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Color name
HEX #DFCACC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCACC it is the complementary color #203533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCACC shade: #E4CAC7, #F5DCDA and #FFEEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCACC shade: #DFCACC, #CEB8B9, #BDA6A6, #AC9493 and #9B8280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCACC shade: #DEC8CA and #DEC8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCACC shade: #DEC8CA, #DEC8D0, #DEC8D6, #DEC8DC and #DAC8DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCACC shade matches the following richer shades: #DEC8CA, #E5C1C5, #ECBABF, #F3B3B9 and #FAACB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCACC shade: #DEC8CA, #D7CFD0, #D0D6D6, #C9DDDB and #C2E4E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCACC shade: #DEC8D6, #DEC8D0, #DEC8CA, #DECCC8 and #DED2C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCACC shade: #BF9599, #CFAFB2, #DEC8CA, #EDE2E3 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCACC shade: #DFCACC, #DCDEC8 and #C8D3DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCACC shade: #DFCACC, #CADEC8 and #C8CADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCACC shade: #DFCACC, #DCDEC8, #C8DEDC and #CAC8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCACC shade: #DFCACC, #D5DEC8, #C8DEDC and #D1C8DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

Complementary color

CMYK 40 / 0 / 4 / 79

HEX #203533

RGB 32 53 51

HSL 174.29, 0.25%, 0.17%

LAB 20.41, -8.91, -1.41

 

CMYK 0 / 11 / 13 / 11

HEX #E4CAC7

RGB 228 202 199

HSL 6.21, 0.35%, 0.84%

LAB 83.37, 8.62, 4.82

 

CMYK 0 / 10 / 11 / 4

HEX #F5DCDA

RGB 245 220 218

HSL 4.44, 0.57%, 0.91%

LAB 89.7, 8.28, 4.11

 

CMYK 0 / 7 / 7 / 0

HEX #FFEEED

RGB 255 238 237

HSL 3.33, 1%, 0.96%

LAB 95.38, 5.57, 2.54

 

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

CMYK 0 / 11 / 10 / 19

HEX #CEB8B9

RGB 206 184 185

HSL 357.27, 0.18%, 0.76%

LAB 76.62, 8, 2.35

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 0 / 14 / 15 / 33

HEX #AC9493

RGB 172 148 147

HSL 2.4, 0.13%, 0.63%

LAB 63.39, 8.76, 3.83

 

CMYK 0 / 16 / 17 / 39

HEX #9B8280

RGB 155 130 128

HSL 4.44, 0.12%, 0.55%

LAB 56.58, 9.21, 4.64

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 10 / 10 / 13

HEX #DEC8C8

RGB 222 200 200

HSL 0, 0.25%, 0.83%

LAB 82.38, 7.7, 2.8

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 10 / 6 / 13

HEX #DEC8D0

RGB 222 200 208

HSL 338.18, 0.25%, 0.83%

LAB 82.59, 9.06, -1.18

 

CMYK 0 / 10 / 4 / 13

HEX #DEC8D6

RGB 222 200 214

HSL 321.82, 0.25%, 0.83%

LAB 82.75, 10.11, -4.15

 

CMYK 0 / 10 / 1 / 13

HEX #DEC8DC

RGB 222 200 220

HSL 305.45, 0.25%, 0.83%

LAB 82.92, 11.19, -7.12

 

CMYK 2 / 10 / 0 / 13

HEX #DAC8DE

RGB 218 200 222

HSL 289.09, 0.25%, 0.83%

LAB 82.64, 10.21, -8.63

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 16 / 14 / 10

HEX #E5C1C5

RGB 229 193 197

HSL 353.33, 0.41%, 0.83%

LAB 81.2, 13.42, 2.76

 

CMYK 0 / 21 / 19 / 7

HEX #ECBABF

RGB 236 186 191

HSL 354, 0.57%, 0.83%

LAB 80.02, 18.72, 4.37

 

CMYK 0 / 26 / 24 / 5

HEX #F3B3B9

RGB 243 179 185

HSL 354.38, 0.73%, 0.83%

LAB 78.92, 24.1, 6.12

 

CMYK 0 / 31 / 28 / 2

HEX #FAACB4

RGB 250 172 180

HSL 353.85, 0.89%, 0.83%

LAB 77.95, 29.65, 7.53

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 4 / 3 / 16

HEX #D7CFD0

RGB 215 207 208

HSL 352.5, 0.09%, 0.83%

LAB 83.77, 2.94, 0.48

 

