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Color name
HEX #DC2C70

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2C70 it is the complementary color #23D38F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2C70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2C70 shade: #E12C6B, #F23E7E, #FF5091, #FF62A4 and #FF74B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2C70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2C70 shade: #DC2C70, #CB1A5D, #BA084A, #A90037 and #980024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2C70 shade: #DC2C70, #DC2C41 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2C70 shade: #DC2C70, #DC2CA0, #DC2CCF, #BA2CDC and #8A2CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2C70 shade matches the following richer shades: #DC2C70 and #F0186C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2C70 shade: #DC2C70, #C84075, #B55479, #A1677E and #8D7B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2C70 shade: #DC2CD0, #DC2CA1, #DC2C72, #DC2C43 and #DC432C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2C70 shade: #9D194C, #C01F5D, #DC2C70, #E24F88 and #E873A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2C70 shade: #DC2C70, #DCB92C and #2CB9DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2C70 shade: #DC2C70, #72DC2C and #2C72DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2C70 shade: #DC2C70, #DCB92C, #2CDC96 and #2C4FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2C70 shade: #DC2C70, #CBDC2C, #2CDC96 and #3E2CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

Complementary color

CMYK 83 / 0 / 32 / 17

HEX #23D38F

RGB 35 211 143

HSL 156.82, 0.72%, 0.48%

LAB 75.41, -57.6, 22.04

 

CMYK 0 / 80 / 52 / 12

HEX #E12C6B

RGB 225 44 107

HSL 339.12, 0.75%, 0.53%

LAB 50.54, 70.24, 9.78

 

CMYK 0 / 74 / 48 / 5

HEX #F23E7E

RGB 242 62 126

HSL 338.67, 0.87%, 0.6%

LAB 55.92, 71.18, 6.42

 

CMYK 0 / 69 / 43 / 0

HEX #FF5091

RGB 255 80 145

HSL 337.71, 1%, 0.66%

LAB 60.82, 70.4, 2.59

 

CMYK 0 / 62 / 36 / 0

HEX #FF62A4

RGB 255 98 164

HSL 334.78, 1%, 0.69%

LAB 63.9, 65.36, -3.88

 

CMYK 0 / 55 / 28 / 0

HEX #FF74B7

RGB 255 116 183

HSL 331.08, 1%, 0.73%

LAB 67.4, 59.75, -9.49

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 87 / 54 / 20

HEX #CB1A5D

RGB 203 26 93

HSL 337.29, 0.77%, 0.45%

LAB 44.55, 67.57, 9.38

 

CMYK 0 / 96 / 60 / 27

HEX #BA084A

RGB 186 8 74

HSL 337.75, 0.92%, 0.38%

LAB 39.76, 64.65, 14.21

 

CMYK 0 / 100 / 67 / 34

HEX #A90037

RGB 169 0 55

HSL 340.47, 1%, 0.33%

LAB 35.42, 60.35, 20.04

 

CMYK 0 / 100 / 76 / 40

HEX #980024

RGB 152 0 36

HSL 345.79, 1%, 0.3%

LAB 31.35, 55.26, 26.5

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C41

RGB 220 44 65

HSL 352.84, 0.72%, 0.52%

LAB 48.76, 66.41, 32.67

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 80 / 27 / 14

HEX #DC2CA0

RGB 220 44 160

HSL 320.45, 0.72%, 0.52%

LAB 51.33, 74.08, -21.04

 

CMYK 0 / 80 / 6 / 14

HEX #DC2CCF

RGB 220 44 207

HSL 304.43, 0.72%, 0.52%

LAB 53.52, 80.22, -45.01

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDC

RGB 186 44 220

HSL 288.41, 0.72%, 0.52%

LAB 48.77, 75.99, -60.34

 

CMYK 37 / 80 / 0 / 14

HEX #8A2CDC

RGB 138 44 220

HSL 272.05, 0.72%, 0.52%

LAB 41.8, 68.2, -71.98

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 90 / 55 / 6

HEX #F0186C

RGB 240 24 108

HSL 336.67, 0.88%, 0.52%

LAB 52.13, 77.78, 11.83

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 68 / 42 / 22

HEX #C84075

RGB 200 64 117

HSL 336.62, 0.55%, 0.52%

LAB 48.55, 57.85, 0.25

 

