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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC14EA it is the complementary color #23EB15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC14EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC14EA shade: #E114E5, #F226F8, #FF38FF, #FF4AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC14EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC14EA shade: #DC14EA, #CB02D7, #BA00C4, #A900B1 and #98009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC14EA shade: #DC14EA, #EA14BE, #EA1485, #EA144B and #EA1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC14EA shade: #DC14EA, #A214EA, #6914EA, #2F14EA and #1414EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC14EA shade matches the following richer shades: #DC14EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC14EA shade: #DC14EA, #CA29D5, #B83DC1, #A652AC and #946698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC14EA shade: #6A14EA, #A314EA, #DC14EA, #EA14BF and #EA1486

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC14EA shade: #950D9E, #B811C4, #DC14EA, #E23AED and #E760F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC14EA shade: #DC14EA, #EA3014 and #14EA86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC14EA shade: #DC14EA, #EADC14 and #14EADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC14EA shade: #DC14EA, #EA3014, #22EA14 and #14CEEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC14EA shade: #DC14EA, #EA7114, #22EA14 and #148DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

Complementary color

CMYK 85 / 0 / 91 / 8

HEX #23EB15

RGB 35 235 21

HSL 116.07, 0.84%, 0.5%

LAB 81.74, -78.86, 76.38

 

CMYK 2 / 91 / 0 / 10

HEX #E114E5

RGB 225 20 229

HSL 298.85, 0.84%, 0.49%

LAB 54.2, 88.38, -56.38

 

CMYK 2 / 85 / 0 / 3

HEX #F226F8

RGB 242 38 248

HSL 298.29, 0.94%, 0.56%

LAB 59.01, 91.44, -59.17

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 6 / 99 / 0 / 16

HEX #CB02D7

RGB 203 2 215

HSL 296.62, 0.98%, 0.43%

LAB 49.06, 84.36, -56.87

 

CMYK 5 / 100 / 0 / 23

HEX #BA00C4

RGB 186 0 196

HSL 296.94, 1%, 0.38%

LAB 44.84, 79.01, -52.85

 

CMYK 5 / 100 / 0 / 31

HEX #A900B1

RGB 169 0 177

HSL 297.29, 1%, 0.35%

LAB 40.59, 73.42, -48.66

 

CMYK 4 / 100 / 0 / 38

HEX #98009E

RGB 152 0 158

HSL 297.72, 1%, 0.31%

LAB 36.26, 67.71, -44.38

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 91 / 19 / 8

HEX #EA14BE

RGB 234 20 190

HSL 312.34, 0.84%, 0.5%

LAB 53.72, 84.74, -34.73

 

CMYK 0 / 91 / 43 / 8

HEX #EA1485

RGB 234 20 133

HSL 328.32, 0.84%, 0.5%

LAB 51.48, 78.82, -4.41

 

CMYK 0 / 91 / 68 / 8

HEX #EA144B

RGB 234 20 75

HSL 344.58, 0.84%, 0.5%

LAB 50.1, 75.01, 28.96

 

CMYK 0 / 91 / 91 / 8

HEX #EA1414

RGB 234 20 20

HSL 0, 0.84%, 0.5%

LAB 49.55, 73.47, 57.44

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 31 / 91 / 0 / 8

HEX #A214EA

RGB 162 20 234

HSL 279.81, 0.84%, 0.5%

LAB 44.41, 80.06, -75.55

 

CMYK 55 / 91 / 0 / 8

HEX #6914EA

RGB 105 20 234

HSL 263.83, 0.84%, 0.5%

LAB 36.83, 74.22, -88.3

 

CMYK 80 / 91 / 0 / 8

HEX #2F14EA

RGB 47 20 234

HSL 247.57, 0.84%, 0.5%

LAB 31.91, 71.14, -96.61

 

CMYK 91 / 91 / 0 / 8

HEX #1414EA

RGB 20 20 234

HSL 240, 0.84%, 0.5%

LAB 30.85, 70.57, -98.4

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 5 / 81 / 0 / 16

HEX #CA29D5

RGB 202 41 213

HSL 296.16, 0.68%, 0.5%

LAB 50.62, 78.43, -53.23

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 3 / 52 / 0 / 33

HEX #A652AC

RGB 166 82 172

HSL 296, 0.35%, 0.5%

LAB 48.41, 47.73, -33.32

 

