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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03797 it is the complementary color #1FC868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E03797 shade: #E53792, #F649A5, #FF5BB8, #FF6DCB and #FF7FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E03797 shade: #E03797, #CF2584, #BE1371, #AD015E and #9C004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E03797 shade: #E03897, #E0386A, #E0383D and #E03838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E03797 shade: #E03897, #E038C4, #CE38E0, #A038E0 and #7338E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E03797 shade matches the following richer shades: #E03897 and #F2259A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E03797 shade: #E03897, #CD4B95, #BA5D92, #A87090 and #95828D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E03797 shade: #CC38E0, #E038C6, #E0389A, #E0386D and #E03840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E03797 shade: #AB1A6C, #CE2083, #E03897, #E55CAA and #EB7FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E03797 shade: #E03797, #E09F38 and #38DDE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E03797 shade: #E03797, #9AE038 and #389AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E03797 shade: #E03797, #E09F38, #38E07E and #3878E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E03797 shade: #E03797, #E0D238, #38E07E and #3846E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

Complementary color

CMYK 85 / 0 / 48 / 22

HEX #1FC868

RGB 31 200 104

HSL 145.92, 0.73%, 0.45%

LAB 71.28, -61.43, 36.67

 

CMYK 0 / 76 / 36 / 10

HEX #E53792

RGB 229 55 146

HSL 328.62, 0.77%, 0.56%

LAB 53.46, 71.75, -9.35

 

CMYK 0 / 70 / 33 / 4

HEX #F649A5

RGB 246 73 165

HSL 328.09, 0.91%, 0.63%

LAB 59.04, 72.43, -11.84

 

CMYK 0 / 64 / 28 / 0

HEX #FF5BB8

RGB 255 91 184

HSL 325.98, 1%, 0.68%

LAB 63.51, 70.46, -15.9

 

CMYK 0 / 57 / 20 / 0

HEX #FF6DCB

RGB 255 109 203

HSL 321.37, 1%, 0.71%

LAB 66.91, 65.49, -21.49

 

CMYK 0 / 50 / 13 / 0

HEX #FF7FDE

RGB 255 127 222

HSL 315.47, 1%, 0.75%

LAB 70.67, 60.08, -26.32

 

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

CMYK 0 / 82 / 36 / 19

HEX #CF2584

RGB 207 37 132

HSL 326.47, 0.7%, 0.48%

LAB 47.31, 69.66, -10.57

 

CMYK 0 / 90 / 41 / 25

HEX #BE1371

RGB 190 19 113

HSL 327.02, 0.82%, 0.41%

LAB 42.16, 67.29, -6.92

 

CMYK 0 / 99 / 46 / 32

HEX #AD015E

RGB 173 1 94

HSL 327.56, 0.99%, 0.34%

LAB 37.32, 63.86, -2.46

 

CMYK 0 / 100 / 52 / 39

HEX #9C004B

RGB 156 0 75

HSL 331.15, 1%, 0.31%

LAB 33.08, 58.52, 3.27

 

CMYK 0 / 75 / 33 / 12

HEX #E03897

RGB 224 56 151

HSL 326.07, 0.73%, 0.55%

LAB 52.85, 70.73, -13.32

 

CMYK 0 / 75 / 53 / 12

HEX #E0386A

RGB 224 56 106

HSL 342.14, 0.73%, 0.55%

LAB 51.51, 66.54, 11.73

 

CMYK 0 / 75 / 73 / 12

HEX #E0383D

RGB 224 56 61

HSL 358.21, 0.73%, 0.55%

LAB 50.7, 63.9, 37.46

 

CMYK 0 / 75 / 75 / 12

HEX #E03838

RGB 224 56 56

HSL 0, 0.73%, 0.55%

LAB 50.64, 63.71, 40.22

 

CMYK 0 / 75 / 33 / 12

HEX #E03897

RGB 224 56 151

HSL 326.07, 0.73%, 0.55%

LAB 52.85, 70.73, -13.32

 

CMYK 0 / 75 / 13 / 12

HEX #E038C4

RGB 224 56 196

HSL 310, 0.73%, 0.55%

LAB 54.72, 76.36, -36.75

 

CMYK 8 / 75 / 0 / 12

HEX #CE38E0

RGB 206 56 224

HSL 293.57, 0.73%, 0.55%

LAB 53.31, 76.94, -55.15

 

CMYK 29 / 75 / 0 / 12

HEX #A038E0

RGB 160 56 224

HSL 277.14, 0.73%, 0.55%

LAB 46.56, 68.38, -66.39

 

CMYK 49 / 75 / 0 / 12

HEX #7338E0

RGB 115 56 224

HSL 261.07, 0.73%, 0.55%

LAB 40.98, 61.09, -75.71

 

CMYK 0 / 75 / 33 / 12

HEX #E03897

RGB 224 56 151

HSL 326.07, 0.73%, 0.55%

LAB 52.85, 70.73, -13.32

 

CMYK 0 / 85 / 36 / 5

HEX #F2259A

RGB 242 37 154

HSL 325.76, 0.89%, 0.55%

LAB 54.59, 79.91, -12.16

 

