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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7BA8 it is the complementary color #208457. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7BA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7BA8 shade: #E47BA3, #F58DB6, #FF9FC9, #FFB1DC and #FFC3EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7BA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7BA8 shade: #DF7BA8, #CE6995, #BD5782, #AC456F and #9B335C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7BA8 shade: #DF7BA8, #DF7B8D and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7BA8 shade: #DF7BA8, #DF7BC3, #DF7BDE, #C57BDF and #AA7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7BA8 shade matches the following richer shades: #DF7BA8, #EC6EA7 and #F961A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7BA8 shade: #DF7BA8, #D188A9, #C496AB, #B7A3AC and #AAB0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7BA8 shade: #DF7BDD, #DF7BC2, #DF7BA8, #DF7B8D and #DF837B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7BA8 shade: #CF397C, #D75A92, #DF7BA8, #E79CBE and #EFBED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7BA8 shade: #DF7BA8, #DFC67B and #7BD0DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7BA8 shade: #DF7BA8, #A8DF7B and #7BA8DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7BA8 shade: #DF7BA8, #DFC67B, #7BDFB2 and #7B94DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7BA8 shade: #DF7BA8, #DADF7B, #7BDFB2 and #807BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

Complementary color

CMYK 76 / 0 / 34 / 48

HEX #208457

RGB 32 132 87

HSL 153, 0.61%, 0.32%

LAB 48.88, -39.24, 16.41

 

CMYK 0 / 46 / 29 / 11

HEX #E47BA3

RGB 228 123 163

HSL 337.14, 0.66%, 0.69%

LAB 64.41, 45.1, -3

 

CMYK 0 / 42 / 26 / 4

HEX #F58DB6

RGB 245 141 182

HSL 336.35, 0.84%, 0.76%

LAB 70.76, 44.26, -4.09

 

CMYK 0 / 38 / 21 / 0

HEX #FF9FC9

RGB 255 159 201

HSL 333.75, 1%, 0.81%

LAB 76.24, 41.09, -6.37

 

CMYK 0 / 31 / 14 / 0

HEX #FFB1DC

RGB 255 177 220

HSL 326.92, 1%, 0.85%

LAB 80.67, 34.61, -10.12

 

CMYK 0 / 24 / 6 / 0

HEX #FFC3EF

RGB 255 195 239

HSL 316, 1%, 0.88%

LAB 85.26, 28.29, -13.44

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 49 / 28 / 19

HEX #CE6995

RGB 206 105 149

HSL 333.86, 0.51%, 0.61%

LAB 57.46, 44.9, -5.54

 

CMYK 0 / 54 / 31 / 26

HEX #BD5782

RGB 189 87 130

HSL 334.71, 0.44%, 0.54%

LAB 50.97, 45.68, -4.21

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 0 / 67 / 41 / 39

HEX #9B335C

RGB 155 51 92

HSL 336.35, 0.5%, 0.4%

LAB 38.04, 46.75, -0.54

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 45 / 37 / 13

HEX #DF7B8D

RGB 223 123 141

HSL 349.2, 0.61%, 0.68%

LAB 63.16, 40.61, 7.65

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 45 / 13 / 13

HEX #DF7BC3

RGB 223 123 195

HSL 316.8, 0.61%, 0.68%

LAB 64.8, 48.14, -20.6

 

CMYK 0 / 45 / 0 / 13

HEX #DF7BDE

RGB 223 123 222

HSL 300.6, 0.61%, 0.68%

LAB 65.85, 52.71, -34.1

 

CMYK 12 / 45 / 0 / 13

HEX #C57BDF

RGB 197 123 223

HSL 284.4, 0.61%, 0.68%

LAB 62.81, 45.39, -39.62

 

CMYK 24 / 45 / 0 / 13

HEX #AA7BDF

RGB 170 123 223

HSL 268.2, 0.61%, 0.68%

LAB 59.92, 37.76, -44.36

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 53 / 29 / 7

HEX #EC6EA7

RGB 236 110 167

HSL 332.86, 0.77%, 0.68%

LAB 63.16, 54.6, -7.01

 

