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Color name
HEX #DBA628

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA628 it is the complementary color #2459D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA628 shade: #E0A623, #F1B836, #FFCA49, #FFDC5C and #FFEE6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA628 shade: #DBA628, #CA9415, #B98202, #A87000 and #975E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA628 shade: #DAA629, #DA7629, #DA4629 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA628 shade: #DAA629, #DAD629, #AFDA29, #7FDA29 and #4FDA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA628 shade matches the following richer shades: #DAA629 and #EEAE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA628 shade: #DAA629, #C69D3D, #B29551, #9E8D65 and #89857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA628 shade: #DA4629, #DA7629, #DAA529, #DAD429 and #B1DA29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA628 shade: #977219, #BB8D1F, #DAA629, #E0B44C and #E6C36F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA628 shade: #DBA628, #3BDA29 and #5E29DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA628 shade: #DBA628, #29DAA5 and #A529DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA628 shade: #DBA628, #3BDA29, #295EDA and #C929DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA628 shade: #DBA628, #29DA4C, #295EDA and #DA29B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

Complementary color

CMYK 83 / 59 / 0 / 16

HEX #2459D7

RGB 36 89 215

HSL 222.23, 0.71%, 0.49%

LAB 41.89, 29.79, -69.3

 

CMYK 0 / 26 / 84 / 12

HEX #E0A623

RGB 224 166 35

HSL 41.59, 0.75%, 0.51%

LAB 71.72, 10.68, 68.96

 

CMYK 0 / 24 / 78 / 5

HEX #F1B836

RGB 241 184 54

HSL 41.71, 0.87%, 0.58%

LAB 78.02, 9.06, 69.19

 

CMYK 0 / 21 / 71 / 0

HEX #FFCA49

RGB 255 202 73

HSL 42.53, 1%, 0.64%

LAB 83.96, 6.4, 68.35

 

CMYK 0 / 14 / 64 / 0

HEX #FFDC5C

RGB 255 220 92

HSL 47.12, 1%, 0.68%

LAB 88.55, -1.79, 65.38

 

CMYK 0 / 7 / 56 / 0

HEX #FFEE6F

RGB 255 238 111

HSL 52.92, 1%, 0.72%

LAB 93.26, -9.55, 62.37

 

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

CMYK 0 / 27 / 90 / 21

HEX #CA9415

RGB 202 148 21

HSL 42.1, 0.81%, 0.44%

LAB 64.8, 10.4, 65.9

 

CMYK 0 / 30 / 99 / 27

HEX #B98202

RGB 185 130 2

HSL 41.97, 0.98%, 0.37%

LAB 58.31, 12.41, 63.6

 

CMYK 0 / 33 / 100 / 34

HEX #A87000

RGB 168 112 0

HSL 40, 1%, 0.33%

LAB 51.74, 14.75, 58.56

 

CMYK 0 / 38 / 100 / 41

HEX #975E00

RGB 151 94 0

HSL 37.35, 1%, 0.3%

LAB 45.06, 17.22, 53.12

 

CMYK 0 / 24 / 81 / 15

HEX #DAA629

RGB 218 166 41

HSL 42.37, 0.71%, 0.51%

LAB 71.1, 8.24, 66.39

 

CMYK 0 / 46 / 81 / 15

HEX #DA7629

RGB 218 118 41

HSL 26.1, 0.71%, 0.51%

LAB 59.91, 33.87, 56.41

 

CMYK 0 / 68 / 81 / 15

HEX #DA4629

RGB 218 70 41

HSL 9.83, 0.71%, 0.51%

LAB 51.2, 56.35, 48.34

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 24 / 81 / 15

HEX #DAA629

RGB 218 166 41

HSL 42.37, 0.71%, 0.51%

LAB 71.1, 8.24, 66.39

 

CMYK 0 / 2 / 81 / 15

HEX #DAD629

RGB 218 214 41

HSL 58.64, 0.71%, 0.51%

LAB 83.53, -16.52, 77.12

 

CMYK 20 / 0 / 81 / 15

HEX #AFDA29

RGB 175 218 41

HSL 74.58, 0.71%, 0.51%

LAB 81.52, -36.06, 74.17

 

CMYK 42 / 0 / 81 / 15

HEX #7FDA29

RGB 127 218 41

HSL 90.85, 0.71%, 0.51%

LAB 78.93, -53.49, 70.89

 

CMYK 64 / 0 / 81 / 15

HEX #4FDA29

RGB 79 218 41

HSL 107.12, 0.71%, 0.51%

LAB 77.26, -66.56, 68.74

 

CMYK 0 / 24 / 81 / 15

HEX #DAA629

RGB 218 166 41

HSL 42.37, 0.71%, 0.51%

LAB 71.1, 8.24, 66.39

 

CMYK 0 / 27 / 91 / 7

HEX #EEAE15

RGB 238 174 21

HSL 42.3, 0.86%, 0.51%

LAB 75.14, 12.2, 75.49

 

CMYK 0 / 24 / 81 / 15

HEX #DAA629

RGB 218 166 41

HSL 42.37, 0.71%, 0.51%

LAB 71.1, 8.24, 66.39

 

