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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC79E0 it is the complementary color #23861F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC79E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC79E0 shade: #E179DB, #F28BEE, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC79E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC79E0 shade: #DC79E0, #CB67CD, #BA55BA, #A943A7 and #983194

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC79E0 shade: #DC7ADF, #DF7AC8, #DF7AAD, #DF7A92 and #DF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC79E0 shade: #DC7ADF, #C07ADF, #A57ADF, #8A7ADF and #7A7ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC79E0 shade matches the following richer shades: #DC7ADF, #E86DED and #F460FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC79E0 shade: #DC7ADF, #CF88D2, #C395C5, #B7A2B8 and #ABAFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC79E0 shade: #A47ADF, #BF7ADF, #DA7ADF, #DF7ACA and #DF7AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC79E0 shade: #CA37D0, #D359D8, #DC7ADF, #E49CE7 and #EDBDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC79E0 shade: #DC79E0, #DF897A and #7ADFB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC79E0 shade: #DC79E0, #DFDA7A and #7ADFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC79E0 shade: #DC79E0, #DF897A, #7FDF7A and #7AD0DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC79E0 shade: #DC79E0, #DFA87A, #7FDF7A and #7AB2DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

Complementary color

CMYK 74 / 0 / 77 / 47

HEX #23861F

RGB 35 134 31

HSL 117.67, 0.62%, 0.32%

LAB 48.89, -47.95, 44.43

 

CMYK 0 / 46 / 3 / 12

HEX #E179DB

RGB 225 121 219

HSL 303.46, 0.63%, 0.68%

LAB 65.59, 53.75, -32.81

 

CMYK 0 / 43 / 2 / 5

HEX #F28BEE

RGB 242 139 238

HSL 302.33, 0.8%, 0.75%

LAB 71.9, 53.06, -33.36

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

CMYK 1 / 50 / 0 / 20

HEX #CB67CD

RGB 203 103 205

HSL 298.82, 0.5%, 0.6%

LAB 58.79, 53.86, -35.74

 

CMYK 0 / 54 / 0 / 27

HEX #BA55BA

RGB 186 85 186

HSL 300, 0.42%, 0.53%

LAB 52.38, 54.41, -35.06

 

CMYK 0 / 60 / 1 / 34

HEX #A943A7

RGB 169 67 167

HSL 301.18, 0.43%, 0.46%

LAB 45.96, 54.75, -34.19

 

CMYK 0 / 68 / 3 / 40

HEX #983194

RGB 152 49 148

HSL 302.33, 0.51%, 0.39%

LAB 39.6, 54.71, -33

 

CMYK 1 / 45 / 0 / 13

HEX #DC7ADF

RGB 220 122 223

HSL 298.22, 0.61%, 0.68%

LAB 65.33, 52.52, -35.49

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC8

RGB 223 122 200

HSL 313.66, 0.61%, 0.68%

LAB 64.79, 49.45, -23.44

 

CMYK 0 / 45 / 22 / 13

HEX #DF7AAD

RGB 223 122 173

HSL 329.7, 0.61%, 0.68%

LAB 63.86, 45.3, -9.58

 

CMYK 0 / 45 / 35 / 13

HEX #DF7A92

RGB 223 122 146

HSL 345.74, 0.61%, 0.68%

LAB 63.08, 41.72, 4.68

 

CMYK 0 / 45 / 45 / 13

HEX #DF7A7A

RGB 223 122 122

HSL 0, 0.61%, 0.68%

LAB 62.52, 39.06, 17.59

 

CMYK 1 / 45 / 0 / 13

HEX #DC7ADF

RGB 220 122 223

HSL 298.22, 0.61%, 0.68%

LAB 65.33, 52.52, -35.49

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 26 / 45 / 0 / 13

HEX #A57ADF

RGB 165 122 223

HSL 265.54, 0.61%, 0.68%

LAB 59.2, 36.93, -45.54

 

CMYK 38 / 45 / 0 / 13

HEX #8A7ADF

RGB 138 122 223

HSL 249.5, 0.61%, 0.68%

LAB 56.73, 29.78, -49.6

 

CMYK 45 / 45 / 0 / 13

HEX #7A7ADF

RGB 122 122 223

HSL 240, 0.61%, 0.68%

LAB 55.47, 25.85, -51.7

 

CMYK 1 / 45 / 0 / 13

HEX #DC7ADF

RGB 220 122 223

HSL 298.22, 0.61%, 0.68%

LAB 65.33, 52.52, -35.49

 

CMYK 2 / 54 / 0 / 7

HEX #E86DED

RGB 232 109 237

HSL 297.66, 0.78%, 0.68%

LAB 65.13, 64.52, -43.47

 

CMYK 2 / 62 / 0 / 2

HEX #F460FA

RGB 244 96 250

HSL 297.66, 0.94%, 0.68%

LAB 65.36, 75.23, -50.17

 

CMYK 1 / 45 / 0 / 13

HEX #DC7ADF

RGB 220 122 223

HSL 298.22, 0.61%, 0.68%

LAB 65.33, 52.52, -35.49

 

