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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDB082 it is the complementary color #224F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDB082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDB082 shade: #E2B07D, #F3C290, #FFD4A3, #FFE6B6 and #FFF8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDB082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDB082 shade: #DDB082, #CC9E6F, #BB8C5C, #AA7A49 and #996836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDB082 shade: #DDB082, #DD9882 and #DD8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDB082 shade: #DDB082, #DDC882, #D8DD82, #C0DD82 and #A8DD82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDB082 shade matches the following richer shades: #DDB082, #E9B076 and #F6B069

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDB082 shade: #DDB082, #D0B08F, #C3B09C, #B6B0A9 and #A9AFB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDB082 shade: #DD8285, #DD9782, #DDAF82, #DDC782 and #DADD82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDB082 shade: #CB8742, #D49B62, #DDB082, #E5C4A3 and #EED9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDB082 shade: #DDB082, #9DDD82 and #8B82DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDB082 shade: #DDB082, #82DDAF and #AF82DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDB082 shade: #DDB082, #9DDD82, #82AFDD and #C182DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDB082 shade: #DDB082, #82DD82, #82AFDD and #DD82DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

Complementary color

CMYK 73 / 37 / 0 / 51

HEX #224F7D

RGB 34 79 125

HSL 210.33, 0.57%, 0.31%

LAB 32.73, 1.1, -30.53

 

CMYK 0 / 22 / 45 / 11

HEX #E2B07D

RGB 226 176 125

HSL 30.3, 0.64%, 0.69%

LAB 75.26, 11.83, 33.06

 

CMYK 0 / 20 / 41 / 5

HEX #F3C290

RGB 243 194 144

HSL 30.3, 0.8%, 0.76%

LAB 81.65, 11.07, 31.79

 

CMYK 0 / 17 / 36 / 0

HEX #FFD4A3

RGB 255 212 163

HSL 31.96, 1%, 0.82%

LAB 87.48, 8.47, 29.89

 

CMYK 0 / 10 / 29 / 0

HEX #FFE6B6

RGB 255 230 182

HSL 39.45, 1%, 0.86%

LAB 92.23, 1.55, 26.54

 

CMYK 0 / 3 / 21 / 0

HEX #FFF8C9

RGB 255 248 201

HSL 52.22, 1%, 0.89%

LAB 97.07, -4.99, 23.46

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 23 / 46 / 20

HEX #CC9E6F

RGB 204 158 111

HSL 30.32, 0.48%, 0.62%

LAB 68.34, 11.14, 31.07

 

CMYK 0 / 25 / 51 / 27

HEX #BB8C5C

RGB 187 140 92

HSL 30.32, 0.41%, 0.55%

LAB 61.73, 12.06, 32.47

 

CMYK 0 / 28 / 57 / 33

HEX #AA7A49

RGB 170 122 73

HSL 30.31, 0.4%, 0.48%

LAB 55.02, 13.14, 33.96

 

CMYK 0 / 32 / 65 / 40

HEX #996836

RGB 153 104 54

HSL 30.3, 0.48%, 0.41%

LAB 48.18, 14.43, 35.53

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 31 / 41 / 13

HEX #DD9882

RGB 221 152 130

HSL 14.51, 0.57%, 0.69%

LAB 69.07, 23.24, 22.03

 

CMYK 0 / 41 / 41 / 13

HEX #DD8282

RGB 221 130 130

HSL 0, 0.57%, 0.69%

LAB 64.12, 34.98, 15.22

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 10 / 41 / 13

HEX #DDC882

RGB 221 200 130

HSL 46.15, 0.57%, 0.69%

LAB 80.9, -2.28, 37.66

 

CMYK 2 / 0 / 41 / 13

HEX #D8DD82

RGB 216 221 130

HSL 63.3, 0.57%, 0.69%

LAB 85.97, -14.92, 44.01

 

CMYK 13 / 0 / 41 / 13

HEX #C0DD82

RGB 192 221 130

HSL 79.12, 0.57%, 0.69%

LAB 84.24, -24.12, 41.47

 

CMYK 24 / 0 / 41 / 13

HEX #A8DD82

RGB 168 221 130

HSL 94.95, 0.57%, 0.69%

LAB 82.73, -32.89, 39.23

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 24 / 49 / 9

HEX #E9B076

RGB 233 176 118

HSL 30.26, 0.72%, 0.69%

LAB 75.87, 13.98, 37.64

 

