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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB239 it is the complementary color #214DC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB239 shade: #E3B234, #F4C447, #FFD65A, #FFE86D and #FFFA80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB239 shade: #DEB239, #CDA026, #BC8E13, #AB7C00 and #9A6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB239 shade: #DDB23A, #DD863A, #DD5A3A and #DD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB239 shade: #DDB23A, #DDDD3A, #B1DD3A, #85DD3A and #59DD3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB239 shade matches the following richer shades: #DDB23A and #F0BA28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB239 shade: #DDB23A, #CBA94D, #B8A05F, #A69872 and #938F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB239 shade: #DD5B3A, #DD863A, #DDB23A, #DDDD3A and #B2DD3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB239 shade: #A9831C, #CC9F22, #DDB23A, #E3C05E and #E9CD81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB239 shade: #DEB239, #45DD3A and #713ADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB239 shade: #DEB239, #3ADDB2 and #B23ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB239 shade: #DEB239, #45DD3A, #3A66DD and #D23ADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB239 shade: #DEB239, #3ADD60, #3A66DD and #DD3AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

Complementary color

CMYK 83 / 61 / 0 / 22

HEX #214DC6

RGB 33 77 198

HSL 224, 0.71%, 0.45%

LAB 37.31, 30.91, -66.96

 

CMYK 0 / 22 / 77 / 11

HEX #E3B234

RGB 227 178 52

HSL 43.2, 0.76%, 0.55%

LAB 75.09, 6.15, 66.65

 

CMYK 0 / 20 / 71 / 4

HEX #F4C447

RGB 244 196 71

HSL 43.35, 0.89%, 0.62%

LAB 81.38, 4.79, 66.21

 

CMYK 0 / 16 / 65 / 0

HEX #FFD65A

RGB 255 214 90

HSL 45.09, 1%, 0.68%

LAB 87.04, 1.14, 64.61

 

CMYK 0 / 9 / 57 / 0

HEX #FFE86D

RGB 255 232 109

HSL 50.55, 1%, 0.71%

LAB 91.72, -6.71, 61.51

 

CMYK 0 / 2 / 50 / 0

HEX #FFFA80

RGB 255 250 128

HSL 57.64, 1%, 0.75%

LAB 96.49, -14.11, 58.47

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 0 / 22 / 81 / 20

HEX #CDA026

RGB 205 160 38

HSL 43.83, 0.69%, 0.48%

LAB 68.21, 5.67, 64.28

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 0 / 27 / 100 / 33

HEX #AB7C00

RGB 171 124 0

HSL 43.51, 1%, 0.34%

LAB 55.15, 9.37, 61.02

 

CMYK 0 / 31 / 100 / 40

HEX #9A6A00

RGB 154 106 0

HSL 41.3, 1%, 0.3%

LAB 48.48, 11.72, 55.56

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 39 / 74 / 13

HEX #DD863A

RGB 221 134 58

HSL 27.98, 0.71%, 0.55%

LAB 63.94, 27.32, 53.17

 

CMYK 0 / 59 / 74 / 13

HEX #DD5A3A

RGB 221 90 58

HSL 11.78, 0.71%, 0.55%

LAB 55.06, 49.46, 43.81

 

CMYK 0 / 74 / 74 / 13

HEX #DD3A3A

RGB 221 58 58

HSL 0, 0.71%, 0.55%

LAB 50.34, 62.24, 38.6

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 0 / 74 / 13

HEX #DDDD3A

RGB 221 221 58

HSL 60, 0.71%, 0.55%

LAB 85.7, -18.11, 74.31

 

CMYK 20 / 0 / 74 / 13

HEX #B1DD3A

RGB 177 221 58

HSL 76.2, 0.71%, 0.55%

LAB 82.57, -35.91, 70.25

 

CMYK 40 / 0 / 74 / 13

HEX #85DD3A

RGB 133 221 58

HSL 92.39, 0.71%, 0.55%

LAB 80.18, -51.84, 67.11

 

CMYK 60 / 0 / 74 / 13

HEX #59DD3A

RGB 89 221 58

HSL 108.59, 0.71%, 0.55%

LAB 78.54, -64.31, 64.95

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 23 / 83 / 6

HEX #F0BA28

RGB 240 186 40

HSL 43.8, 0.87%, 0.55%

LAB 78.34, 7.15, 73.79

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 17 / 62 / 20

HEX #CBA94D

RGB 203 169 77

HSL 43.81, 0.55%, 0.55%

LAB 70.6, 1.91, 50.99

 