CMYK 0 / 75 / 33 / 12

HEX #E03897

RGB 224 56 151

HSL 326.07, 0.73%, 0.55%

LAB 52.85, 70.73, -13.32

 

CMYK 0 / 63 / 27 / 20

HEX #CD4B95

RGB 205 75 149

HSL 325.85, 0.57%, 0.55%

LAB 52.04, 58.56, -13.67

 

CMYK 0 / 50 / 22 / 27

HEX #BA5D92

RGB 186 93 146

HSL 325.81, 0.4%, 0.55%

LAB 52.22, 43.9, -11.9

 

CMYK 0 / 33 / 14 / 34

HEX #A87090

RGB 168 112 144

HSL 325.71, 0.24%, 0.55%

LAB 53.95, 27.08, -8.37

 

CMYK 0 / 13 / 5 / 42

HEX #95828D

RGB 149 130 141

HSL 325.26, 0.08%, 0.55%

LAB 56.36, 9.23, -3.26

 

CMYK 9 / 75 / 0 / 12

HEX #CC38E0

RGB 204 56 224

HSL 292.86, 0.73%, 0.55%

LAB 53, 76.56, -55.67

 

CMYK 0 / 75 / 12 / 12

HEX #E038C6

RGB 224 56 198

HSL 309.29, 0.73%, 0.55%

LAB 54.82, 76.64, -37.75

 

CMYK 0 / 75 / 31 / 12

HEX #E0389A

RGB 224 56 154

HSL 325, 0.73%, 0.55%

LAB 52.96, 71.06, -14.94

 

CMYK 0 / 75 / 51 / 12

HEX #E0386D

RGB 224 56 109

HSL 341.07, 0.73%, 0.55%

LAB 51.59, 66.77, 10.02

 

CMYK 0 / 75 / 71 / 12

HEX #E03840

RGB 224 56 64

HSL 357.14, 0.73%, 0.55%

LAB 50.74, 64.03, 35.79

 

CMYK 0 / 85 / 37 / 33

HEX #AB1A6C

RGB 171 26 108

HSL 326.07, 0.74%, 0.39%

LAB 38.69, 61.02, -9.37

 

CMYK 0 / 84 / 36 / 19

HEX #CE2083

RGB 206 32 131

HSL 325.86, 0.73%, 0.47%

LAB 46.7, 70.42, -10.89

 

CMYK 0 / 75 / 33 / 12

HEX #E03897

RGB 224 56 151

HSL 326.07, 0.73%, 0.55%

LAB 52.85, 70.73, -13.32

 

CMYK 0 / 60 / 26 / 10

HEX #E55CAA

RGB 229 92 170

HSL 325.84, 0.72%, 0.63%

LAB 59.17, 60.99, -14.81

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

CMYK 0 / 29 / 75 / 12

HEX #E09F38

RGB 224 159 56

HSL 36.79, 0.73%, 0.55%

LAB 70.13, 15.12, 60.32

 

CMYK 75 / 1 / 0 / 12

HEX #38DDE0

RGB 56 221 224

HSL 181.07, 0.73%, 0.55%

LAB 80.7, -39.21, -13.4

 

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

CMYK 31 / 0 / 75 / 12

HEX #9AE038

RGB 154 224 56

HSL 85, 0.73%, 0.55%

LAB 82.09, -45.95, 69.97

 

CMYK 75 / 31 / 0 / 12

HEX #389AE0

RGB 56 154 224

HSL 205, 0.73%, 0.55%

LAB 61.08, -5, -43.57

 

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

CMYK 0 / 29 / 75 / 12

HEX #E09F38

RGB 224 159 56

HSL 36.79, 0.73%, 0.55%

LAB 70.13, 15.12, 60.32

 

CMYK 75 / 0 / 44 / 12

HEX #38E07E

RGB 56 224 126

HSL 145, 0.73%, 0.55%

LAB 79.42, -63.26, 36.14

 

CMYK 75 / 46 / 0 / 12

HEX #3878E0

RGB 56 120 224

HSL 217.14, 0.73%, 0.55%

LAB 51.45, 15.36, -58.89

 

CMYK 0 / 75 / 33 / 12

HEX #E03797

RGB 224 55 151

HSL 325.92, 0.73%, 0.55%

LAB 52.75, 71.03, -13.48

 

CMYK 0 / 6 / 75 / 12

HEX #E0D238

RGB 224 210 56

HSL 55, 0.73%, 0.55%

LAB 83.03, -11.48, 72.57

 

CMYK 75 / 0 / 44 / 12

HEX #38E07E

RGB 56 224 126

HSL 145, 0.73%, 0.55%

LAB 79.42, -63.26, 36.14

 

CMYK 75 / 69 / 0 / 12

HEX #3846E0

RGB 56 70 224

HSL 235, 0.73%, 0.55%

LAB 38.9, 46.57, -79.3

 

Description

Color code: HEX #E03797 | qconv.com Color code: HEX #E03797 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 55 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 55 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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