 

CMYK 0 / 33 / 65 / 15

HEX #DA934D

RGB 218 147 77

HSL 29.79, 0.66%, 0.58%

LAB 66.76, 20.12, 47.1

 

CMYK 0 / 15 / 65 / 15

HEX #DAB94D

RGB 218 185 77

HSL 45.96, 0.66%, 0.58%

LAB 76.15, -0.15, 57.49

 

CMYK 2 / 0 / 65 / 15

HEX #D5DA4D

RGB 213 218 77

HSL 62.13, 0.66%, 0.58%

LAB 84.39, -18.99, 66.04

 

CMYK 0 / 39 / 80 / 31

HEX #B16C24

RGB 177 108 36

HSL 30.64, 0.66%, 0.42%

LAB 52.06, 21.83, 49.17

 

CMYK 0 / 39 / 80 / 17

HEX #D3812B

RGB 211 129 43

HSL 30.71, 0.66%, 0.5%

LAB 61.42, 25.21, 56.65

 

CMYK 0 / 32 / 65 / 15

HEX #DA954D

RGB 218 149 77

HSL 30.64, 0.66%, 0.58%

LAB 67.23, 19.05, 47.64

 

CMYK 0 / 24 / 51 / 12

HEX #E1AA6F

RGB 225 170 111

HSL 31.05, 0.66%, 0.66%

LAB 73.48, 13.28, 38.08

 

CMYK 0 / 18 / 38 / 9

HEX #E8BE91

RGB 232 190 145

HSL 31.03, 0.65%, 0.74%

LAB 79.63, 8.97, 28.39

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 45 / 0 / 65 / 15

HEX #77DA4D

RGB 119 218 77

HSL 102.13, 0.66%, 0.58%

LAB 78.81, -53.67, 58.44

 

CMYK 58 / 65 / 0 / 15

HEX #5B4DDA

RGB 91 77 218

HSL 245.96, 0.66%, 0.58%

LAB 42.14, 44.89, -70.47

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 65 / 0 / 33 / 15

HEX #4DDA93

RGB 77 218 147

HSL 149.79, 0.66%, 0.58%

LAB 78.36, -53.9, 24.1

 

CMYK 33 / 65 / 0 / 15

HEX #934DDA

RGB 147 77 218

HSL 269.79, 0.66%, 0.58%

LAB 47.72, 55.42, -61.17

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 45 / 0 / 65 / 15

HEX #77DA4D

RGB 119 218 77

HSL 102.13, 0.66%, 0.58%

LAB 78.81, -53.67, 58.44

 

CMYK 65 / 33 / 0 / 15

HEX #4D93DA

RGB 77 147 218

HSL 210.21, 0.66%, 0.58%

LAB 59.44, 0.02, -42.76

 

CMYK 19 / 65 / 0 / 15

HEX #B04DDA

RGB 176 77 218

HSL 282.13, 0.66%, 0.58%

LAB 51.38, 61.74, -55.08

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 65 / 0 / 65 / 15

HEX #4DDA4D

RGB 77 218 77

HSL 120, 0.66%, 0.58%

LAB 77.43, -64.31, 56.54

 

CMYK 65 / 33 / 0 / 15

HEX #4D93DA

RGB 77 147 218

HSL 210.21, 0.66%, 0.58%

LAB 59.44, 0.02, -42.76

 

CMYK 0 / 65 / 0 / 15

HEX #DA4DDA

RGB 218 77 218

HSL 300, 0.66%, 0.58%

LAB 57.34, 71.31, -45.23

 

Description

Color code: HEX #DB964D | qconv.com Color code: HEX #DB964D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 150 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 150 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 65 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 65% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - Sylvain Ollier | Gra...
Link: http://www.sylvain-ollier.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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