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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00F97 it is the complementary color #1FF068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E00F97 shade: #E50F92, #F621A5, #FF33B8, #FF45CB and #FF57DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E00F97 shade: #E00F97, #CF0084, #BE0071, #AD005E and #9C004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E00F97 shade: #E00F97, #E00F5F, #E00F26 and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E00F97 shade: #E00F97, #E00FCF, #B80FE0, #800FE0 and #480FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E00F97 shade matches the following richer shades: #E00F97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E00F97 shade: #E00F97, #CC2291, #B9368B, #A54985 and #925D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E00F97 shade: #B60FE0, #E00FD2, #E00F9A, #E00F62 and #E00F2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E00F97 shade: #920A63, #B90C7D, #E00F97, #F028AA and #F24FB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E00F97 shade: #E00F97, #E07E0F and #0FE0D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E00F97 shade: #E00F97, #9AE00F and #0F9AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E00F97 shade: #E00F97, #E07E0F, #0FE055 and #0F70E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E00F97 shade: #E00F97, #E0BD0F, #0FE055 and #0F32E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

Complementary color

CMYK 87 / 0 / 57 / 6

HEX #1FF068

RGB 31 240 104

HSL 140.96, 0.87%, 0.53%

LAB 83.76, -74.3, 51.92

 

CMYK 0 / 93 / 36 / 10

HEX #E50F92

RGB 229 15 146

HSL 323.27, 0.88%, 0.48%

LAB 50.77, 79.46, -13.39

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 80 / 28 / 0

HEX #FF33B8

RGB 255 51 184

HSL 320.88, 1%, 0.6%

LAB 59.06, 82.98, -22.69

 

CMYK 0 / 73 / 20 / 0

HEX #FF45CB

RGB 255 69 203

HSL 316.77, 1%, 0.64%

LAB 61.51, 80.42, -29.79

 

CMYK 0 / 66 / 13 / 0

HEX #FF57DE

RGB 255 87 222

HSL 311.79, 1%, 0.67%

LAB 64.44, 76.95, -35.95

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 100 / 36 / 19

HEX #CF0084

RGB 207 0 132

HSL 321.74, 1%, 0.41%

LAB 45.54, 74.78, -13.24

 

CMYK 0 / 100 / 41 / 25

HEX #BE0071

RGB 190 0 113

HSL 324.32, 1%, 0.37%

LAB 41.44, 69.4, -8.01

 

CMYK 0 / 100 / 46 / 32

HEX #AD005E

RGB 173 0 94

HSL 327.4, 1%, 0.34%

LAB 37.28, 63.98, -2.52

 

CMYK 0 / 100 / 52 / 39

HEX #9C004B

RGB 156 0 75

HSL 331.15, 1%, 0.31%

LAB 33.08, 58.52, 3.27

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 93 / 58 / 12

HEX #E00F5F

RGB 224 15 95

HSL 337.03, 0.87%, 0.47%

LAB 48.28, 74.27, 13.95

 

CMYK 0 / 93 / 83 / 12

HEX #E00F26

RGB 224 15 38

HSL 353.4, 0.87%, 0.47%

LAB 47.4, 71.85, 46.72

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 93 / 8 / 12

HEX #E00FCF

RGB 224 15 207

HSL 304.88, 0.87%, 0.47%

LAB 52.61, 85.62, -46.4

 

CMYK 18 / 93 / 0 / 12

HEX #B80FE0

RGB 184 15 224

HSL 288.52, 0.87%, 0.47%

LAB 46.86, 81.86, -65.73

 

CMYK 43 / 93 / 0 / 12

HEX #800FE0

RGB 128 15 224

HSL 272.44, 0.87%, 0.47%

LAB 38.4, 74.96, -79.91

 

CMYK 68 / 93 / 0 / 12

HEX #480FE0

RGB 72 15 224

HSL 256.36, 0.87%, 0.47%

LAB 32.04, 70.73, -90.64

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 83 / 29 / 20

HEX #CC2291

RGB 204 34 145

HSL 320.82, 0.71%, 0.47%

LAB 47.01, 71.04, -18.95

 

CMYK 0 / 71 / 25 / 27

HEX #B9368B

RGB 185 54 139

HSL 321.07, 0.55%, 0.47%

LAB 45.38, 59.94, -18.12

 

