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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E041F6 it is the complementary color #1FBE09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E041F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E041F6 shade: #E541F1, #F653FF, #FF65FF, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E041F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E041F6 shade: #E041F6, #CF2FE3, #BE1DD0, #AD0BBD and #9C00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E041F6 shade: #E041F6, #F641DB, #F641AA, #F64179 and #F64148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E041F6 shade: #E041F6, #AF41F6, #7E41F6, #4D41F6 and #4141F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E041F6 shade matches the following richer shades: #E041F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E041F6 shade: #E041F6, #D351E5, #C761D5, #BB71C5 and #AF81B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E041F6 shade: #7D41F6, #AD41F6, #DD41F6, #F641DD and #F641AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E041F6 shade: #C10ADA, #D919F4, #E041F6, #E668F7 and #EC8FF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E041F6 shade: #E041F6, #F64D41 and #41F695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E041F6 shade: #E041F6, #F6DD41 and #41F6DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E041F6 shade: #E041F6, #F64D41, #59F641 and #41E9F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E041F6 shade: #E041F6, #F68341, #59F641 and #41B3F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

Complementary color

CMYK 84 / 0 / 95 / 25

HEX #1FBE09

RGB 31 190 9

HSL 112.71, 0.91%, 0.39%

LAB 67.38, -66.9, 65.9

 

CMYK 5 / 73 / 0 / 5

HEX #E541F1

RGB 229 65 241

HSL 295.91, 0.86%, 0.6%

LAB 58.78, 81.52, -55.77

 

CMYK 4 / 67 / 0 / 0

HEX #F653FF

RGB 246 83 255

HSL 296.86, 1%, 0.66%

LAB 64.16, 81.36, -54.8

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 9 / 79 / 0 / 11

HEX #CF2FE3

RGB 207 47 227

HSL 293.33, 0.76%, 0.54%

LAB 52.78, 80.14, -57.7

 

CMYK 9 / 86 / 0 / 18

HEX #BE1DD0

RGB 190 29 208

HSL 293.97, 0.76%, 0.46%

LAB 47.47, 78.06, -55.53

 

CMYK 8 / 94 / 0 / 26

HEX #AD0BBD

RGB 173 11 189

HSL 294.61, 0.89%, 0.39%

LAB 42.46, 74.83, -52.7

 

CMYK 8 / 100 / 0 / 33

HEX #9C00AA

RGB 156 0 170

HSL 295.06, 1%, 0.33%

LAB 37.79, 70.26, -49.11

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 0 / 74 / 11 / 4

HEX #F641DB

RGB 246 65 219

HSL 308.95, 0.91%, 0.61%

LAB 60.33, 81.72, -40.8

 

CMYK 0 / 74 / 31 / 4

HEX #F641AA

RGB 246 65 170

HSL 325.19, 0.91%, 0.61%

LAB 58.3, 75.56, -15.87

 

CMYK 0 / 74 / 51 / 4

HEX #F64179

RGB 246 65 121

HSL 341.44, 0.91%, 0.61%

LAB 56.83, 70.92, 10.79

 

CMYK 0 / 74 / 71 / 4

HEX #F64148

RGB 246 65 72

HSL 357.68, 0.91%, 0.61%

LAB 55.93, 67.96, 38.31

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 29 / 74 / 0 / 4

HEX #AF41F6

RGB 175 65 246

HSL 276.46, 0.91%, 0.61%

LAB 51.32, 72.26, -70.96

 

CMYK 49 / 74 / 0 / 4

HEX #7E41F6

RGB 126 65 246

HSL 260.22, 0.91%, 0.61%

LAB 45.46, 64.31, -80.78

 

CMYK 69 / 74 / 0 / 4

HEX #4D41F6

RGB 77 65 246

HSL 243.98, 0.91%, 0.61%

LAB 41.24, 58.35, -87.87

 

CMYK 74 / 74 / 0 / 4

HEX #4141F6

RGB 65 65 246

HSL 240, 0.91%, 0.61%

LAB 40.51, 57.29, -89.11

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 8 / 65 / 0 / 10

HEX #D351E5

RGB 211 81 229

HSL 292.7, 0.74%, 0.61%

LAB 57.45, 70.03, -51.32

 

CMYK 7 / 54 / 0 / 16

HEX #C761D5

RGB 199 97 213

HSL 292.76, 0.58%, 0.61%

LAB 57.56, 57.14, -42.25

 

