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Color name
HEX #DB9719

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9719 it is the complementary color #2468E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9719 shade: #E09714, #F1A927, #FFBB3A, #FFCD4D and #FFDF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9719 shade: #DB9719, #CA8506, #B97300, #A86100 and #974F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9719 shade: #DC9718, #DC6218, #DC2E18 and #DC1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9719 shade: #DC9718, #DCCC18, #B7DC18, #82DC18 and #4DDC18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9719 shade matches the following richer shades: #DC9718 and #F09D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9719 shade: #DC9718, #C8912C, #B48B40, #A08553 and #8D7F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9719 shade: #DC2C18, #DC6018, #DC9418, #DCC818 and #BBDC18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9719 shade: #926410, #B77E14, #DC9718, #E8A935 and #ECB95A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9719 shade: #DB9719, #39DC18 and #4618DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9719 shade: #DB9719, #18DC94 and #9418DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9719 shade: #DB9719, #39DC18, #1860DC and #BB18DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9719 shade: #DB9719, #18DC32, #1860DC and #DC18C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

Complementary color

CMYK 84 / 55 / 0 / 10

HEX #2468E6

RGB 36 104 230

HSL 218.97, 0.8%, 0.52%

LAB 46.96, 25.82, -69.55

 

CMYK 0 / 33 / 91 / 12

HEX #E09714

RGB 224 151 20

HSL 38.53, 0.84%, 0.48%

LAB 68.04, 18.38, 69.68

 

CMYK 0 / 30 / 84 / 5

HEX #F1A927

RGB 241 169 39

HSL 38.61, 0.88%, 0.55%

LAB 74.33, 16.48, 70.76

 

CMYK 0 / 27 / 77 / 0

HEX #FFBB3A

RGB 255 187 58

HSL 39.29, 1%, 0.61%

LAB 80.24, 13.55, 70.37

 

CMYK 0 / 20 / 70 / 0

HEX #FFCD4D

RGB 255 205 77

HSL 43.15, 1%, 0.65%

LAB 84.72, 5.05, 67.54

 

CMYK 0 / 13 / 62 / 0

HEX #FFDF60

RGB 255 223 96

HSL 47.92, 1%, 0.69%

LAB 89.34, -3.07, 64.53

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 0 / 34 / 97 / 21

HEX #CA8506

RGB 202 133 6

HSL 38.88, 0.94%, 0.41%

LAB 61.08, 18.37, 65.82

 

CMYK 0 / 38 / 100 / 27

HEX #B97300

RGB 185 115 0

HSL 37.3, 1%, 0.36%

LAB 54.63, 20.7, 61.51

 

CMYK 0 / 42 / 100 / 34

HEX #A86100

RGB 168 97 0

HSL 34.64, 1%, 0.33%

LAB 48.1, 23.18, 56.21

 

CMYK 0 / 48 / 100 / 41

HEX #974F00

RGB 151 79 0

HSL 31.39, 1%, 0.3%

LAB 41.49, 25.73, 50.86

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 55 / 89 / 14

HEX #DC6218

RGB 220 98 24

HSL 22.65, 0.8%, 0.48%

LAB 56.1, 44.31, 59.51

 

CMYK 0 / 79 / 89 / 14

HEX #DC2E18

RGB 220 46 24

HSL 6.73, 0.8%, 0.48%

LAB 48.56, 64.64, 53.89

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 7 / 89 / 14

HEX #DCCC18

RGB 220 204 24

HSL 55.1, 0.8%, 0.48%

LAB 81, -11.07, 78.7

 

CMYK 17 / 0 / 89 / 14

HEX #B7DC18

RGB 183 220 24

HSL 71.33, 0.8%, 0.48%

LAB 82.55, -34.26, 78.75

 

CMYK 41 / 0 / 89 / 14

HEX #82DC18

RGB 130 220 24

HSL 87.55, 0.8%, 0.48%

LAB 79.61, -53.86, 75.13

 

CMYK 65 / 0 / 89 / 14

HEX #4DDC18

RGB 77 220 24

HSL 103.78, 0.8%, 0.48%

LAB 77.77, -68.3, 72.84

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 35 / 98 / 6

HEX #F09D04

RGB 240 157 4

HSL 38.9, 0.97%, 0.48%

LAB 71.32, 21.85, 75.22

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 28 / 78 / 22

HEX #C8912C

RGB 200 145 44

HSL 38.85, 0.64%, 0.48%

LAB 63.93, 11.81, 58.13

 