CMYK 0 / 28 / 57 / 4

HEX #F6B069

RGB 246 176 105

HSL 30.21, 0.89%, 0.69%

LAB 77.08, 18.17, 46.07

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 15 / 31 / 18

HEX #D0B08F

RGB 208 176 143

HSL 30.46, 0.41%, 0.69%

LAB 73.83, 6.76, 21.22

 

CMYK 0 / 10 / 20 / 24

HEX #C3B09C

RGB 195 176 156

HSL 30.77, 0.25%, 0.69%

LAB 72.93, 3.58, 12.72

 

CMYK 0 / 3 / 7 / 29

HEX #B6B0A9

RGB 182 176 169

HSL 32.31, 0.08%, 0.69%

LAB 72.14, 0.88, 4.33

 

CMYK 7 / 4 / 0 / 29

HEX #A9AFB6

RGB 169 175 182

HSL 212.31, 0.08%, 0.69%

LAB 71.2, -0.72, -4.31

 

CMYK 0 / 41 / 40 / 13

HEX #DD8285

RGB 221 130 133

HSL 358.02, 0.57%, 0.69%

LAB 64.19, 35.32, 13.62

 

CMYK 0 / 32 / 41 / 13

HEX #DD9782

RGB 221 151 130

HSL 13.85, 0.57%, 0.69%

LAB 68.84, 23.78, 21.71

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 10 / 41 / 13

HEX #DDC782

RGB 221 199 130

HSL 45.49, 0.57%, 0.69%

LAB 80.64, -1.76, 37.33

 

CMYK 1 / 0 / 41 / 13

HEX #DADD82

RGB 218 221 130

HSL 61.98, 0.57%, 0.69%

LAB 86.12, -14.14, 44.23

 

CMYK 0 / 33 / 67 / 20

HEX #CB8742

RGB 203 135 66

HSL 30.22, 0.57%, 0.53%

LAB 62.01, 19.63, 46.68

 

CMYK 0 / 27 / 54 / 17

HEX #D49B62

RGB 212 155 98

HSL 30, 0.57%, 0.61%

LAB 68.26, 14.85, 38.03

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 0 / 14 / 29 / 10

HEX #E5C4A3

RGB 229 196 163

HSL 30, 0.56%, 0.77%

LAB 81.17, 6.87, 20.91

 

CMYK 0 / 9 / 18 / 7

HEX #EED9C3

RGB 238 217 195

HSL 30.7, 0.56%, 0.85%

LAB 87.84, 3.76, 13.46

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 29 / 0 / 41 / 13

HEX #9DDD82

RGB 157 221 130

HSL 102.2, 0.57%, 0.69%

LAB 82.11, -36.69, 38.3

 

CMYK 37 / 41 / 0 / 13

HEX #8B82DD

RGB 139 130 221

HSL 245.93, 0.57%, 0.69%

LAB 58.67, 24.81, -45.41

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 41 / 0 / 21 / 13

HEX #82DDAF

RGB 130 221 175

HSL 149.67, 0.57%, 0.69%

LAB 81.6, -37.43, 14.18

 

CMYK 21 / 41 / 0 / 13

HEX #AF82DD

RGB 175 130 221

HSL 269.67, 0.57%, 0.69%

LAB 61.91, 34.8, -40.08

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 29 / 0 / 41 / 13

HEX #9DDD82

RGB 157 221 130

HSL 102.2, 0.57%, 0.69%

LAB 82.11, -36.69, 38.3

 

CMYK 41 / 21 / 0 / 13

HEX #82AFDD

RGB 130 175 221

HSL 210.33, 0.57%, 0.69%

LAB 69.91, -3.31, -27.93

 

CMYK 13 / 41 / 0 / 13

HEX #C182DD

RGB 193 130 221

HSL 281.54, 0.57%, 0.69%

LAB 63.77, 40.07, -37.04

 

CMYK 0 / 20 / 41 / 13

HEX #DDB082

RGB 221 176 130

HSL 30.33, 0.57%, 0.69%

LAB 74.85, 10.35, 29.77

 

CMYK 41 / 0 / 41 / 13

HEX #82DD82

RGB 130 221 130

HSL 120, 0.57%, 0.69%

LAB 80.78, -45.31, 36.33

 

CMYK 41 / 21 / 0 / 13

HEX #82AFDD

RGB 130 175 221

HSL 210.33, 0.57%, 0.69%

LAB 69.91, -3.31, -27.93

 

CMYK 0 / 41 / 0 / 13

HEX #DD82DD

RGB 221 130 221

HSL 300, 0.57%, 0.69%

LAB 66.94, 48.39, -31.86

 

Description

Color code: HEX #DDB082 | qconv.com Color code: HEX #DDB082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 176 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 176 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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