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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E04366 it is the complementary color #1FBC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E04366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E04366 shade: #E54361, #F65574, #FF6787, #FF799A and #FF8BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E04366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E04366 shade: #E04366, #CF3153, #BE1F40, #AD0D2D and #9C001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E04366 shade: #E04265 and #E04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E04366 shade: #E04265, #E04290, #E042BA, #DB42E0 and #B042E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E04366 shade matches the following richer shades: #E04265 and #F2305B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E04366 shade: #E04265, #CE546F, #BC6579, #AB7783 and #99898C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E04366 shade: #E042BB, #E04291, #E04267, #E04742 and #E07142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E04366 shade: #B31D3E, #D6224A, #E04265, #E66582 and #EB899F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E04366 shade: #E04366, #E0DB42 and #42A6E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E04366 shade: #E04366, #67E042 and #4267E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E04366 shade: #E04366, #E0DB42, #42E0BB and #4247E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E04366 shade: #E04366, #B6E042, #42E0BB and #6C42E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

Complementary color

CMYK 84 / 0 / 19 / 26

HEX #1FBC99

RGB 31 188 153

HSL 166.62, 0.72%, 0.43%

LAB 68.43, -46.59, 6.89

 

CMYK 0 / 71 / 58 / 10

HEX #E54361

RGB 229 67 97

HSL 348.89, 0.76%, 0.58%

LAB 53.53, 63.66, 20.04

 

CMYK 0 / 65 / 53 / 4

HEX #F65574

RGB 246 85 116

HSL 348.45, 0.9%, 0.65%

LAB 59.3, 63.42, 17.16

 

CMYK 0 / 60 / 47 / 0

HEX #FF6787

RGB 255 103 135

HSL 347.37, 1%, 0.7%

LAB 63.93, 60.37, 12.81

 

CMYK 0 / 53 / 40 / 0

HEX #FF799A

RGB 255 121 154

HSL 345.22, 1%, 0.74%

LAB 67.48, 54.07, 7.02

 

CMYK 0 / 45 / 32 / 0

HEX #FF8BAD

RGB 255 139 173

HSL 342.41, 1%, 0.77%

LAB 71.38, 47.5, 1.98

 

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

CMYK 0 / 76 / 60 / 19

HEX #CF3153

RGB 207 49 83

HSL 347.09, 0.62%, 0.5%

LAB 47.09, 62.31, 19.17

 

CMYK 0 / 84 / 66 / 25

HEX #BE1F40

RGB 190 31 64

HSL 347.55, 0.72%, 0.43%

LAB 41.68, 61.35, 23.22

 

CMYK 0 / 92 / 74 / 32

HEX #AD0D2D

RGB 173 13 45

HSL 348, 0.86%, 0.36%

LAB 36.67, 59.31, 28.15

 

CMYK 0 / 100 / 83 / 39

HEX #9C001A

RGB 156 0 26

HSL 350, 1%, 0.31%

LAB 32.13, 55.95, 33.76

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 71 / 36 / 12

HEX #E04290

RGB 224 66 144

HSL 330.38, 0.72%, 0.57%

LAB 53.77, 66.72, -7.79

 

CMYK 0 / 71 / 17 / 12

HEX #E042BA

RGB 224 66 186

HSL 314.43, 0.72%, 0.57%

LAB 55.37, 71.85, -29.96

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 21 / 71 / 0 / 12

HEX #B042E0

RGB 176 66 224

HSL 281.77, 0.72%, 0.57%

LAB 50.11, 67.57, -60.54

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 80 / 62 / 5

HEX #F2305B

RGB 242 48 91

HSL 346.7, 0.88%, 0.57%

LAB 53.76, 72.65, 24.36

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 59 / 46 / 19

HEX #CE546F

RGB 206 84 111

HSL 346.72, 0.55%, 0.57%

LAB 52.52, 50.64, 9.69

 

CMYK 0 / 46 / 36 / 26

HEX #BC6579

RGB 188 101 121

HSL 346.21, 0.39%, 0.57%

LAB 53.36, 37.03, 4.6

 

CMYK 0 / 30 / 23 / 33

HEX #AB7783

RGB 171 119 131

HSL 346.15, 0.24%, 0.57%

LAB 55.57, 22.15, 1.66

 

