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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEE5BF it is the complementary color #211A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEE5BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEE5BF shade: #E3E5BA, #F4F7CD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEE5BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEE5BF shade: #DEE5BF, #CDD3AC, #BCC199, #ABAF86 and #9A9D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEE5BF shade: #DDE4BD, #E4E1BD, #E4D6BD, #E4CCBD and #E4C1BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEE5BF shade: #DDE4BD, #D2E4BD, #C8E4BD, #BEE4BD and #BDE4C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEE5BF shade matches the following richer shades: #DDE4BD, #E1EBB6, #E6F3AE and #EBFAA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEE5BF shade: #DDE4BD, #D8DCC5, #D3D5CC, #CFCED4 and #CAC6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEE5BF shade: #E4D6BD, #E4E1BD, #DDE4BD, #D3E4BD and #C8E4BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEE5BF shade: #BECC83, #CED8A0, #DDE4BD, #ECF0DB and #FBFCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEE5BF shade: #DEE5BF, #BDE4CC and #DCBDE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEE5BF shade: #DEE5BF, #BDDDE4 and #E4BDDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEE5BF shade: #DEE5BF, #BDE4CC, #C4BDE4 and #E4BDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEE5BF shade: #DEE5BF, #BDE4D8, #C4BDE4 and #E4BDCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

Complementary color

CMYK 48 / 59 / 0 / 75

HEX #211A40

RGB 33 26 64

HSL 251.05, 0.42%, 0.18%

LAB 12.17, 14.79, -23.17

 

CMYK 1 / 0 / 19 / 10

HEX #E3E5BA

RGB 227 229 186

HSL 62.79, 0.45%, 0.81%

LAB 89.82, -7.7, 20.79

 

CMYK 1 / 0 / 17 / 3

HEX #F4F7CD

RGB 244 247 205

HSL 64.29, 0.72%, 0.89%

LAB 96.06, -7.85, 19.9

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

CMYK 3 / 0 / 18 / 17

HEX #CDD3AC

RGB 205 211 172

HSL 69.23, 0.31%, 0.75%

LAB 83.2, -8.64, 18.66

 

CMYK 3 / 0 / 21 / 24

HEX #BCC199

RGB 188 193 153

HSL 67.5, 0.24%, 0.68%

LAB 76.76, -8.52, 19.61

 

CMYK 2 / 0 / 23 / 31

HEX #ABAF86

RGB 171 175 134

HSL 65.85, 0.2%, 0.61%

LAB 70.2, -8.38, 20.61

 

CMYK 2 / 0 / 27 / 38

HEX #9A9D73

RGB 154 157 115

HSL 64.29, 0.18%, 0.53%

LAB 63.53, -8.21, 21.67

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 0 / 1 / 17 / 11

HEX #E4E1BD

RGB 228 225 189

HSL 55.38, 0.42%, 0.82%

LAB 88.93, -4.87, 18.01

 

CMYK 0 / 6 / 17 / 11

HEX #E4D6BD

RGB 228 214 189

HSL 38.46, 0.42%, 0.82%

LAB 86.14, 0.78, 14.08

 

CMYK 0 / 11 / 17 / 11

HEX #E4CCBD

RGB 228 204 189

HSL 23.08, 0.42%, 0.82%

LAB 83.63, 5.99, 10.52

 

CMYK 0 / 15 / 17 / 11

HEX #E4C1BD

RGB 228 193 189

HSL 6.15, 0.42%, 0.82%

LAB 80.91, 11.8, 6.63

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 8 / 0 / 17 / 11

HEX #D2E4BD

RGB 210 228 189

HSL 87.69, 0.42%, 0.82%

LAB 88.38, -12.81, 17.05

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 0 / 17 / 11

HEX #BEE4BD

RGB 190 228 189

HSL 118.46, 0.42%, 0.82%

LAB 87.05, -19.68, 14.98

 

CMYK 17 / 0 / 13 / 11

HEX #BDE4C7

RGB 189 228 199

HSL 135.38, 0.42%, 0.82%

LAB 87.21, -18.24, 9.96

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 4 / 0 / 23 / 8

HEX #E1EBB6

RGB 225 235 182

HSL 71.32, 0.57%, 0.82%

LAB 91.14, -12.02, 24.66

 

CMYK 5 / 0 / 28 / 5

HEX #E6F3AE

RGB 230 243 174

HSL 71.3, 0.74%, 0.82%

LAB 93.44, -15.26, 31.92

 

