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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E06B91 it is the complementary color #1F946E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E06B91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E06B91 shade: #E56B8C, #F67D9F, #FF8FB2, #FFA1C5 and #FFB3D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E06B91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E06B91 shade: #E06B91, #CF597E, #BE476B, #AD3558 and #9C2345

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E06B91 shade: #DF6B91, #DF6B72 and #DF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E06B91 shade: #DF6B91, #DF6BB0, #DF6BD0, #D06BDF and #B06BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E06B91 shade matches the following richer shades: #DF6B91, #EE5D8C and #FC4E87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E06B91 shade: #DF6B91, #D17A96, #C2889B, #B497A0 and #A5A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E06B91 shade: #DF6BD0, #DF6BB1, #DF6B92, #DF6B73 and #DF826B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E06B91 shade: #CD2B60, #D84978, #DF6B91, #E68DAA and #EEAFC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E06B91 shade: #E06B91, #DFD06B and #6BC0DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E06B91 shade: #E06B91, #92DF6B and #6B92DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E06B91 shade: #E06B91, #DFD06B, #6BDFB9 and #6B7BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E06B91 shade: #E06B91, #CCDF6B, #6BDFB9 and #7F6BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

Complementary color

CMYK 79 / 0 / 26 / 42

HEX #1F946E

RGB 31 148 110

HSL 160.51, 0.65%, 0.35%

LAB 54.65, -40.68, 11.29

 

CMYK 0 / 53 / 39 / 10

HEX #E56B8C

RGB 229 107 140

HSL 343.77, 0.7%, 0.66%

LAB 60.84, 50.55, 5.01

 

CMYK 0 / 49 / 35 / 4

HEX #F67D9F

RGB 246 125 159

HSL 343.14, 0.87%, 0.73%

LAB 67.1, 49.7, 3.49

 

CMYK 0 / 44 / 30 / 0

HEX #FF8FB2

RGB 255 143 178

HSL 341.25, 1%, 0.78%

LAB 72.31, 46.12, 0.55

 

CMYK 0 / 37 / 23 / 0

HEX #FFA1C5

RGB 255 161 197

HSL 337.02, 1%, 0.82%

LAB 76.55, 39.48, -3.72

 

CMYK 0 / 30 / 15 / 0

HEX #FFB3D8

RGB 255 179 216

HSL 330.79, 1%, 0.85%

LAB 80.99, 32.93, -7.47

 

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

CMYK 0 / 57 / 39 / 19

HEX #CF597E

RGB 207 89 126

HSL 341.19, 0.55%, 0.58%

LAB 53.94, 50.21, 2.82

 

CMYK 0 / 63 / 44 / 25

HEX #BE476B

RGB 190 71 107

HSL 341.85, 0.48%, 0.51%

LAB 47.64, 50.84, 4.81

 

CMYK 0 / 69 / 49 / 32

HEX #AD3558

RGB 173 53 88

HSL 342.5, 0.53%, 0.44%

LAB 41.43, 51.18, 7.28

 

CMYK 0 / 78 / 56 / 39

HEX #9C2345

RGB 156 35 69

HSL 343.14, 0.63%, 0.37%

LAB 35.4, 50.95, 10.46

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B72

RGB 223 107 114

HSL 356.38, 0.64%, 0.65%

LAB 59.36, 45.85, 17.83

 

CMYK 0 / 52 / 52 / 13

HEX #DF6B6B

RGB 223 107 107

HSL 0, 0.64%, 0.65%

LAB 59.22, 45.23, 21.67

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 52 / 21 / 13

HEX #DF6BB0

RGB 223 107 176

HSL 324.31, 0.64%, 0.65%

LAB 61.08, 53.16, -15.46

 

CMYK 0 / 52 / 7 / 13

HEX #DF6BD0

RGB 223 107 208

HSL 307.76, 0.64%, 0.65%

LAB 62.3, 58.09, -31.77

 

CMYK 7 / 52 / 0 / 13

HEX #D06BDF

RGB 208 107 223

HSL 292.24, 0.64%, 0.65%

LAB 61, 56.59, -42.37

 

CMYK 21 / 52 / 0 / 13

HEX #B06BDF

RGB 176 107 223

HSL 275.69, 0.64%, 0.65%

LAB 57.15, 48.08, -48.71

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 61 / 41 / 7

HEX #EE5D8C

RGB 238 93 140

HSL 340.55, 0.81%, 0.65%

LAB 59.8, 59.81, 3.68

 