CMYK 1 / 35 / 0 / 18

HEX #CF88D2

RGB 207 136 210

HSL 297.57, 0.45%, 0.68%

LAB 66.16, 38.92, -27.09

 

CMYK 1 / 24 / 0 / 23

HEX #C395C5

RGB 195 149 197

HSL 297.5, 0.29%, 0.68%

LAB 67.37, 25.45, -18.1

 

CMYK 1 / 12 / 0 / 28

HEX #B7A2B8

RGB 183 162 184

HSL 297.27, 0.13%, 0.68%

LAB 69.02, 11.65, -8.52

 

CMYK 2 / 0 / 2 / 31

HEX #ABAFAB

RGB 171 175 171

HSL 120, 0.02%, 0.68%

LAB 71.05, -2.16, 1.55

 

CMYK 26 / 45 / 0 / 13

HEX #A47ADF

RGB 164 122 223

HSL 264.95, 0.61%, 0.68%

LAB 59.1, 36.66, -45.7

 

CMYK 14 / 45 / 0 / 13

HEX #BF7ADF

RGB 191 122 223

HSL 280.99, 0.61%, 0.68%

LAB 61.93, 44.21, -41.05

 

CMYK 2 / 45 / 0 / 13

HEX #DA7ADF

RGB 218 122 223

HSL 297.03, 0.61%, 0.68%

LAB 65.08, 51.95, -35.89

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACA

RGB 223 122 202

HSL 312.48, 0.61%, 0.68%

LAB 64.86, 49.78, -24.45

 

CMYK 0 / 45 / 22 / 13

HEX #DF7AAF

RGB 223 122 175

HSL 328.51, 0.61%, 0.68%

LAB 63.92, 45.59, -10.62

 

CMYK 3 / 74 / 0 / 18

HEX #CA37D0

RGB 202 55 208

HSL 297.65, 0.62%, 0.52%

LAB 51.66, 73.8, -48.71

 

CMYK 2 / 59 / 0 / 15

HEX #D359D8

RGB 211 89 216

HSL 297.64, 0.62%, 0.6%

LAB 57.99, 64.41, -43.15

 

CMYK 1 / 45 / 0 / 13

HEX #DC7ADF

RGB 220 122 223

HSL 298.22, 0.61%, 0.68%

LAB 65.33, 52.52, -35.49

 

CMYK 1 / 32 / 0 / 9

HEX #E49CE7

RGB 228 156 231

HSL 297.6, 0.61%, 0.76%

LAB 73.57, 38.76, -27.09

 

CMYK 1 / 21 / 0 / 6

HEX #EDBDEF

RGB 237 189 239

HSL 297.6, 0.61%, 0.84%

LAB 82.18, 25.54, -18.24

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

CMYK 0 / 39 / 45 / 13

HEX #DF897A

RGB 223 137 122

HSL 8.91, 0.61%, 0.68%

LAB 65.74, 31.2, 21.98

 

CMYK 45 / 0 / 20 / 13

HEX #7ADFB2

RGB 122 223 178

HSL 153.27, 0.61%, 0.68%

LAB 81.91, -39.82, 12.99

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

CMYK 0 / 2 / 45 / 13

HEX #DFDA7A

RGB 223 218 122

HSL 57.03, 0.61%, 0.68%

LAB 85.62, -11.47, 47.61

 

CMYK 45 / 0 / 2 / 13

HEX #7ADFDA

RGB 122 223 218

HSL 177.03, 0.61%, 0.68%

LAB 82.9, -30.71, -6.75

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

CMYK 0 / 39 / 45 / 13

HEX #DF897A

RGB 223 137 122

HSL 8.91, 0.61%, 0.68%

LAB 65.74, 31.2, 21.98

 

CMYK 43 / 0 / 45 / 13

HEX #7FDF7A

RGB 127 223 122

HSL 117.03, 0.61%, 0.68%

LAB 81.12, -48.19, 40.72

 

CMYK 45 / 7 / 0 / 13

HEX #7AD0DF

RGB 122 208 223

HSL 188.91, 0.61%, 0.68%

LAB 78.8, -22.11, -15.54

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E0

RGB 220 121 224

HSL 297.67, 0.62%, 0.68%

LAB 65.18, 53.2, -36.28

 

CMYK 0 / 25 / 45 / 13

HEX #DFA87A

RGB 223 168 122

HSL 27.33, 0.61%, 0.68%

LAB 72.96, 14.59, 31.58

 

CMYK 43 / 0 / 45 / 13

HEX #7FDF7A

RGB 127 223 122

HSL 117.03, 0.61%, 0.68%

LAB 81.12, -48.19, 40.72

 

CMYK 45 / 20 / 0 / 13

HEX #7AB2DF

RGB 122 178 223

HSL 206.73, 0.61%, 0.68%

LAB 70.39, -6.42, -28.32

 

Description

Color code: HEX #DC79E0 | qconv.com Color code: HEX #DC79E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 121 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 121 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 46 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 46% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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