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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD132 it is the complementary color #242ECD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD132 shade: #E0D12D, #F1E340, #FFF553, #FFFF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD132 shade: #DBD132, #CABF1F, #B9AD0C, #A89B00 and #978900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD132 shade: #DBD133, #DBA333, #DB7633, #DB4933 and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD132 shade: #DBD133, #B7DB33, #8ADB33, #5DDB33 and #33DB36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD132 shade matches the following richer shades: #DBD133 and #EEE21F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD132 shade: #DBD133, #C7C046, #B4AE5A, #A09D6D and #8D8C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD132 shade: #DB7633, #DBA333, #DBCF33, #B9DB33 and #8CDB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD132 shade: #9F971C, #C2B922, #DBD133, #E1D956 and #E7E079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD132 shade: #DBD132, #33DB49 and #8C33DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD132 shade: #DBD132, #33DBCF and #CF33DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD132 shade: #DBD132, #33DB49, #333EDB and #DB33C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD132 shade: #DBD132, #33DB7B, #333EDB and #DB3392

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

Complementary color

CMYK 82 / 78 / 0 / 20

HEX #242ECD

RGB 36 46 205

HSL 236.45, 0.7%, 0.47%

LAB 31.2, 52.33, -81.11

 

CMYK 0 / 7 / 80 / 12

HEX #E0D12D

RGB 224 209 45

HSL 54.97, 0.74%, 0.53%

LAB 82.72, -11.37, 75.58

 

CMYK 0 / 6 / 73 / 5

HEX #F1E340

RGB 241 227 64

HSL 55.25, 0.86%, 0.6%

LAB 88.93, -12.5, 75.97

 

CMYK 0 / 4 / 67 / 0

HEX #FFF553

RGB 255 245 83

HSL 56.51, 1%, 0.66%

LAB 94.82, -14.7, 75.45

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

CMYK 0 / 5 / 85 / 21

HEX #CABF1F

RGB 202 191 31

HSL 56.14, 0.73%, 0.46%

LAB 76.02, -12.1, 72.67

 

CMYK 0 / 6 / 94 / 27

HEX #B9AD0C

RGB 185 173 12

HSL 55.84, 0.88%, 0.39%

LAB 69.63, -10.66, 70.42

 

CMYK 0 / 8 / 100 / 34

HEX #A89B00

RGB 168 155 0

HSL 55.36, 1%, 0.33%

LAB 63.15, -8.99, 66.49

 

CMYK 0 / 9 / 100 / 41

HEX #978900

RGB 151 137 0

HSL 54.44, 1%, 0.3%

LAB 56.56, -7.11, 61.03

 

CMYK 0 / 5 / 77 / 14

HEX #DBD133

RGB 219 209 51

HSL 56.43, 0.7%, 0.53%

LAB 82.32, -13.28, 73.33

 

CMYK 0 / 26 / 77 / 14

HEX #DBA333

RGB 219 163 51

HSL 40, 0.7%, 0.53%

LAB 70.52, 10.63, 62.44

 

CMYK 0 / 46 / 77 / 14

HEX #DB7633

RGB 219 118 51

HSL 23.93, 0.7%, 0.53%

LAB 60.12, 34.63, 52.39

 

CMYK 0 / 67 / 77 / 14

HEX #DB4933

RGB 219 73 51

HSL 7.86, 0.7%, 0.53%

LAB 51.91, 55.82, 44.02

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 5 / 77 / 14

HEX #DBD133

RGB 219 209 51

HSL 56.43, 0.7%, 0.53%

LAB 82.32, -13.28, 73.33

 

CMYK 16 / 0 / 77 / 14

HEX #B7DB33

RGB 183 219 51

HSL 72.86, 0.7%, 0.53%

LAB 82.36, -32.96, 72.38

 

CMYK 37 / 0 / 77 / 14

HEX #8ADB33

RGB 138 219 51

HSL 88.93, 0.7%, 0.53%

LAB 79.79, -49.74, 69.05

 

CMYK 58 / 0 / 77 / 14

HEX #5DDB33

RGB 93 219 51

HSL 105, 0.7%, 0.53%

LAB 78.01, -63.12, 66.73

 

CMYK 77 / 0 / 75 / 14

HEX #33DB36

RGB 51 219 54

HSL 121.07, 0.7%, 0.53%

LAB 77.06, -70.98, 64.52

 

CMYK 0 / 5 / 77 / 14

HEX #DBD133

RGB 219 209 51

HSL 56.43, 0.7%, 0.53%

LAB 82.32, -13.28, 73.33

 

CMYK 0 / 5 / 87 / 7

HEX #EEE21F

RGB 238 226 31

HSL 56.52, 0.86%, 0.53%

LAB 88.29, -14.26, 83.87

 

CMYK 0 / 5 / 77 / 14

HEX #DBD133

RGB 219 209 51

HSL 56.43, 0.7%, 0.53%

LAB 82.32, -13.28, 73.33

 