CMYK 0 / 13 / 48 / 28

HEX #B8A05F

RGB 184 160 95

HSL 43.82, 0.39%, 0.55%

LAB 66.64, 0.13, 36.96

 

CMYK 0 / 8 / 31 / 35

HEX #A69872

RGB 166 152 114

HSL 43.85, 0.23%, 0.55%

LAB 63.16, -0.8, 21.9

 

CMYK 0 / 3 / 10 / 42

HEX #938F85

RGB 147 143 133

HSL 42.86, 0.06%, 0.55%

LAB 59.47, -0.37, 5.84

 

CMYK 0 / 59 / 74 / 13

HEX #DD5B3A

RGB 221 91 58

HSL 12.15, 0.71%, 0.55%

LAB 55.24, 49, 44

 

CMYK 0 / 39 / 74 / 13

HEX #DD863A

RGB 221 134 58

HSL 27.98, 0.71%, 0.55%

LAB 63.94, 27.32, 53.17

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 0 / 74 / 13

HEX #DDDD3A

RGB 221 221 58

HSL 60, 0.71%, 0.55%

LAB 85.7, -18.11, 74.31

 

CMYK 19 / 0 / 74 / 13

HEX #B2DD3A

RGB 178 221 58

HSL 75.83, 0.71%, 0.55%

LAB 82.64, -35.52, 70.34

 

CMYK 0 / 22 / 83 / 34

HEX #A9831C

RGB 169 131 28

HSL 43.83, 0.72%, 0.39%

LAB 56.83, 5.09, 56.04

 

CMYK 0 / 22 / 83 / 20

HEX #CC9F22

RGB 204 159 34

HSL 44.12, 0.71%, 0.47%

LAB 67.84, 5.65, 65.12

 

CMYK 0 / 19 / 74 / 13

HEX #DDB23A

RGB 221 178 58

HSL 44.17, 0.71%, 0.55%

LAB 74.52, 3.82, 63.71

 

CMYK 0 / 15 / 59 / 11

HEX #E3C05E

RGB 227 192 94

HSL 44.21, 0.7%, 0.63%

LAB 78.95, 1.11, 53.12

 

CMYK 0 / 12 / 45 / 9

HEX #E9CD81

RGB 233 205 129

HSL 43.85, 0.7%, 0.71%

LAB 83.22, -0.18, 41.33

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 69 / 0 / 74 / 13

HEX #45DD3A

RGB 69 221 58

HSL 115.95, 0.71%, 0.55%

LAB 78.04, -68.46, 64.28

 

CMYK 49 / 74 / 0 / 13

HEX #713ADD

RGB 113 58 221

HSL 260.25, 0.71%, 0.55%

LAB 40.83, 59.11, -74.26

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 74 / 0 / 19 / 13

HEX #3ADDB2

RGB 58 221 178

HSL 164.17, 0.71%, 0.55%

LAB 79.52, -51.16, 9.34

 

CMYK 19 / 74 / 0 / 13

HEX #B23ADD

RGB 178 58 221

HSL 284.17, 0.71%, 0.55%

LAB 49.14, 70.36, -60.37

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 69 / 0 / 74 / 13

HEX #45DD3A

RGB 69 221 58

HSL 115.95, 0.71%, 0.55%

LAB 78.04, -68.46, 64.28

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DD

RGB 58 102 221

HSL 223.8, 0.71%, 0.55%

LAB 46.48, 25.84, -65.22

 

CMYK 5 / 74 / 0 / 13

HEX #D23ADD

RGB 210 58 221

HSL 295.95, 0.71%, 0.55%

LAB 53.97, 76.63, -52.36

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 74 / 0 / 57 / 13

HEX #3ADD60

RGB 58 221 96

HSL 133.99, 0.71%, 0.55%

LAB 78.14, -66.45, 48.97

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DD

RGB 58 102 221

HSL 223.8, 0.71%, 0.55%

LAB 46.48, 25.84, -65.22

 

CMYK 0 / 74 / 17 / 13

HEX #DD3AB7

RGB 221 58 183

HSL 313.99, 0.71%, 0.55%

LAB 53.83, 73.31, -30.65

 

Description

Color code: HEX #DEB239 | qconv.com Color code: HEX #DEB239 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 178 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 178 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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