CMYK 6 / 0 / 33 / 2

HEX #EBFAA7

RGB 235 250 167

HSL 70.84, 0.89%, 0.82%

LAB 95.51, -17.73, 38.23

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 2 / 0 / 10 / 14

HEX #D8DCC5

RGB 216 220 197

HSL 70.43, 0.25%, 0.82%

LAB 86.91, -5.34, 10.83

 

CMYK 1 / 0 / 4 / 16

HEX #D3D5CC

RGB 211 213 204

HSL 73.33, 0.1%, 0.82%

LAB 84.89, -2.29, 4.2

 

CMYK 2 / 3 / 0 / 17

HEX #CFCED4

RGB 207 206 212

HSL 250, 0.07%, 0.82%

LAB 83, 1.45, -2.86

 

CMYK 8 / 10 / 0 / 14

HEX #CAC6DB

RGB 202 198 219

HSL 251.43, 0.23%, 0.82%

LAB 80.77, 5.36, -9.94

 

CMYK 0 / 6 / 17 / 11

HEX #E4D6BD

RGB 228 214 189

HSL 38.46, 0.42%, 0.82%

LAB 86.14, 0.78, 14.08

 

CMYK 0 / 1 / 17 / 11

HEX #E4E1BD

RGB 228 225 189

HSL 55.38, 0.42%, 0.82%

LAB 88.93, -4.87, 18.01

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 7 / 0 / 17 / 11

HEX #D3E4BD

RGB 211 228 189

HSL 86.15, 0.42%, 0.82%

LAB 88.45, -12.45, 17.15

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 7 / 0 / 36 / 20

HEX #BECC83

RGB 190 204 131

HSL 71.51, 0.42%, 0.66%

LAB 79.48, -16.39, 34.83

 

CMYK 5 / 0 / 26 / 15

HEX #CED8A0

RGB 206 216 160

HSL 70.71, 0.42%, 0.74%

LAB 84.37, -12.56, 26.55

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 2 / 0 / 9 / 6

HEX #ECF0DB

RGB 236 240 219

HSL 71.43, 0.41%, 0.9%

LAB 94, -4.94, 9.68

 

CMYK 0 / 0 / 2 / 1

HEX #FBFCF8

RGB 251 252 248

HSL 75, 0.4%, 0.98%

LAB 98.79, -1.02, 1.78

 

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

CMYK 17 / 0 / 11 / 11

HEX #BDE4CC

RGB 189 228 204

HSL 143.08, 0.42%, 0.82%

LAB 87.32, -17.32, 7.5

 

CMYK 4 / 17 / 0 / 11

HEX #DCBDE4

RGB 220 189 228

HSL 287.69, 0.42%, 0.82%

LAB 80.3, 17.89, -15.33

 

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

CMYK 17 / 3 / 0 / 11

HEX #BDDDE4

RGB 189 221 228

HSL 190.77, 0.42%, 0.82%

LAB 86.07, -9.04, -6.96

 

CMYK 0 / 17 / 3 / 11

HEX #E4BDDD

RGB 228 189 221

HSL 310.77, 0.42%, 0.82%

LAB 80.8, 19.27, -10.74

 

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

CMYK 17 / 0 / 11 / 11

HEX #BDE4CC

RGB 189 228 204

HSL 143.08, 0.42%, 0.82%

LAB 87.32, -17.32, 7.5

 

CMYK 14 / 17 / 0 / 11

HEX #C4BDE4

RGB 196 189 228

HSL 250.77, 0.42%, 0.82%

LAB 78.31, 10.08, -18.53

 

CMYK 0 / 17 / 7 / 11

HEX #E4BDD5

RGB 228 189 213

HSL 323.08, 0.42%, 0.82%

LAB 80.57, 17.86, -6.78

 

CMYK 3 / 0 / 17 / 10

HEX #DEE5BF

RGB 222 229 191

HSL 71.05, 0.42%, 0.82%

LAB 89.55, -8.75, 17.76

 

CMYK 17 / 0 / 5 / 11

HEX #BDE4D8

RGB 189 228 216

HSL 161.54, 0.42%, 0.82%

LAB 87.61, -15.03, 1.62

 

CMYK 14 / 17 / 0 / 11

HEX #C4BDE4

RGB 196 189 228

HSL 250.77, 0.42%, 0.82%

LAB 78.31, 10.08, -18.53

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCA

RGB 228 189 202

HSL 340, 0.42%, 0.82%

LAB 80.27, 16, -1.3

 

Description

Color code: HEX #DEE5BF | qconv.com Color code: HEX #DEE5BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 229 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 229 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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