CMYK 3 / 0 / 0 / 16

HEX #D0D6D6

RGB 208 214 214

HSL 180, 0.07%, 0.83%

LAB 85.18, -2.03, -0.72

 

CMYK 9 / 0 / 1 / 13

HEX #C9DDDB

RGB 201 221 219

HSL 174, 0.23%, 0.83%

LAB 86.63, -7.02, -1.31

 

CMYK 15 / 0 / 1 / 11

HEX #C2E4E1

RGB 194 228 225

HSL 174.71, 0.39%, 0.83%

LAB 88.16, -11.66, -2.27

 

CMYK 0 / 10 / 4 / 13

HEX #DEC8D6

RGB 222 200 214

HSL 321.82, 0.25%, 0.83%

LAB 82.75, 10.11, -4.15

 

CMYK 0 / 10 / 6 / 13

HEX #DEC8D0

RGB 222 200 208

HSL 338.18, 0.25%, 0.83%

LAB 82.59, 9.06, -1.18

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 8 / 10 / 13

HEX #DECCC8

RGB 222 204 200

HSL 10.91, 0.25%, 0.83%

LAB 83.38, 5.59, 4.25

 

CMYK 0 / 5 / 10 / 13

HEX #DED2C8

RGB 222 210 200

HSL 27.27, 0.25%, 0.83%

LAB 84.89, 2.45, 6.42

 

CMYK 0 / 22 / 20 / 25

HEX #BF9599

RGB 191 149 153

HSL 354.29, 0.25%, 0.67%

LAB 65.65, 16.36, 3.94

 

CMYK 0 / 15 / 14 / 19

HEX #CFAFB2

RGB 207 175 178

HSL 354.38, 0.25%, 0.75%

LAB 74.28, 12.05, 2.77

 

CMYK 0 / 10 / 9 / 13

HEX #DEC8CA

RGB 222 200 202

HSL 354.55, 0.25%, 0.83%

LAB 82.43, 8.04, 1.8

 

CMYK 0 / 5 / 4 / 7

HEX #EDE2E3

RGB 237 226 227

HSL 354.55, 0.23%, 0.91%

LAB 90.75, 3.91, 0.84

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

CMYK 1 / 0 / 10 / 13

HEX #DCDEC8

RGB 220 222 200

HSL 65.45, 0.25%, 0.83%

LAB 87.79, -4.47, 10.56

 

CMYK 10 / 5 / 0 / 13

HEX #C8D3DE

RGB 200 211 222

HSL 210, 0.25%, 0.83%

LAB 84.04, -1.58, -6.71

 

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

CMYK 9 / 0 / 10 / 13

HEX #CADEC8

RGB 202 222 200

HSL 114.55, 0.25%, 0.83%

LAB 86.49, -10.7, 8.52

 

CMYK 10 / 9 / 0 / 13

HEX #C8CADE

RGB 200 202 222

HSL 234.55, 0.25%, 0.83%

LAB 81.73, 3.17, -10.14

 

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

CMYK 1 / 0 / 10 / 13

HEX #DCDEC8

RGB 220 222 200

HSL 65.45, 0.25%, 0.83%

LAB 87.79, -4.47, 10.56

 

CMYK 10 / 0 / 1 / 13

HEX #C8DEDC

RGB 200 222 220

HSL 174.55, 0.25%, 0.83%

LAB 86.84, -7.67, -1.52

 

CMYK 9 / 10 / 0 / 13

HEX #CAC8DE

RGB 202 200 222

HSL 245.45, 0.25%, 0.83%

LAB 81.37, 4.89, -10.66

 

CMYK 0 / 9 / 9 / 13

HEX #DFCACC

RGB 223 202 204

HSL 354.29, 0.25%, 0.83%

LAB 83.07, 7.67, 1.66

 

CMYK 4 / 0 / 10 / 13

HEX #D5DEC8

RGB 213 222 200

HSL 84.55, 0.25%, 0.83%

LAB 87.27, -6.91, 9.74

 

CMYK 10 / 0 / 1 / 13

HEX #C8DEDC

RGB 200 222 220

HSL 174.55, 0.25%, 0.83%

LAB 86.84, -7.67, -1.52

 

CMYK 6 / 10 / 0 / 13

HEX #D1C8DE

RGB 209 200 222

HSL 264.55, 0.25%, 0.83%

LAB 81.91, 7.2, -9.79

 

Description

Color code: HEX #DFCACC | qconv.com Color code: HEX #DFCACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 202 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 202 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 9% 13% C M Y K

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Provide designers and agencies with accurate color values.

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