CMYK 0 / 61 / 34 / 2

HEX #F961A5

RGB 249 97 165

HSL 333.16, 0.93%, 0.68%

LAB 62.85, 64.12, -6.11

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 35 / 19 / 18

HEX #D188A9

RGB 209 136 169

HSL 332.88, 0.44%, 0.68%

LAB 64.98, 32.55, -5.82

 

CMYK 0 / 23 / 13 / 23

HEX #C496AB

RGB 196 150 171

HSL 332.61, 0.28%, 0.68%

LAB 66.89, 20.57, -4.28

 

CMYK 0 / 11 / 6 / 28

HEX #B7A3AC

RGB 183 163 172

HSL 333, 0.12%, 0.68%

LAB 68.92, 8.86, -1.99

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AD

RGB 170 176 173

HSL 150, 0.04%, 0.68%

LAB 71.29, -2.67, 0.79

 

CMYK 0 / 45 / 1 / 13

HEX #DF7BDD

RGB 223 123 221

HSL 301.2, 0.61%, 0.68%

LAB 65.81, 52.53, -33.61

 

CMYK 0 / 45 / 13 / 13

HEX #DF7BC2

RGB 223 123 194

HSL 317.4, 0.61%, 0.68%

LAB 64.76, 47.98, -20.1

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 45 / 37 / 13

HEX #DF7B8D

RGB 223 123 141

HSL 349.2, 0.61%, 0.68%

LAB 63.16, 40.61, 7.65

 

CMYK 0 / 41 / 45 / 13

HEX #DF837B

RGB 223 131 123

HSL 4.8, 0.61%, 0.68%

LAB 64.44, 34.47, 19.66

 

CMYK 0 / 72 / 40 / 19

HEX #CF397C

RGB 207 57 124

HSL 333.2, 0.61%, 0.52%

LAB 49.06, 63.1, -3.1

 

CMYK 0 / 58 / 32 / 16

HEX #D75A92

RGB 215 90 146

HSL 333.12, 0.61%, 0.6%

LAB 55.92, 54.64, -5.92

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 32 / 18 / 9

HEX #E79CBE

RGB 231 156 190

HSL 332.8, 0.61%, 0.76%

LAB 72.55, 32.78, -6.07

 

CMYK 0 / 21 / 11 / 6

HEX #EFBED4

RGB 239 190 212

HSL 333.06, 0.6%, 0.84%

LAB 81.8, 20.97, -4.31

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 11 / 45 / 13

HEX #DFC67B

RGB 223 198 123

HSL 45, 0.61%, 0.68%

LAB 80.46, -1.16, 40.69

 

CMYK 45 / 7 / 0 / 13

HEX #7BD0DF

RGB 123 208 223

HSL 189, 0.61%, 0.68%

LAB 78.84, -21.87, -15.47

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 25 / 0 / 45 / 13

HEX #A8DF7B

RGB 168 223 123

HSL 93, 0.61%, 0.68%

LAB 83.19, -34.68, 43.27

 

CMYK 45 / 25 / 0 / 13

HEX #7BA8DF

RGB 123 168 223

HSL 213, 0.61%, 0.68%

LAB 67.68, -0.66, -32.5

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 11 / 45 / 13

HEX #DFC67B

RGB 223 198 123

HSL 45, 0.61%, 0.68%

LAB 80.46, -1.16, 40.69

 

CMYK 45 / 0 / 20 / 13

HEX #7BDFB2

RGB 123 223 178

HSL 153, 0.61%, 0.68%

LAB 81.95, -39.57, 13.05

 

CMYK 45 / 34 / 0 / 13

HEX #7B94DF

RGB 123 148 223

HSL 225, 0.61%, 0.68%

LAB 62.27, 10.75, -40.93

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 2 / 0 / 45 / 13

HEX #DADF7B

RGB 218 223 123

HSL 63, 0.61%, 0.68%

LAB 86.56, -15.84, 48.18

 

CMYK 45 / 0 / 20 / 13

HEX #7BDFB2

RGB 123 223 178

HSL 153, 0.61%, 0.68%

LAB 81.95, -39.57, 13.05

 

CMYK 43 / 45 / 0 / 13

HEX #807BDF

RGB 128 123 223

HSL 243, 0.61%, 0.68%

LAB 56.17, 26.7, -50.55

 

Description

Color code: HEX #DF7BA8 | qconv.com Color code: HEX #DF7BA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 123 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 123 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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