CMYK 0 / 10 / 8 / 40

HEX #99898C

RGB 153 137 140

HSL 348.75, 0.07%, 0.57%

LAB 58.56, 6.55, 0.58

 

CMYK 0 / 71 / 17 / 12

HEX #E042BB

RGB 224 66 187

HSL 314.05, 0.72%, 0.57%

LAB 55.41, 71.99, -30.47

 

CMYK 0 / 71 / 35 / 12

HEX #E04291

RGB 224 66 145

HSL 330, 0.72%, 0.57%

LAB 53.8, 66.83, -8.33

 

CMYK 0 / 71 / 54 / 12

HEX #E04267

RGB 224 66 103

HSL 345.95, 0.72%, 0.57%

LAB 52.64, 62.97, 15.11

 

CMYK 0 / 68 / 71 / 12

HEX #E04742

RGB 224 71 66

HSL 1.9, 0.72%, 0.57%

LAB 52.67, 58.86, 36.9

 

CMYK 0 / 50 / 71 / 12

HEX #E07142

RGB 224 113 66

HSL 17.85, 0.72%, 0.57%

LAB 59.93, 39.83, 45.16

 

CMYK 0 / 84 / 65 / 30

HEX #B31D3E

RGB 179 29 62

HSL 346.8, 0.72%, 0.41%

LAB 39.26, 58.71, 20.92

 

CMYK 0 / 84 / 65 / 16

HEX #D6224A

RGB 214 34 74

HSL 346.67, 0.73%, 0.49%

LAB 46.89, 67.61, 24.67

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 56 / 43 / 10

HEX #E66582

RGB 230 101 130

HSL 346.51, 0.72%, 0.65%

LAB 59.65, 52.66, 9.13

 

CMYK 0 / 42 / 32 / 8

HEX #EB899F

RGB 235 137 159

HSL 346.53, 0.71%, 0.73%

LAB 68.06, 39.84, 4.69

 

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

CMYK 0 / 2 / 71 / 12

HEX #E0DB42

RGB 224 219 66

HSL 58.1, 0.72%, 0.57%

LAB 85.46, -15.52, 71.49

 

CMYK 71 / 26 / 0 / 12

HEX #42A6E0

RGB 66 166 224

HSL 202.03, 0.72%, 0.57%

LAB 64.81, -10.43, -37.69

 

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

CMYK 54 / 0 / 71 / 12

HEX #67E042

RGB 103 224 66

HSL 105.95, 0.72%, 0.57%

LAB 79.95, -61.32, 63.71

 

CMYK 71 / 54 / 0 / 12

HEX #4267E0

RGB 66 103 224

HSL 225.95, 0.72%, 0.57%

LAB 47.29, 27.31, -65.59

 

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

CMYK 0 / 2 / 71 / 12

HEX #E0DB42

RGB 224 219 66

HSL 58.1, 0.72%, 0.57%

LAB 85.46, -15.52, 71.49

 

CMYK 71 / 0 / 17 / 12

HEX #42E0BB

RGB 66 224 187

HSL 165.95, 0.72%, 0.57%

LAB 80.77, -49.19, 6.39

 

CMYK 71 / 68 / 0 / 12

HEX #4247E0

RGB 66 71 224

HSL 238.1, 0.72%, 0.57%

LAB 39.66, 46.98, -78.04

 

CMYK 0 / 70 / 54 / 12

HEX #E04366

RGB 224 67 102

HSL 346.62, 0.72%, 0.57%

LAB 52.75, 62.53, 15.85

 

CMYK 19 / 0 / 71 / 12

HEX #B6E042

RGB 182 224 66

HSL 75.95, 0.72%, 0.57%

LAB 83.78, -34.91, 68.82

 

CMYK 71 / 0 / 17 / 12

HEX #42E0BB

RGB 66 224 187

HSL 165.95, 0.72%, 0.57%

LAB 80.77, -49.19, 6.39

 

CMYK 52 / 71 / 0 / 12

HEX #6C42E0

RGB 108 66 224

HSL 255.95, 0.72%, 0.57%

LAB 41.95, 55.29, -74.16

 

Description

Color code: HEX #E04366 | qconv.com Color code: HEX #E04366 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 67 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 67 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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