CMYK 3 / 33 / 0 / 40

HEX #946698

RGB 148 102 152

HSL 295.2, 0.2%, 0.5%

LAB 49.58, 27.25, -19.91

 

CMYK 55 / 91 / 0 / 8

HEX #6A14EA

RGB 106 20 234

HSL 264.11, 0.84%, 0.5%

LAB 36.94, 74.3, -88.11

 

CMYK 30 / 91 / 0 / 8

HEX #A314EA

RGB 163 20 234

HSL 280.09, 0.84%, 0.5%

LAB 44.56, 80.19, -75.3

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 91 / 18 / 8

HEX #EA14BF

RGB 234 20 191

HSL 312.06, 0.84%, 0.5%

LAB 53.77, 84.86, -35.23

 

CMYK 0 / 91 / 43 / 8

HEX #EA1486

RGB 234 20 134

HSL 328.04, 0.84%, 0.5%

LAB 51.51, 78.9, -4.97

 

CMYK 6 / 92 / 0 / 38

HEX #950D9E

RGB 149 13 158

HSL 296.28, 0.85%, 0.34%

LAB 36.26, 65.58, -44.4

 

CMYK 6 / 91 / 0 / 23

HEX #B811C4

RGB 184 17 196

HSL 295.98, 0.84%, 0.42%

LAB 45.05, 77.03, -52.52

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 5 / 76 / 0 / 7

HEX #E23AED

RGB 226 58 237

HSL 296.31, 0.83%, 0.58%

LAB 57.38, 82.35, -55.8

 

CMYK 4 / 60 / 0 / 5

HEX #E760F1

RGB 231 96 241

HSL 295.86, 0.84%, 0.66%

LAB 63.1, 70.64, -48.89

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 79 / 91 / 8

HEX #EA3014

RGB 234 48 20

HSL 7.85, 0.84%, 0.5%

LAB 51.45, 68.05, 58.66

 

CMYK 91 / 0 / 43 / 8

HEX #14EA86

RGB 20 234 134

HSL 151.96, 0.84%, 0.5%

LAB 82.23, -68.4, 35.72

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 6 / 91 / 8

HEX #EADC14

RGB 234 220 20

HSL 56.07, 0.84%, 0.5%

LAB 86.37, -13.16, 83.97

 

CMYK 91 / 0 / 6 / 8

HEX #14EADC

RGB 20 234 220

HSL 176.07, 0.84%, 0.5%

LAB 84.05, -48.52, -6.34

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 79 / 91 / 8

HEX #EA3014

RGB 234 48 20

HSL 7.85, 0.84%, 0.5%

LAB 51.45, 68.05, 58.66

 

CMYK 85 / 0 / 91 / 8

HEX #22EA14

RGB 34 234 20

HSL 116.07, 0.84%, 0.5%

LAB 81.42, -78.7, 76.24

 

CMYK 91 / 12 / 0 / 8

HEX #14CEEA

RGB 20 206 234

HSL 187.85, 0.84%, 0.5%

LAB 76.21, -31.69, -25.58

 

CMYK 6 / 91 / 0 / 8

HEX #DC14EA

RGB 220 20 234

HSL 296.07, 0.84%, 0.5%

LAB 53.66, 88.33, -60.12

 

CMYK 0 / 52 / 91 / 8

HEX #EA7114

RGB 234 113 20

HSL 26.07, 0.84%, 0.5%

LAB 61.09, 42.29, 65.23

 

CMYK 85 / 0 / 91 / 8

HEX #22EA14

RGB 34 234 20

HSL 116.07, 0.84%, 0.5%

LAB 81.42, -78.7, 76.24

 

CMYK 91 / 40 / 0 / 8

HEX #148DEA

RGB 20 141 234

HSL 206.07, 0.84%, 0.5%

LAB 57.21, 3.36, -55.29

 

Description

Color code: HEX #DC14EA | qconv.com Color code: HEX #DC14EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 20 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 20 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 91 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 91% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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