CMYK 0 / 23 / 64 / 29

HEX #B48B40

RGB 180 139 64

HSL 38.79, 0.48%, 0.48%

LAB 60.37, 7.34, 45.1

 

CMYK 0 / 17 / 48 / 37

HEX #A08553

RGB 160 133 83

HSL 38.96, 0.32%, 0.48%

LAB 56.95, 3.53, 30.71

 

CMYK 0 / 10 / 27 / 45

HEX #8D7F67

RGB 141 127 103

HSL 37.89, 0.16%, 0.48%

LAB 53.84, 1.36, 15.01

 

CMYK 0 / 80 / 89 / 14

HEX #DC2C18

RGB 220 44 24

HSL 6.12, 0.8%, 0.48%

LAB 48.36, 65.18, 53.75

 

CMYK 0 / 56 / 89 / 14

HEX #DC6018

RGB 220 96 24

HSL 22.04, 0.8%, 0.48%

LAB 55.73, 45.26, 59.23

 

CMYK 0 / 33 / 89 / 14

HEX #DC9418

RGB 220 148 24

HSL 37.96, 0.8%, 0.48%

LAB 66.87, 18.33, 67.72

 

CMYK 0 / 9 / 89 / 14

HEX #DCC818

RGB 220 200 24

HSL 53.88, 0.8%, 0.48%

LAB 79.95, -9.05, 77.88

 

CMYK 15 / 0 / 89 / 14

HEX #BBDC18

RGB 187 220 24

HSL 70.1, 0.8%, 0.48%

LAB 82.82, -32.65, 79.07

 

CMYK 0 / 32 / 89 / 43

HEX #926410

RGB 146 100 16

HSL 38.77, 0.8%, 0.32%

LAB 45.99, 11.74, 49.54

 

CMYK 0 / 31 / 89 / 28

HEX #B77E14

RGB 183 126 20

HSL 39.02, 0.8%, 0.4%

LAB 57.11, 14.01, 59.21

 

CMYK 0 / 31 / 89 / 14

HEX #DC9718

RGB 220 151 24

HSL 38.88, 0.8%, 0.48%

LAB 67.59, 16.72, 68.27

 

CMYK 0 / 27 / 77 / 9

HEX #E8A935

RGB 232 169 53

HSL 38.88, 0.8%, 0.56%

LAB 73.41, 13.09, 64.92

 

CMYK 0 / 22 / 62 / 7

HEX #ECB95A

RGB 236 185 90

HSL 39.04, 0.79%, 0.64%

LAB 78.03, 8.25, 54.18

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 74 / 0 / 89 / 14

HEX #39DC18

RGB 57 220 24

HSL 109.9, 0.8%, 0.48%

LAB 77.35, -71.91, 72.32

 

CMYK 68 / 89 / 0 / 14

HEX #4618DC

RGB 70 24 220

HSL 254.08, 0.8%, 0.48%

LAB 32.08, 67.49, -88.26

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 89 / 0 / 33 / 14

HEX #18DC94

RGB 24 220 148

HSL 157.96, 0.8%, 0.48%

LAB 78.18, -60.61, 23.2

 

CMYK 33 / 89 / 0 / 14

HEX #9418DC

RGB 148 24 220

HSL 277.96, 0.8%, 0.48%

LAB 41.4, 74.89, -72.58

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 74 / 0 / 89 / 14

HEX #39DC18

RGB 57 220 24

HSL 109.9, 0.8%, 0.48%

LAB 77.35, -71.91, 72.32

 

CMYK 89 / 56 / 0 / 14

HEX #1860DC

RGB 24 96 220

HSL 217.96, 0.8%, 0.48%

LAB 43.84, 26.4, -68.98

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 89 / 0 / 77 / 14

HEX #18DC32

RGB 24 220 50

HSL 127.96, 0.8%, 0.48%

LAB 77.05, -74.24, 65.67

 

CMYK 89 / 56 / 0 / 14

HEX #1860DC

RGB 24 96 220

HSL 217.96, 0.8%, 0.48%

LAB 43.84, 26.4, -68.98

 

CMYK 0 / 89 / 12 / 14

HEX #DC18C2

RGB 220 24 194

HSL 307.96, 0.8%, 0.48%

LAB 51.57, 82.13, -40.6

 

Description

Color code: HEX #DB9719 | qconv.com Color code: HEX #DB9719 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 151 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 151 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 89% 14% C M Y K

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