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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC376 it is the complementary color #203C89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC376 shade: #E4C371, #F5D584, #FFE797, #FFF9AA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC376 shade: #DFC376, #CEB163, #BD9F50, #AC8D3D and #9B7B2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC376 shade: #DFC376, #DFA776, #DF8A76 and #DF7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC376 shade: #DFC376, #DEDF76, #C2DF76, #A6DF76 and #8ADF76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC376 shade matches the following richer shades: #DFC376, #ECC969 and #FACF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC376 shade: #DFC376, #D1BC84, #C3B691, #B6B09F and #A8A9AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC376 shade: #DF8B76, #DFA776, #DFC376, #DFDF76 and #C3DF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC376 shade: #CFA533, #D7B455, #DFC376, #E6D198 and #EEE0B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC376 shade: #DFC376, #7DDF76 and #9976DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC376 shade: #DFC376, #76DFC3 and #C376DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC376 shade: #DFC376, #7DDF76, #7692DF and #D876DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC376 shade: #DFC376, #76DF8F, #7692DF and #DF76C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

Complementary color

CMYK 77 / 56 / 0 / 46

HEX #203C89

RGB 32 60 137

HSL 224, 0.62%, 0.33%

LAB 27.7, 18.48, -46.05

 

CMYK 0 / 14 / 50 / 11

HEX #E4C371

RGB 228 195 113

HSL 42.78, 0.68%, 0.67%

LAB 80.02, 1.49, 45.25

 

CMYK 0 / 13 / 46 / 4

HEX #F5D584

RGB 245 213 132

HSL 43.01, 0.85%, 0.74%

LAB 86.34, 0.79, 44

 

CMYK 0 / 9 / 41 / 0

HEX #FFE797

RGB 255 231 151

HSL 46.15, 1%, 0.8%

LAB 91.97, -2.54, 41.89

 

CMYK 0 / 2 / 33 / 0

HEX #FFF9AA

RGB 255 249 170

HSL 55.76, 1%, 0.83%

LAB 96.78, -9.44, 38.7

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 14 / 52 / 19

HEX #CEB163

RGB 206 177 99

HSL 43.74, 0.52%, 0.6%

LAB 73.2, 0.63, 43.43

 

CMYK 0 / 16 / 58 / 26

HEX #BD9F50

RGB 189 159 80

HSL 43.49, 0.45%, 0.53%

LAB 66.67, 1.48, 44.71

 

CMYK 0 / 18 / 65 / 33

HEX #AC8D3D

RGB 172 141 61

HSL 43.24, 0.48%, 0.46%

LAB 60.03, 2.5, 45.92

 

CMYK 0 / 21 / 73 / 39

HEX #9B7B2A

RGB 155 123 42

HSL 43.01, 0.57%, 0.39%

LAB 53.28, 3.75, 46.91

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 25 / 47 / 13

HEX #DFA776

RGB 223 167 118

HSL 28, 0.62%, 0.67%

LAB 72.65, 14.73, 33.3

 

CMYK 0 / 38 / 47 / 13

HEX #DF8A76

RGB 223 138 118

HSL 11.43, 0.62%, 0.67%

LAB 65.88, 30.27, 24.4

 

CMYK 0 / 47 / 47 / 13

HEX #DF7676

RGB 223 118 118

HSL 0, 0.62%, 0.67%

LAB 61.61, 40.71, 18.62

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 0 / 47 / 13

HEX #DEDF76

RGB 222 223 118

HSL 60.57, 0.62%, 0.67%

LAB 86.81, -14.73, 50.95

 

CMYK 13 / 0 / 47 / 13

HEX #C2DF76

RGB 194 223 118

HSL 76.57, 0.62%, 0.67%

LAB 84.77, -25.65, 48

 

CMYK 26 / 0 / 47 / 13

HEX #A6DF76

RGB 166 223 118

HSL 92.57, 0.62%, 0.67%

LAB 83.01, -35.98, 45.45

 

CMYK 38 / 0 / 47 / 13

HEX #8ADF76

RGB 138 223 118

HSL 108.57, 0.62%, 0.67%

LAB 81.56, -45.38, 43.32

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 15 / 56 / 7

HEX #ECC969

RGB 236 201 105

HSL 43.97, 0.78%, 0.67%

LAB 82.18, 0.99, 51.9

 