CMYK 5 / 43 / 0 / 23

HEX #BB71C5

RGB 187 113 197

HSL 292.86, 0.42%, 0.61%

LAB 58.42, 42.57, -31.93

 

CMYK 3 / 29 / 0 / 29

HEX #AF81B5

RGB 175 129 181

HSL 293.08, 0.26%, 0.61%

LAB 60.02, 26.79, -20.46

 

CMYK 49 / 74 / 0 / 4

HEX #7D41F6

RGB 125 65 246

HSL 259.89, 0.91%, 0.61%

LAB 45.35, 64.17, -80.96

 

CMYK 30 / 74 / 0 / 4

HEX #AD41F6

RGB 173 65 246

HSL 275.8, 0.91%, 0.61%

LAB 51.06, 71.91, -71.41

 

CMYK 10 / 74 / 0 / 4

HEX #DD41F6

RGB 221 65 246

HSL 291.71, 0.91%, 0.61%

LAB 57.85, 80.79, -60.1

 

CMYK 0 / 74 / 10 / 4

HEX #F641DD

RGB 246 65 221

HSL 308.29, 0.91%, 0.61%

LAB 60.42, 82, -41.78

 

CMYK 0 / 74 / 30 / 4

HEX #F641AD

RGB 246 65 173

HSL 324.2, 0.91%, 0.61%

LAB 58.41, 75.9, -17.45

 

CMYK 11 / 95 / 0 / 15

HEX #C10ADA

RGB 193 10 218

HSL 292.79, 0.91%, 0.45%

LAB 47.77, 82.66, -60.75

 

CMYK 11 / 90 / 0 / 4

HEX #D919F4

RGB 217 25 244

HSL 292.6, 0.91%, 0.53%

LAB 54, 88.8, -65.21

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 7 / 58 / 0 / 3

HEX #E668F7

RGB 230 104 247

HSL 292.87, 0.9%, 0.69%

LAB 64.51, 68.02, -49.97

 

CMYK 5 / 43 / 0 / 2

HEX #EC8FF9

RGB 236 143 249

HSL 292.64, 0.9%, 0.77%

LAB 72.44, 51.29, -38.58

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 0 / 69 / 74 / 4

HEX #F64D41

RGB 246 77 65

HSL 3.98, 0.91%, 0.61%

LAB 57.35, 63.51, 43.8

 

CMYK 74 / 0 / 39 / 4

HEX #41F695

RGB 65 246 149

HSL 147.85, 0.91%, 0.61%

LAB 86.61, -65.83, 34.08

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 0 / 10 / 74 / 4

HEX #F6DD41

RGB 246 221 65

HSL 51.71, 0.91%, 0.61%

LAB 87.82, -7.39, 74.74

 

CMYK 74 / 0 / 10 / 4

HEX #41F6DD

RGB 65 246 221

HSL 171.71, 0.91%, 0.61%

LAB 88.09, -49.98, -0.86

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 0 / 69 / 74 / 4

HEX #F64D41

RGB 246 77 65

HSL 3.98, 0.91%, 0.61%

LAB 57.35, 63.51, 43.8

 

CMYK 64 / 0 / 74 / 4

HEX #59F641

RGB 89 246 65

HSL 112.04, 0.91%, 0.61%

LAB 86.21, -72.14, 70.25

 

CMYK 74 / 5 / 0 / 4

HEX #41E9F6

RGB 65 233 246

HSL 184.31, 0.91%, 0.61%

LAB 85.02, -37.41, -18.53

 

CMYK 9 / 74 / 0 / 4

HEX #E041F6

RGB 224 65 246

HSL 292.71, 0.91%, 0.61%

LAB 58.3, 81.37, -59.35

 

CMYK 0 / 47 / 74 / 4

HEX #F68341

RGB 246 131 65

HSL 21.88, 0.91%, 0.61%

LAB 66.68, 39.23, 53.82

 

CMYK 64 / 0 / 74 / 4

HEX #59F641

RGB 89 246 65

HSL 112.04, 0.91%, 0.61%

LAB 86.21, -72.14, 70.25

 

CMYK 74 / 27 / 0 / 4

HEX #41B3F6

RGB 65 179 246

HSL 202.21, 0.91%, 0.61%

LAB 69.48, -10.3, -42.43

 

Description

Color code: HEX #E041F6 | qconv.com Color code: HEX #E041F6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 65 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 65 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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