CMYK 0 / 21 / 69 / 22

HEX #C69D3D

RGB 198 157 61

HSL 42.04, 0.55%, 0.51%

LAB 66.87, 5.21, 54.03

 

CMYK 0 / 16 / 54 / 30

HEX #B29551

RGB 178 149 81

HSL 42.06, 0.39%, 0.51%

LAB 62.97, 2.26, 39.58

 

CMYK 0 / 11 / 36 / 38

HEX #9E8D65

RGB 158 141 101

HSL 42.11, 0.23%, 0.51%

LAB 59.21, 0.28, 23.69

 

CMYK 0 / 3 / 11 / 46

HEX #89857A

RGB 137 133 122

HSL 44, 0.06%, 0.51%

LAB 55.58, -0.54, 6.46

 

CMYK 0 / 68 / 81 / 15

HEX #DA4629

RGB 218 70 41

HSL 9.83, 0.71%, 0.51%

LAB 51.2, 56.35, 48.34

 

CMYK 0 / 46 / 81 / 15

HEX #DA7629

RGB 218 118 41

HSL 26.1, 0.71%, 0.51%

LAB 59.91, 33.87, 56.41

 

CMYK 0 / 24 / 81 / 15

HEX #DAA529

RGB 218 165 41

HSL 42.03, 0.71%, 0.51%

LAB 70.85, 8.78, 66.17

 

CMYK 0 / 3 / 81 / 15

HEX #DAD429

RGB 218 212 41

HSL 57.97, 0.71%, 0.51%

LAB 82.99, -15.53, 76.67

 

CMYK 19 / 0 / 81 / 15

HEX #B1DA29

RGB 177 218 41

HSL 73.9, 0.71%, 0.51%

LAB 81.65, -35.27, 74.33

 

CMYK 0 / 25 / 83 / 41

HEX #977219

RGB 151 114 25

HSL 42.38, 0.72%, 0.35%

LAB 50.32, 6.28, 50.58

 

CMYK 0 / 25 / 83 / 27

HEX #BB8D1F

RGB 187 141 31

HSL 42.31, 0.72%, 0.43%

LAB 61.41, 7.79, 59.81

 

CMYK 0 / 24 / 81 / 15

HEX #DAA629

RGB 218 166 41

HSL 42.37, 0.71%, 0.51%

LAB 71.1, 8.24, 66.39

 

CMYK 0 / 20 / 66 / 12

HEX #E0B44C

RGB 224 180 76

HSL 42.16, 0.7%, 0.59%

LAB 75.46, 4.96, 57.35

 

CMYK 0 / 15 / 52 / 10

HEX #E6C36F

RGB 230 195 111

HSL 42.35, 0.7%, 0.67%

LAB 80.18, 2.13, 46.47

 

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

CMYK 73 / 0 / 81 / 15

HEX #3BDA29

RGB 59 218 41

HSL 113.9, 0.71%, 0.51%

LAB 76.82, -70.29, 68.18

 

CMYK 57 / 81 / 0 / 15

HEX #5E29DA

RGB 94 41 218

HSL 257.97, 0.71%, 0.51%

LAB 36.04, 63.17, -80.49

 

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

CMYK 81 / 0 / 24 / 15

HEX #29DAA5

RGB 41 218 165

HSL 162.03, 0.71%, 0.51%

LAB 78.07, -54.84, 14.14

 

CMYK 24 / 81 / 0 / 15

HEX #A529DA

RGB 165 41 218

HSL 282.03, 0.71%, 0.51%

LAB 45.15, 72.91, -65.22

 

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

CMYK 73 / 0 / 81 / 15

HEX #3BDA29

RGB 59 218 41

HSL 113.9, 0.71%, 0.51%

LAB 76.82, -70.29, 68.18

 

CMYK 81 / 57 / 0 / 15

HEX #295EDA

RGB 41 94 218

HSL 222.03, 0.71%, 0.51%

LAB 43.56, 28.1, -68.27

 

CMYK 8 / 81 / 0 / 15

HEX #C929DA

RGB 201 41 218

HSL 294.24, 0.71%, 0.51%

LAB 50.76, 79.06, -55.87

 

CMYK 0 / 24 / 82 / 14

HEX #DBA628

RGB 219 166 40

HSL 42.23, 0.71%, 0.51%

LAB 71.2, 8.65, 66.83

 

CMYK 81 / 0 / 65 / 15

HEX #29DA4C

RGB 41 218 76

HSL 131.86, 0.71%, 0.51%

LAB 76.76, -69.98, 56.03

 

CMYK 81 / 57 / 0 / 15

HEX #295EDA

RGB 41 94 218

HSL 222.03, 0.71%, 0.51%

LAB 43.56, 28.1, -68.27

 

CMYK 0 / 81 / 16 / 15

HEX #DA29B7

RGB 218 41 183

HSL 311.86, 0.71%, 0.51%

LAB 51.74, 77.2, -33.96

 

Description

Color code: HEX #DBA628 | qconv.com Color code: HEX #DBA628 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 166 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 166 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 82% 14% C M Y K

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Provide designers and agencies with accurate color values.

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