CMYK 0 / 4 / 65 / 22

HEX #C7C046

RGB 199 192 70

HSL 56.74, 0.54%, 0.53%

LAB 76.24, -12.26, 60.04

 

CMYK 0 / 3 / 50 / 29

HEX #B4AE5A

RGB 180 174 90

HSL 56, 0.38%, 0.53%

LAB 69.97, -9.48, 43.48

 

CMYK 0 / 2 / 32 / 37

HEX #A09D6D

RGB 160 157 109

HSL 56.47, 0.21%, 0.53%

LAB 63.91, -6.62, 25.56

 

CMYK 0 / 1 / 9 / 45

HEX #8D8C80

RGB 141 140 128

HSL 55.38, 0.05%, 0.53%

LAB 58.02, -1.87, 6.54

 

CMYK 0 / 46 / 77 / 14

HEX #DB7633

RGB 219 118 51

HSL 23.93, 0.7%, 0.53%

LAB 60.12, 34.63, 52.39

 

CMYK 0 / 26 / 77 / 14

HEX #DBA333

RGB 219 163 51

HSL 40, 0.7%, 0.53%

LAB 70.52, 10.63, 62.44

 

CMYK 0 / 5 / 77 / 14

HEX #DBCF33

RGB 219 207 51

HSL 55.71, 0.7%, 0.53%

LAB 81.8, -12.28, 72.86

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 36 / 0 / 77 / 14

HEX #8CDB33

RGB 140 219 51

HSL 88.21, 0.7%, 0.53%

LAB 79.88, -49.06, 69.17

 

CMYK 0 / 5 / 82 / 38

HEX #9F971C

RGB 159 151 28

HSL 56.34, 0.7%, 0.37%

LAB 61.3, -10.38, 59.51

 

CMYK 0 / 5 / 82 / 24

HEX #C2B922

RGB 194 185 34

HSL 56.63, 0.7%, 0.45%

LAB 73.73, -12.42, 69.75

 

CMYK 0 / 5 / 77 / 14

HEX #DBD133

RGB 219 209 51

HSL 56.43, 0.7%, 0.53%

LAB 82.32, -13.28, 73.33

 

CMYK 0 / 4 / 62 / 12

HEX #E1D956

RGB 225 217 86

HSL 56.55, 0.7%, 0.61%

LAB 85.15, -13.02, 63.49

 

CMYK 0 / 3 / 48 / 9

HEX #E7E079

RGB 231 224 121

HSL 56.18, 0.7%, 0.69%

LAB 87.81, -11.38, 50.9

 

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

CMYK 77 / 0 / 67 / 14

HEX #33DB49

RGB 51 219 73

HSL 127.86, 0.7%, 0.53%

LAB 77.19, -69.39, 57.75

 

CMYK 36 / 77 / 0 / 14

HEX #8C33DB

RGB 140 51 219

HSL 271.79, 0.7%, 0.53%

LAB 42.85, 65.78, -69.68

 

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

CMYK 77 / 0 / 5 / 14

HEX #33DBCF

RGB 51 219 207

HSL 175.71, 0.7%, 0.53%

LAB 79.54, -43.6, -6.07

 

CMYK 5 / 77 / 0 / 14

HEX #CF33DB

RGB 207 51 219

HSL 295.71, 0.7%, 0.53%

LAB 52.67, 77.76, -53.33

 

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

CMYK 77 / 0 / 67 / 14

HEX #33DB49

RGB 51 219 73

HSL 127.86, 0.7%, 0.53%

LAB 77.19, -69.39, 57.75

 

CMYK 77 / 72 / 0 / 14

HEX #333EDB

RGB 51 62 219

HSL 236.07, 0.7%, 0.53%

LAB 36.49, 49.11, -80.43

 

CMYK 0 / 77 / 11 / 14

HEX #DB33C4

RGB 219 51 196

HSL 308.21, 0.7%, 0.53%

LAB 53.4, 76.69, -38.88

 

CMYK 0 / 5 / 77 / 14

HEX #DBD132

RGB 219 209 50

HSL 56.45, 0.7%, 0.53%

LAB 82.32, -13.32, 73.63

 

CMYK 77 / 0 / 44 / 14

HEX #33DB7B

RGB 51 219 123

HSL 145.71, 0.7%, 0.53%

LAB 77.75, -62.66, 35.48

 

CMYK 77 / 72 / 0 / 14

HEX #333EDB

RGB 51 62 219

HSL 236.07, 0.7%, 0.53%

LAB 36.49, 49.11, -80.43

 

CMYK 0 / 77 / 33 / 14

HEX #DB3392

RGB 219 51 146

HSL 326.07, 0.7%, 0.53%

LAB 51.27, 70.41, -12.82

 

Description

Color code: HEX #DBD132 | qconv.com Color code: HEX #DBD132 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 209 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 209 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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