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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB957 it is the complementary color #2046A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB957 shade: #E4B952, #F5CB65, #FFDD78, #FFEF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB957 shade: #DFB957, #CEA744, #BD9531, #AC831E and #9B710B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB957 shade: #DFB957, #DF9457, #DF7057 and #DF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB957 shade: #DFB957, #DFDD57, #BCDF57, #97DF57 and #73DF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB957 shade matches the following richer shades: #DFB957 and #EFC047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB957 shade: #DFB957, #CFB268, #BEAB78, #AEA488 and #9E9C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB957 shade: #DF7057, #DF9457, #DFB857, #DFDC57 and #BDDF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB957 shade: #C09424, #D8AA35, #DFB957, #E5C77A and #ECD69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB957 shade: #DFB957, #63DF57 and #8257DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB957 shade: #DFB957, #57DFB8 and #B857DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB957 shade: #DFB957, #63DF57, #577EDF and #D357DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB957 shade: #DFB957, #57DF75, #577EDF and #DF57C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

Complementary color

CMYK 81 / 58 / 0 / 34

HEX #2046A8

RGB 32 70 168

HSL 223.24, 0.68%, 0.39%

LAB 32.95, 23.89, -56.39

 

CMYK 0 / 19 / 64 / 11

HEX #E4B952

RGB 228 185 82

HSL 42.33, 0.73%, 0.61%

LAB 77.16, 4.39, 56.65

 

CMYK 0 / 17 / 59 / 4

HEX #F5CB65

RGB 245 203 101

HSL 42.5, 0.88%, 0.68%

LAB 83.48, 3.36, 55.5

 

CMYK 0 / 13 / 53 / 0

HEX #FFDD78

RGB 255 221 120

HSL 44.89, 1%, 0.74%

LAB 89.08, -0.34, 53.38

 

CMYK 0 / 6 / 45 / 0

HEX #FFEF8B

RGB 255 239 139

HSL 51.72, 1%, 0.77%

LAB 93.82, -7.73, 50.09

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 19 / 67 / 19

HEX #CEA744

RGB 206 167 68

HSL 43.04, 0.58%, 0.54%

LAB 70.3, 3.7, 54.83

 

CMYK 0 / 21 / 74 / 26

HEX #BD9531

RGB 189 149 49

HSL 42.86, 0.59%, 0.47%

LAB 63.78, 4.98, 55.63

 

CMYK 0 / 24 / 83 / 33

HEX #AC831E

RGB 172 131 30

HSL 42.68, 0.7%, 0.4%

LAB 57.17, 6.52, 55.82

 

CMYK 0 / 27 / 93 / 39

HEX #9B710B

RGB 155 113 11

HSL 42.5, 0.87%, 0.33%

LAB 50.46, 8.36, 54.72

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 34 / 61 / 13

HEX #DF9457

RGB 223 148 87

HSL 26.91, 0.68%, 0.61%

LAB 67.69, 22.33, 43.32

 

CMYK 0 / 50 / 61 / 13

HEX #DF7057

RGB 223 112 87

HSL 11.03, 0.68%, 0.61%

LAB 59.86, 41.2, 33.81

 

CMYK 0 / 61 / 61 / 13

HEX #DF5757

RGB 223 87 87

HSL 0, 0.68%, 0.61%

LAB 55.27, 53.08, 28.02

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 1 / 61 / 13

HEX #DFDD57

RGB 223 221 87

HSL 59.12, 0.68%, 0.61%

LAB 86.05, -15.76, 63.99

 

CMYK 16 / 0 / 61 / 13

HEX #BCDF57

RGB 188 223 87

HSL 75.44, 0.68%, 0.61%

LAB 84.05, -30.73, 61.07

 

CMYK 32 / 0 / 61 / 13

HEX #97DF57

RGB 151 223 87

HSL 91.76, 0.68%, 0.61%

LAB 81.86, -44.42, 58.05

 

CMYK 48 / 0 / 61 / 13

HEX #73DF57

RGB 115 223 87

HSL 107.65, 0.68%, 0.61%

LAB 80.24, -55.84, 55.79

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 20 / 70 / 6

HEX #EFC047

RGB 239 192 71

HSL 43.21, 0.84%, 0.61%

LAB 79.9, 4.76, 64.55

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 14 / 50 / 19

HEX #CFB268

RGB 207 178 104

HSL 43.11, 0.52%, 0.61%

LAB 73.61, 0.96, 41.45

 