CMYK 0 / 54 / 33 / 29

HEX #B55479

RGB 181 84 121

HSL 337.11, 0.4%, 0.52%

LAB 48.94, 43.32, -1.96

 

CMYK 0 / 36 / 22 / 37

HEX #A1677E

RGB 161 103 126

HSL 336.21, 0.24%, 0.52%

LAB 50.43, 26.64, -3.06

 

CMYK 0 / 13 / 8 / 45

HEX #8D7B82

RGB 141 123 130

HSL 336.67, 0.07%, 0.52%

LAB 53.43, 8.19, -1.27

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 80 / 27 / 14

HEX #DC2CA1

RGB 220 44 161

HSL 320.11, 0.72%, 0.52%

LAB 51.37, 74.19, -21.57

 

CMYK 0 / 80 / 48 / 14

HEX #DC2C72

RGB 220 44 114

HSL 336.14, 0.72%, 0.52%

LAB 49.78, 69.5, 4.3

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C43

RGB 220 44 67

HSL 352.16, 0.72%, 0.52%

LAB 48.79, 66.5, 31.52

 

CMYK 0 / 70 / 80 / 14

HEX #DC432C

RGB 220 67 44

HSL 7.84, 0.72%, 0.52%

LAB 51.17, 58.25, 46.94

 

CMYK 0 / 84 / 52 / 38

HEX #9D194C

RGB 157 25 76

HSL 336.82, 0.73%, 0.36%

LAB 34.77, 54.66, 5.06

 

CMYK 0 / 84 / 52 / 25

HEX #C01F5D

RGB 192 31 93

HSL 336.89, 0.72%, 0.44%

LAB 42.73, 63.78, 6.48

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 65 / 40 / 11

HEX #E24F88

RGB 226 79 136

HSL 336.73, 0.72%, 0.6%

LAB 55.62, 61.57, -0.28

 

CMYK 0 / 50 / 31 / 9

HEX #E873A0

RGB 232 115 160

HSL 336.92, 0.72%, 0.68%

LAB 63.31, 50.03, -2.85

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 16 / 80 / 14

HEX #DCB92C

RGB 220 185 44

HSL 48.07, 0.72%, 0.52%

LAB 76.13, -0.82, 69.95

 

CMYK 80 / 16 / 0 / 14

HEX #2CB9DC

RGB 44 185 220

HSL 191.93, 0.72%, 0.52%

LAB 69.75, -24.33, -27.88

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 48 / 0 / 80 / 14

HEX #72DC2C

RGB 114 220 44

HSL 96.14, 0.72%, 0.52%

LAB 79.01, -58.15, 69.96

 

CMYK 80 / 48 / 0 / 14

HEX #2C72DC

RGB 44 114 220

HSL 216.14, 0.72%, 0.52%

LAB 49.18, 16.34, -60.31

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 0 / 16 / 80 / 14

HEX #DCB92C

RGB 220 185 44

HSL 48.07, 0.72%, 0.52%

LAB 76.13, -0.82, 69.95

 

CMYK 80 / 0 / 32 / 14

HEX #2CDC96

RGB 44 220 150

HSL 156.14, 0.72%, 0.52%

LAB 78.42, -58.64, 22.51

 

CMYK 80 / 64 / 0 / 14

HEX #2C4FDC

RGB 44 79 220

HSL 228.07, 0.72%, 0.52%

LAB 40.07, 38.65, -75.12

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C70

RGB 220 44 112

HSL 336.82, 0.72%, 0.52%

LAB 49.72, 69.34, 5.45

 

CMYK 8 / 0 / 80 / 14

HEX #CBDC2C

RGB 203 220 44

HSL 65.8, 0.72%, 0.52%

LAB 84, -25.59, 76.32

 

CMYK 80 / 0 / 32 / 14

HEX #2CDC96

RGB 44 220 150

HSL 156.14, 0.72%, 0.52%

LAB 78.42, -58.64, 22.51

 

CMYK 72 / 80 / 0 / 14

HEX #3E2CDC

RGB 62 44 220

HSL 246.14, 0.72%, 0.52%

LAB 33.97, 59.58, -85.15

 

Description

Color code: HEX #DC2C70 | qconv.com Color code: HEX #DC2C70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 44 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 44 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 49% 14% C M Y K

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Provide designers and agencies with accurate color values.

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