CMYK 0 / 56 / 19 / 35

HEX #A54985

RGB 165 73 133

HSL 320.87, 0.39%, 0.47%

LAB 44.88, 45.19, -15.53

 

CMYK 0 / 36 / 13 / 43

HEX #925D7F

RGB 146 93 127

HSL 321.51, 0.22%, 0.47%

LAB 46.27, 26.97, -10.05

 

CMYK 19 / 93 / 0 / 12

HEX #B60FE0

RGB 182 15 224

HSL 287.94, 0.87%, 0.47%

LAB 46.54, 81.57, -66.27

 

CMYK 0 / 93 / 6 / 12

HEX #E00FD2

RGB 224 15 210

HSL 304.02, 0.87%, 0.47%

LAB 52.78, 86.03, -47.86

 

CMYK 0 / 93 / 31 / 12

HEX #E00F9A

RGB 224 15 154

HSL 320.1, 0.87%, 0.47%

LAB 50.12, 79.22, -19.26

 

CMYK 0 / 93 / 56 / 12

HEX #E00F62

RGB 224 15 98

HSL 336.17, 0.87%, 0.47%

LAB 48.35, 74.47, 12.2

 

CMYK 0 / 93 / 81 / 12

HEX #E00F2B

RGB 224 15 43

HSL 351.96, 0.87%, 0.47%

LAB 47.45, 71.97, 44.08

 

CMYK 0 / 93 / 32 / 43

HEX #920A63

RGB 146 10 99

HSL 320.74, 0.87%, 0.31%

LAB 32.32, 57.11, -13.76

 

CMYK 0 / 94 / 32 / 27

HEX #B90C7D

RGB 185 12 125

HSL 320.81, 0.88%, 0.39%

LAB 41.31, 68.31, -15.77

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 83 / 29 / 6

HEX #F028AA

RGB 240 40 170

HSL 321, 0.87%, 0.55%

LAB 55.02, 80.54, -20.97

 

CMYK 0 / 67 / 24 / 5

HEX #F24FB9

RGB 242 79 185

HSL 320.98, 0.86%, 0.63%

LAB 59.86, 71.65, -22.21

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 44 / 93 / 12

HEX #E07E0F

RGB 224 126 15

HSL 31.87, 0.87%, 0.47%

LAB 62.34, 31.59, 66.55

 

CMYK 93 / 0 / 6 / 12

HEX #0FE0D2

RGB 15 224 210

HSL 175.98, 0.87%, 0.47%

LAB 80.78, -47.23, -5.88

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 31 / 0 / 93 / 12

HEX #9AE00F

RGB 154 224 15

HSL 80.1, 0.87%, 0.47%

LAB 81.96, -47.31, 78.76

 

CMYK 93 / 31 / 0 / 12

HEX #0F9AE0

RGB 15 154 224

HSL 200.1, 0.87%, 0.47%

LAB 60.42, -8.16, -44.64

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 44 / 93 / 12

HEX #E07E0F

RGB 224 126 15

HSL 31.87, 0.87%, 0.47%

LAB 62.34, 31.59, 66.55

 

CMYK 93 / 0 / 62 / 12

HEX #0FE055

RGB 15 224 85

HSL 140.1, 0.87%, 0.47%

LAB 78.5, -72.7, 54.13

 

CMYK 93 / 50 / 0 / 12

HEX #0F70E0

RGB 15 112 224

HSL 212.15, 0.87%, 0.47%

LAB 48.35, 17.25, -63.93

 

CMYK 0 / 93 / 33 / 12

HEX #E00F97

RGB 224 15 151

HSL 320.96, 0.87%, 0.47%

LAB 50.01, 78.91, -17.64

 

CMYK 0 / 16 / 93 / 12

HEX #E0BD0F

RGB 224 189 15

HSL 49.95, 0.87%, 0.47%

LAB 77.45, -1.8, 77.49

 

CMYK 93 / 0 / 62 / 12

HEX #0FE055

RGB 15 224 85

HSL 140.1, 0.87%, 0.47%

LAB 78.5, -72.7, 54.13

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

Description

Color code: HEX #E00F97 | qconv.com Color code: HEX #E00F97 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 15 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 15 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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