CMYK 0 / 69 / 46 / 1

HEX #FC4E87

RGB 252 78 135

HSL 340.34, 0.97%, 0.65%

LAB 59.79, 69.38, 6.89

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 42 / 28 / 18

HEX #D17A96

RGB 209 122 150

HSL 340.69, 0.49%, 0.65%

LAB 61.37, 37.27, -0.31

 

CMYK 0 / 30 / 20 / 24

HEX #C2889B

RGB 194 136 155

HSL 340.34, 0.32%, 0.65%

LAB 62.88, 24.98, -1.17

 

CMYK 0 / 16 / 11 / 29

HEX #B497A0

RGB 180 151 160

HSL 341.38, 0.16%, 0.65%

LAB 65.26, 12.29, -0.69

 

CMYK 0 / 52 / 7 / 13

HEX #DF6BD0

RGB 223 107 208

HSL 307.76, 0.64%, 0.65%

LAB 62.3, 58.09, -31.77

 

CMYK 0 / 52 / 21 / 13

HEX #DF6BB1

RGB 223 107 177

HSL 323.79, 0.64%, 0.65%

LAB 61.11, 53.3, -15.98

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B92

RGB 223 107 146

HSL 339.83, 0.64%, 0.65%

LAB 60.14, 49.23, 0.42

 

CMYK 0 / 52 / 48 / 13

HEX #DF6B73

RGB 223 107 115

HSL 355.86, 0.64%, 0.65%

LAB 59.38, 45.94, 17.29

 

CMYK 0 / 42 / 52 / 13

HEX #DF826B

RGB 223 130 107

HSL 11.9, 0.64%, 0.65%

LAB 63.93, 33.48, 27.92

 

CMYK 0 / 79 / 53 / 20

HEX #CD2B60

RGB 205 43 96

HSL 340.37, 0.65%, 0.49%

LAB 46.38, 64.41, 10.13

 

CMYK 0 / 66 / 44 / 15

HEX #D84978

RGB 216 73 120

HSL 340.28, 0.65%, 0.57%

LAB 52.64, 59.38, 4.71

 

CMYK 0 / 52 / 35 / 13

HEX #DF6B91

RGB 223 107 145

HSL 340.34, 0.64%, 0.65%

LAB 60.11, 49.11, 0.96

 

CMYK 0 / 39 / 26 / 10

HEX #E68DAA

RGB 230 141 170

HSL 340.45, 0.64%, 0.73%

LAB 68.59, 37.44, -0.79

 

CMYK 0 / 26 / 18 / 7

HEX #EEAFC4

RGB 238 175 196

HSL 340, 0.65%, 0.81%

LAB 77.77, 26.05, -1.59

 

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

CMYK 0 / 7 / 52 / 13

HEX #DFD06B

RGB 223 208 107

HSL 52.24, 0.64%, 0.65%

LAB 82.84, -7.76, 51.44

 

CMYK 52 / 14 / 0 / 13

HEX #6BC0DF

RGB 107 192 223

HSL 196.03, 0.64%, 0.65%

LAB 73.64, -17.31, -23.4

 

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

CMYK 35 / 0 / 52 / 13

HEX #92DF6B

RGB 146 223 107

HSL 99.83, 0.64%, 0.65%

LAB 81.81, -44.12, 48.97

 

CMYK 52 / 35 / 0 / 13

HEX #6B92DF

RGB 107 146 223

HSL 219.83, 0.64%, 0.65%

LAB 60.79, 8.15, -43.32

 

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

CMYK 0 / 7 / 52 / 13

HEX #DFD06B

RGB 223 208 107

HSL 52.24, 0.64%, 0.65%

LAB 82.84, -7.76, 51.44

 

CMYK 52 / 0 / 17 / 13

HEX #6BDFB9

RGB 107 223 185

HSL 160.34, 0.64%, 0.65%

LAB 81.51, -41.89, 8.66

 

CMYK 52 / 45 / 0 / 13

HEX #6B7BDF

RGB 107 123 223

HSL 231.72, 0.64%, 0.65%

LAB 54.68, 21.85, -53.01

 

CMYK 0 / 52 / 35 / 12

HEX #E06B91

RGB 224 107 145

HSL 340.51, 0.65%, 0.65%

LAB 60.25, 49.44, 1.18

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 52 / 0 / 17 / 13

HEX #6BDFB9

RGB 107 223 185

HSL 160.34, 0.64%, 0.65%

LAB 81.51, -41.89, 8.66

 

CMYK 43 / 52 / 0 / 13

HEX #7F6BDF

RGB 127 107 223

HSL 250.34, 0.64%, 0.65%

LAB 52.24, 35.89, -56.84

 

Description

Color code: HEX #E06B91 | qconv.com Color code: HEX #E06B91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 107 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 107 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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