CMYK 0 / 17 / 64 / 2

HEX #FACF5B

RGB 250 207 91

HSL 43.77, 0.94%, 0.67%

LAB 84.85, 2.71, 61.67

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 10 / 37 / 18

HEX #D1BC84

RGB 209 188 132

HSL 43.64, 0.46%, 0.67%

LAB 76.79, -0.58, 31.08

 

CMYK 0 / 7 / 26 / 24

HEX #C3B691

RGB 195 182 145

HSL 44.4, 0.29%, 0.67%

LAB 74.26, -1.23, 20.54

 

CMYK 0 / 3 / 13 / 29

HEX #B6B09F

RGB 182 176 159

HSL 44.35, 0.14%, 0.67%

LAB 71.89, -0.83, 9.46

 

CMYK 3 / 2 / 0 / 32

HEX #A8A9AD

RGB 168 169 173

HSL 228, 0.03%, 0.67%

LAB 69.27, 0.42, -2.19

 

CMYK 0 / 38 / 47 / 13

HEX #DF8B76

RGB 223 139 118

HSL 12, 0.62%, 0.67%

LAB 66.11, 29.73, 24.7

 

CMYK 0 / 25 / 47 / 13

HEX #DFA776

RGB 223 167 118

HSL 28, 0.62%, 0.67%

LAB 72.65, 14.73, 33.3

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 0 / 47 / 13

HEX #DFDF76

RGB 223 223 118

HSL 60, 0.62%, 0.67%

LAB 86.88, -14.34, 51.06

 

CMYK 13 / 0 / 47 / 13

HEX #C3DF76

RGB 195 223 118

HSL 76, 0.62%, 0.67%

LAB 84.84, -25.27, 48.1

 

CMYK 0 / 20 / 75 / 19

HEX #CFA533

RGB 207 165 51

HSL 43.85, 0.62%, 0.51%

LAB 69.76, 4.35, 61.28

 

CMYK 0 / 16 / 60 / 16

HEX #D7B455

RGB 215 180 85

HSL 43.85, 0.62%, 0.59%

LAB 74.66, 1.73, 52.14

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 0 / 9 / 34 / 10

HEX #E6D198

RGB 230 209 152

HSL 43.85, 0.61%, 0.75%

LAB 84.32, -0.91, 30.97

 

CMYK 0 / 6 / 22 / 7

HEX #EEE0B9

RGB 238 224 185

HSL 44.15, 0.61%, 0.83%

LAB 89.39, -1.29, 20.85

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 44 / 0 / 47 / 13

HEX #7DDF76

RGB 125 223 118

HSL 116, 0.62%, 0.67%

LAB 80.98, -49.32, 42.48

 

CMYK 31 / 47 / 0 / 13

HEX #9976DF

RGB 153 118 223

HSL 260, 0.62%, 0.67%

LAB 57.13, 35.97, -48.89

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 47 / 0 / 13 / 13

HEX #76DFC3

RGB 118 223 195

HSL 164, 0.62%, 0.67%

LAB 82.15, -37.11, 4.33

 

CMYK 13 / 47 / 0 / 13

HEX #C376DF

RGB 195 118 223

HSL 284, 0.62%, 0.67%

LAB 61.56, 47.46, -41.61

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 44 / 0 / 47 / 13

HEX #7DDF76

RGB 125 223 118

HSL 116, 0.62%, 0.67%

LAB 80.98, -49.32, 42.48

 

CMYK 47 / 35 / 0 / 13

HEX #7692DF

RGB 118 146 223

HSL 224, 0.62%, 0.67%

LAB 61.43, 10.69, -42.28

 

CMYK 3 / 47 / 0 / 13

HEX #D876DF

RGB 216 118 223

HSL 296, 0.62%, 0.67%

LAB 64.07, 53.38, -37.5

 

CMYK 0 / 13 / 47 / 13

HEX #DFC376

RGB 223 195 118

HSL 44, 0.62%, 0.67%

LAB 79.63, -0.09, 42.17

 

CMYK 47 / 0 / 36 / 13

HEX #76DF8F

RGB 118 223 143

HSL 134.29, 0.62%, 0.67%

LAB 81.08, -47.47, 30.04

 

CMYK 47 / 35 / 0 / 13

HEX #7692DF

RGB 118 146 223

HSL 224, 0.62%, 0.67%

LAB 61.43, 10.69, -42.28

 

CMYK 0 / 47 / 11 / 13

HEX #DF76C6

RGB 223 118 198

HSL 314.29, 0.62%, 0.67%

LAB 63.94, 51.13, -23.61

 

Description

Color code: HEX #DFC376 | qconv.com Color code: HEX #DFC376 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 47% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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