CMYK 0 / 10 / 37 / 25

HEX #BEAB78

RGB 190 171 120

HSL 43.71, 0.35%, 0.61%

LAB 70.48, -0.6, 28.79

 

CMYK 0 / 6 / 22 / 32

HEX #AEA488

RGB 174 164 136

HSL 44.21, 0.19%, 0.61%

LAB 67.52, -1.03, 15.85

 

CMYK 0 / 1 / 4 / 38

HEX #9E9C98

RGB 158 156 152

HSL 40, 0.03%, 0.61%

LAB 64.41, -0.02, 2.34

 

CMYK 0 / 50 / 61 / 13

HEX #DF7057

RGB 223 112 87

HSL 11.03, 0.68%, 0.61%

LAB 59.86, 41.2, 33.81

 

CMYK 0 / 34 / 61 / 13

HEX #DF9457

RGB 223 148 87

HSL 26.91, 0.68%, 0.61%

LAB 67.69, 22.33, 43.32

 

CMYK 0 / 17 / 61 / 13

HEX #DFB857

RGB 223 184 87

HSL 42.79, 0.68%, 0.61%

LAB 76.47, 3.13, 53.46

 

CMYK 0 / 1 / 61 / 13

HEX #DFDC57

RGB 223 220 87

HSL 58.68, 0.68%, 0.61%

LAB 85.79, -15.26, 63.71

 

CMYK 15 / 0 / 61 / 13

HEX #BDDF57

RGB 189 223 87

HSL 75, 0.68%, 0.61%

LAB 84.11, -30.34, 61.17

 

CMYK 0 / 23 / 81 / 25

HEX #C09424

RGB 192 148 36

HSL 43.08, 0.68%, 0.45%

LAB 63.77, 6.35, 60.48

 

CMYK 0 / 21 / 75 / 15

HEX #D8AA35

RGB 216 170 53

HSL 43.07, 0.68%, 0.53%

LAB 71.96, 5.68, 62.95

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 0 / 13 / 47 / 10

HEX #E5C77A

RGB 229 199 122

HSL 43.18, 0.67%, 0.69%

LAB 81.24, 0.64, 42.29

 

CMYK 0 / 9 / 33 / 7

HEX #ECD69D

RGB 236 214 157

HSL 43.29, 0.68%, 0.77%

LAB 86.19, -0.57, 30.96

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 56 / 0 / 61 / 13

HEX #63DF57

RGB 99 223 87

HSL 114.71, 0.68%, 0.61%

LAB 79.68, -60.09, 55.01

 

CMYK 42 / 61 / 0 / 13

HEX #8257DF

RGB 130 87 223

HSL 258.97, 0.68%, 0.61%

LAB 48.12, 47.91, -63.45

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 61 / 0 / 17 / 13

HEX #57DFB8

RGB 87 223 184

HSL 162.79, 0.68%, 0.61%

LAB 80.88, -46.16, 8.21

 

CMYK 17 / 61 / 0 / 13

HEX #B857DF

RGB 184 87 223

HSL 282.79, 0.68%, 0.61%

LAB 54.38, 60.05, -53.06

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 56 / 0 / 61 / 13

HEX #63DF57

RGB 99 223 87

HSL 114.71, 0.68%, 0.61%

LAB 79.68, -60.09, 55.01

 

CMYK 61 / 43 / 0 / 13

HEX #577EDF

RGB 87 126 223

HSL 222.79, 0.68%, 0.61%

LAB 54.32, 16.02, -53.65

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 0 / 17 / 61 / 13

HEX #DFB957

RGB 223 185 87

HSL 43.24, 0.68%, 0.61%

LAB 76.72, 2.61, 53.75

 

CMYK 61 / 0 / 48 / 13

HEX #57DF75

RGB 87 223 117

HSL 133.24, 0.68%, 0.61%

LAB 79.66, -59.05, 41.03

 

CMYK 61 / 43 / 0 / 13

HEX #577EDF

RGB 87 126 223

HSL 222.79, 0.68%, 0.61%

LAB 54.32, 16.02, -53.65

 

CMYK 0 / 61 / 13 / 13

HEX #DF57C1

RGB 223 87 193

HSL 313.24, 0.68%, 0.61%

LAB 58.37, 64.65, -29.34

 

Description

Color code: HEX #DFB957 | qconv.com Color code: HEX #DFB957 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 185 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 185 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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